RELATED: Fashion Is Going Through a Minimalist Vibe Shift

But in 2023, things look different. Matte finishes have been traded in for glazed donut glossiness. Bright logomania has taken a back seat to quiet luxury and minimalism. And the Kardashians aren’t exactly the undisputed trendsetters they once were. Enter: a Kylie Jenner fashion rebrand.

Lately, the 25-year-old has been going through something of an image change — and the internet has noticed. On a recent trip to Paris, Jenner leaned into a black-and-white colour palette, clean lines and minimalist accessorizing. From a Bottega Veneta halter dress with pointed Lanvin pumps to a Maximilian Davis skirt suit with Chanel sling-backs, her monochrome wardrobe had surprisingly old-school silhouettes and uncharacteristically conservative tailoring. It’s a complete 180 from her 2016 style. And it’s not the only vibe shift to recently come from Jenner.

Another piece of this puzzle is her widely speculated relationship with Timothée Chalamet. It’s a pairing that seemed unlikely to some, but the evidence increasingly points to it being legit. Case in point: On June 1, paparazzi pictures — albeit of “bigfoot sighting quality” — show Chalamet and Jenner together at a barbecue (?). Because everything the Kardashian-Jenners do is shrouded in PR speculation, some view this unforeseen coupling as part of a larger intentional image refresh. And if that’s the case, it’s a trick that Jenner is especially well-versed in. She kind of needs to be.

Since Keeping Up With The Kardashians premiered in 2007 (when Jenner was just nine years old), the youngest sister’s every style era has been publicized. In 2012, she walked Sherri Hill’s tween runway in voluminous tutus and platform pumps (below). The following year, she switched gears with a California flower girl aesthetic for a collaboration with Pacsun.

But the advent of King Kylie — and her established individuality — can be traced back to 2014. Her lips mysteriously got plumper. She started wearing dark makeup. She embraced edgier aesthetics, with an affinity for skulls, chokers and defiant blue hair.

By 2015, Jenner had owned up to lip filler and launched her makeup empire, now Kylie Cosmetics. Her influence during this time period can be summed up by the highly regrettable “Kylie Jenner Lip Challenge,” which found young girls attempting to DYI the look of inflated lips. Importantly, the adoration over Jenner’s injections stood in contrast to women of colour, who have long been discriminated against for having naturally fuller lips. Still sporting futuristic bodysuits, skin-baring separates and bright hairstyles, Jenner’s pop culture prominence was arguably at an all-time high in the mid-2010s. To paraphrase Mean Girls, everyone just knew stuff about her: she really loved pomegranate seeds; she drove a matte black Range Rover; Terror Jr’s song “3 Strikes” was her unofficial anthem.

After going through a private period with the birth of her daughter Stormi in 2018, the access that defined King Kylie was gone. But over the past few years, she’s subtly surfaced a new mature taste for suited sets and minimalism. And now, along with an even more obvious style switch-up, aspects reminiscent of King Kylie are coming back too, via cheeky OOTDs and casual dancing-in-the-car videos.

After all, nothing indicates reinvention quite like a wardrobe overhaul. Anne Hathaway’s refreshed outfit formula quickly cemented her as a fashion icon. Zendaya’s transformation after partnering with Law Roach made her a defining red-carpet star. And of course, Sofia Richie Grainge is now firmly in the zeitgeist thanks to her unmistakably “old money” style.

Jenner, it seems, gets this. She has always been good at switching things up, and she’s at it yet again. We may never relive the quintessential cool factor that made 2016 so magical. But her wholehearted embrace of a new era feels very King Kylie indeed.

The post Is Kylie Jenner Going Through a Fashion Rebrand? appeared first on FASHION Magazine.

Queen Bey returned to the stage for her first solo tour in almost seven years on May 10 as she kicked off her international Renaissance Tour in Stockholm, Sweden — and the pop star did not come to play with her Beyoncé Renaissance tour looks.

RELATED: Beyoncé Said Quit Your 9-5

The “Break My Soul” singer opened her almost three-hour-long show by performing classic tunes such as “Dangerously in Love” and “1+1” in a custom Alexander McQueen crystal-embroidered bodysuit with matching ankle boots (below). The outfit was a classic Beyoncé look as it highlighted the star’s silhouette with its exaggerated shoulder pads and extra detailing around her hips.

Beyoncé and her dancers then slipped into custom Courrèges to perform “I’m That Girl,” “Alien Superstar” and other hits from her latest album, Renaissance. For this look, Bey sported a silver bodysuit that featured a circular cutout reminiscent of a magic mirror in the middle of her torso. Her dancers also wore matching silver two-piece sets that channelled the futuristic, nightlife vibe of this portion of the show.

Next up was a brightly-coloured and holographic mini dress by David Koma that captured the cool ’70s-disco energy of the night. Bey even came on stage in this ’fit wearing matching sunglasses and a complementary jacket to perform the club hit “Cuff It” and later took the accessories off to belt out songs like “Energy” and “Break My Soul.” Italian jewellery brand Almarow also created a custom pair of earrings named “Renaissance Superstar Earrings” to complete this powerful look.

As the superstar sang through her show’s 36-song setlist, another costume highlight included a custom pearl-adorned Balmain corset, which she paired with a matching hat, sunglasses and thigh-high black latex boots. Beyoncé also stunned in a bejewelled and (literally) figure-hugging custom Loewe bodysuit by Jonathan Anderson (below) that was inspired by a dress from the brand’s Fall 2022 ready-to-wear collection. She paired it with elegant black opera gloves, complete with press-on nails, that perfectly matched the outfit’s eye-catching design.

The looks kept getting better as the show went on, but perhaps one of the most exciting moments of the night happened when Beyoncé walked out in a white gown that, with the help of two robot arms and a UV light, soon transformed into a colourful-triangle-patterned dress that left the audience in a daze.

And of course, we’d be remiss if we didn’t mention how Queen Bey wore a literal bee costume, which was custom-made by Mugler and inspired by a look from the designer’s Spring 1997 haute couture collection, aptly named Les Insectes, to perform “America Has a Problem.”

@levifm2 🐝 #renaissanceworldtour @Beyoncé #renaissance #liveperformance #americahasaproblem #beyhive #beeoutfit #foryoupage #foryou #fypシ ♬ Originalton – lvfm

To wrap up the night, Beyoncé flew above the stage on a sparkling, silver horse — reminiscent of the one on her Renaissance album cover — in a matching custom Coperni look designed by Sébastien Meyer and Arnaud Vaillant. As she said her final goodbyes to the crowd after the hours-long show, her metallic bodysuit and ankle boots shimmered as her cape gleamed in the bright arena lights.

Since debuting her first set of looks, Queen Bey has already updated her tour wardrobe with a handful of jaw-dropping new costumes.

The global sensation showcased one of her first new additions when she opened her concert in Sutherland, England on May 23 by wowing her audience as she arrived on stage in a glamorous custom sky-blue Brandon Blackwood dress. The elegant high-slit gown was paired with matching light blue heels, gorgeous opera gloves and a sparkling necklace and earring set.

 

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When she hit the stage on May 26 in France, Bey also debuted a new opening outfit as she (literally) sparkled in a silver gown totally decked out in sequins.

She also kept the new opening number costume tradition alive as she hit the stage in London on May 29 in a different blue dress. But this time, the gown was a vibrant, electric blue mesh look that completely covered her body and was fitted with a long, flowy train that followed her as she belted out her iconic ballads.

What really stole the show in London, though, was a bespoke Off-White bodysuit that took over 50 hours to make. The red look, which included several elements of Off-White’s Fall 2023 collection, including 40,000 red crystals, was complimented by Beyoncé’s dancers’ matching red ensembles — and, of course, her daughter Blue Ivy’s costume as she joined her mother on stage.

Beyoncé is set to hit the stage at the Scotiabank Arena in Toronto this July and, with over 5o more shows to go, fans are almost certain that the legend may have a few more surprise costume changes up her sleeve — and we can’t wait to see what the Queen has in store.

The post All of Beyoncé’s Renaissance Tour Looks appeared first on FASHION Magazine.

RELATED: Is Elle Fanning the Queen of the Cannes Film Festival?

If you recall last year’s festivities, it was one for the books. Anne Hathaway stunned audiences by wearing five gorgeous looks throughout the week, which ranged from an all-white custom Armani Privé column skirt and crop top combo to a hot pink Valentino gown. Bella Hadid‘s vintage, old-Hollywood ensembles were a social media sensation. And Adriana Lima beautifully showing off her baby bump? Iconic!

This year, the festival runs from May 16 to May 27, and the stars have (so far) walked the 2023 Cannes carpet in bold colours and extravagant gowns. Think lots of sparkles, full skirts and even a cape or two. They also love their matching accessories — check out Helen Mirren’s blue hair and Naomi Campbell’s sunglasses, for starters.

Click through the gallery below for all the latest looks from the 2023 Cannes Film Festival below!

Photography by Getty Images

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Photography courtesy of Chanel

Photography by Getty Images

Photography courtesy of Tom Ford

Photography courtesy of Dolce & Gabbana

Photography courtesy of Dior

Photography courtesy of Balenciaga

Photography courtesy of Louis Vuitton

Photography courtesy of Celine

Photography courtesy of Chanel

Photography courtesy of Chanel

Photography courtesy of Gucci

Photography courtesy of Alexander McQueen

Photography courtesy of Louis Vuitton

Photography by Getty Images

Photography courtesy of Balenciaga

Photography courtesy of Alexander McQueen

Photography courtesy of Louis Vuitton

Photography courtesy of Dolce & Gabbana

Photography courtesy of Dolce & Gabbana

Photography courtesy of Louis Vuitton

Photography courtesy of Louis Vuitton

Photography courtesy of Dolce & Gabbana

Photography courtesy of Gucci

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography courtesy of Dolce & Gabbana

Photography courtesy of Saint Laurent

Photography courtesy of Dolce & Gabbana

Photography by Getty Images

Photography courtesy of Dior

Photography by Getty Images

Photography by Getty Images

Photography courtesy of Alexander McQueen

Photography courtesy of Celine

Photography courtesy of Saint Laurent

Photography by Getty Images

Photography courtesy of Gucci

Photography courtesy of Saint Laurent

Photography by Getty Images

Photography courtesy of Saint Laurent

Photography courtesy of Chanel

Photography courtesy of Dior

Photography by Getty Images

Photography courtesy of Saint Laurent

Photography courtesy of Louis Vuitton

Photography courtesy of Gucci

Photography courtesy of Balenciaga

Photography courtesy of Balenciaga

Photography courtesy of Alexander McQueen

Photography courtesy of Celine

Photography courtesy of Chanel

Photography courtesy of Saint Laurent

Photography courtesy of AMI

Photography courtesy of Celine

Photography courtesy of Alexander McQueen

Photography by Getty Images

Photography courtesy of Balenciaga

Photography courtesy of Gucci

Photography courtesy of Saint Laurent

Photography by Getty Images

Photography courtesy of Celine

Photography courtesy of Ferragamo

Photography courtesy of Saint Laurent

Photography courtesy of Celine

Photography by Getty

Photography courtesy of Saint Laurent

Photography courtesy of Celine

Photography courtesy of Chanel

Photography courtesy of Saint Laurent

Photography courtesy of Celine

Photography courtesy of Balenciaga

Photography courtesy of Dolce & Gabbana

Photography courtesy of Saint Laurent

Photography courtesy of Chanel

Photography courtesy of Saint Laurent

Photography by Getty Images

Photography courtesy of Gucci

Photography courtesy of Chanel

Photography courtesy of Dolce & Gabbana

Photography courtesy of Dior

Photography by Getty Images

Photography courtesy of Alexander McQueen

Photography courtesy of Louis Vuitton

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

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Photography by Getty Images

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Photography courtesy of Versace

Photography by Getty Images

Photography courtesy of Saint Laurent

Photography by Getty Images

Photography by Getty Images

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Photography courtesy of Balenciaga

Photography courtesy of Ferragamo

Photography by Getty Images

Photography courtesy of AMI

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Fan Bingbing in Georges Hobeika

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Halsey in Givenchy

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Thuso Mbedu in Elie Saab

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Isabeli Fontana in Avellano

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Teyana Taylor in Mônot

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Orlando Bloom in Paul Smith

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Ashley Graham in Nina Ricci

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Ikram Abdi in Nina Ricci

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Shay Mitchell in Cult Gaia

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Brie Larson in Chanel

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Storm Reid in Prada

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Tom Hanks and Rita Wilson in Tom Ford

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Lucien Laviscount in Dolce & Gabbana

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Natalie Portman in Dior and Chopard

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Roh Yoon-seo in Balenciaga

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Cate Blanchett in Louis Vuitton

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Dua Lipa in Celine

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Abel Tesfaye in Loewe and Lily Rose-Depp in Chanel

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Jennie Kim in Chanel

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Jeremy O’Harris in Gucci

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Salma Hayek in Alexander McQueen and Gucci

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Julianne Moore in Louis Vuitton

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Aja Naomi King in Gaurav Gupta

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Michelle Yeoh in Balenciaga

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Leonardo DiCaprio in Alexander McQueen

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Cate Blanchett in Louis Vuitton

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Ashley Graham in Dolce & Gabbana

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Phoebe Waller-Bridge in Dolce & Gabbana

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Michael Fassbender in Louis Vuitton

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Mia Wasikowska in Louis Vuitton

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Coco Rocha in Dolce & Gabbana

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Natasha Poly in Gucci

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Gemma Chan in Louis Vuitton

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Caroline Daur in Schiaparelli

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Karlie Kloss in Dior and Chopard

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Phoebe Waller-Bridge in Dolce & Gabbana

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Carla Bruni in Saint Laurent

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Paul Dano in Dolce & Gabbana

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Alessandra Ambrosio

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Anaïs Demoustier in Dior

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Viola Davis in Valentino

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Helen Mirren in Del Core and Bulgari

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Elle Fanning in Alexander McQueen

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Naomi Campbell in Celine and Chopard

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Soo Joo Park in Saint Laurent

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Uma Thurman in Dior and Chopard

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Lily Gladstone in Gucci

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Laura Harrier in Saint Laurent

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Catherine Zeta-Jones in Elie Saab and Chopard

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Iris Law in Saint Laurent

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Brie Larson in Chanel

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Beatrice Borromeo in Dior

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Coco Jones in Valdrin Sahiti

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Philippine Leroy-Beaulieu in Saint Laurent

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Gemma Chan in Louis Vuitton

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Monia Chokri in Gucci

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Fai Khadra in Balenciaga

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Naomi Campbell in Balenciaga

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Troye Sivan in Alexander McQueen

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Kim Taehyung in Celine

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Lily-Rose Depp in Chanel

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Anja Rubik in Saint Laurent

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Moses Sumney in AMI

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Lisa Manobal in Celine

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Yseult in Alexander McQueen

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Gigi Hadid in Zac Posen and Messika

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Isabelle Huppert in Balenciaga and Chopard

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Jesse Plemons and Kirsten Dunst in Gucci

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Rosie Huntington-Whiteley in Saint Laurent

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Manuel Rios in Saint Laurent

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Alexa Chung in Celine

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Paloma Elsesser in Ferragamo

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Elodie Bouchez in Saint Laurent

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Natalie Portman in Celine

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Jillian Dion in RVNG Couture

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Ines Rau in Saint Laurent

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Kaia Gerber in Celine

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Naomi Campbell in Chanel and Chopard

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Laura Harrier in Saint Laurent

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Carla Bruni in Celine

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Helena Christensen in Balenciaga

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Ashley Graham in Dolce & Gabbana and Chopard

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Charlie Heaton in Saint Laurent

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Lily Rose-Depp in Chanel

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Eva Herzigova in Saint Laurent

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Sara Sampaio in Sophie Couture and Messika

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Julia Garner in Gucci

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Marion Cotillard in Chanel

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Rosie Huntington-Whiteley in Dolce & Gabbana

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Jennifer Lawrence in Dior

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Rawdah Mohamed in Robert Wun

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Naomi Campbell in Alexander McQueen and Chopard

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Cate Blanchett in Louis Vuitton

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Sydney Sweeney in Miu Miu

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Maya Hawke

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Cindy Bruna

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Irina Shayk in Mowalola and Messika

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Heidi Klum

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Pom Klementieff in Versace and Cartier

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Lori Harvey in Messika High Jewelry

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Olivia Culpo

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Troye Sivan and Lily-Rose Depp in Versace

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Jourdan Dunn

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Andie MacDowell in Saint Laurent

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Stella Maxwell

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Scarlett Johansson in Prada

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Rosie Huntington-Whiteley in Fendi

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Winnie Harlow

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Elsa Hosk in Viktor & Rolf and Messika High Jewelry

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Yseult in Balenciaga

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Troye Sivan in Ferragamo

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Brie Larson in Chanel

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Jane Fonda in AMI

The post The Best Looks From the 2023 Cannes Film Festival appeared first on FASHION Magazine.

RELATED: Coco Meets Barbie in Chanel’s New Cruise Collection Shown in L.A.

Some of the gents sporting Chanel that night are “friends of the house” including the National Ballet of Canada’s Siphe November. The stylish principal dancer began his relationship with the brand about two years ago, a perk that has allowed him access to an array of Chanel that he mixes with his wardrobe of cool independent designers and high street labels. Even better, November is a perfect sample size in Chanel clothes and shoes.

In L.A., he threw an oversized jacket thrifted at Value Village over a Chanel T-shirt to check out the new Rodeo Drive flagship. He lunched at Matsuhisa in a Chanel bomber jacket and black leather pants from Gap. And he attended the show in a tweed jacket with satin collar and cuffs over Ms. Min trousers. I sat down with November to chat about how he wears Chanel and how growing up in a small town in South Africa has given him a unique perspective on the storied brand.

How did you choose your look for the Cruise show?

There’s always one piece, whether it’s a pant or a hat, that’s the thing that allows me to step into my vibe for that day or event. For the show, it was that jacket. The whole look was inspired by Versailles and old drawings of the Sun King, Louis XIV. And the fluffy socks helped create a ballet feel without it being literal. It’s still me but it’s the Chanel version of me.

And there was a Michael Jackson influence with the sunnies. Especially with the loafers and the socks. He was also inspired by the courts of France. And he was the King of Pop. But I didn’t anticipate the way that jacket would shine in the lights which made it so much more spectacular. It sparkled so beautifully. It was a real moment and I felt like a star. I wanted to feel like the Sun King and I did.

Chanel does not make menswear, so you are a guy wearing women’s clothes.

And I love that. One of my biggest fashion idols is Pharrell (Williams). I remember I saw him once when he came to Toronto. It was, like, 2014 and it was at the height of when he had that Vivienne Westwood hat that everyone had an opinion about it. And I remember watching him through that whole time and he just kept wearing it. And then seeing him wear Chanel and rocking it and looking so fire made me want to wear it too. Chanel sunglasses are the only sunglasses I wear because of him.

A lot of guys would not wear pearls. Do you associate pearls with femininity?

No, I don’t. A pearl necklace on a man’s bare chest looks good to me. Jewellery is an accessory. It has no gender. If you look at different cultures around the world, historically they approach jewellery as a form of self expression and status. I see pearls as an accessory for self expression as opposed to an identity.

That must partly come from growing up where you did. I imagine you didn’t have any specific references for pearl necklaces.

No, I had none of that. In my culture, men and women wear beads as part of their traditional wear. I didn’t grow up with pearls tied to an image and then in my teens I saw artists breaking those boundaries — like Pharrell wearing pearls and mixing it with high jewellery and rappers breaking those codes. There’s a rebellious nature to men wearing pearls, which I like for sure.

Do you have a favourite Chanel element?

One of the first shows I saw was dedicated to the camellia and to me, it doesn’t get any better than that. It’s so part of the identity of the house to me, even more than the two C’s. There’s something so rich about it. There’s so many ways you can play with it. I have a white camellia pin that I love to pop onto different outfits. It makes me feel Chanel without being too Chanel-ified.

Again, not to harp on the gender thing, but a flower is so conventionally identified with women.

To me it’s not associated with anything but care and sensitivity and beauty. So if it makes me look better, I’ll put it on.

Do you think of Chanel as something precious that you only wear on certain occasions? Or do you look at it the same way you look at a cotton T-shirt?

Sometimes I approach it as “this works well with what I want to wear” or sometimes I make it the main event and the Chanel piece is the star. I look at clothes in general as kind of an everyday conversation. I don’t take very good care of my clothes, if I’m being honest. Because I think they’re supposed to be worn.

You’ve visited 19M, Chanel’s new Paris headquarters for 600 artisans including embroiderers, feather workers and goldsmiths. What was that like?

It was crazy. Seeing all the creativity that goes into developing new styles — as an artist that’s something I really connected with. As someone who puts a lot of hours into perfecting my work and understanding that whether my leg is two degrees higher or lower evokes a whole different emotion in the person experiencing it, seeing that attention to every little detail changed everything for me. It added a different layer of appreciation for the garments and what the brand represents.

The post How One Man Wears Chanel appeared first on FASHION Magazine.

RELATED: The Best Looks From the 2023 Cannes Film Festival (So Far)

At first glance, one may think that the unique footwear choice is a nod to Lawrence’s “relatable” celebrity persona and a desire to prioritize comfort over style. But, there actually may be a deeper meaning behind the star’s decision to swap out her crimson high heels for the black flip-flops that she wore to walk down the carpet’s famous steps.

It’s widely known that the dress code for Cannes red carpets is formal, black tie attire, but there appears to be an unwritten rule that women are expected to follow to attend the festivities: they must wear high heels.

While the origin of this unofficial guideline is oft-debated, there’s no doubt that high heels have long been regarded as a staple of femininity and attractiveness for women. A 2022 study found that women in high heels were regarded as being more sexually attractive and of a higher social status than women who were wearing flats. And yet, while sky-high stilettos may complement an outfit, sometimes a chic, comfortable pair of flats is the more responsible call if you don’t want to be in pain all night.

No one knows this better than the A-listers who often have to attend hours-long events in constricting clothing and uncomfortable footwear. As such, there are several other famous female celebrities who have challenged this sexist “rule” on past Cannes carpets — and some have been more direct with their statements than others.

Isabelle Huppert and Cate Blanchett in 2023

Jennifer Lawrence wasn’t the only star to seemingly stand up against the rule at this year’s Cannes Film Festival. French movie star Isabelle Huppert gave a subtle nod to the absurdity of the guideline by wearing nude Anatomic heels by Balenciaga at the premiere of Killers of the Flower Moon. This wasn’t just any old pump though, the design and colour of the heel were made to mimic a bare human foot, which totally made it look like Huppert was defying the “only high heels” rule on the carpet.

@byclaytondavis Cate Blanchett presented the Breakthrough award to ZAHRA AMIR EBRAHIMI at the Cannes Film Festival. Taking off her heels to stand with the women of Iran. #Cannes ♬ original sound – Clayton Davis

Cate Blanchett took one of the most direct stances of all when she presented the Breakthrough Artist Award to Iranian-French star Zahra Amir Ebrahimi at this year’s festival. Before introducing Ebrhaimi on stage, Blanchett made note of the sexist “ban” as she said, “I am going to take my heels off, in honour of the women of Iran. This is to stab all the people that stand in the way of women’s rights.” Ebrahimi had to flee Iran when she was in her twenties after an intimate video of her and her boyfriend was leaked and a criminal case was made against her for having pre-marital sex. As the two artists shared a hug onstage, it became abundantly clear that Blanchett speaking out against the festival’s “no flat shoes” ban was actually a much larger political statement on the need to speak out on gender inequalities for all.

Kristen Stewart in 2018

Kristen Stewart also made a statement against gender inequality in the fashion world on the red carpet for Blackkklansman at the 71st annual Cannes Film Festival in 2018. Similarly to Roberts, Stewart ditched her Louboutin stilettos midway through her appearance and walked the rest of the carpet barefoot — and the star was much more outspoken about the alleged high heel rule. “I feel like you can’t ask people that any more. If you’re not asking guys to wear heels and a dress, you cannot ask me either,” she told reporters. “I get the black-tie thing but you should be able to do either version — flats or heels.”

Julia Roberts in 2016

As she walked the red carpet for the premiere of Money Monster back in 2016, Julia Roberts infamously kicked off her heels midway through the event and concluded her appearance barefoot. When asked about her decision to ditch the shoes, Roberts said, “A lot was happening from my ankles up. Let’s not forget all that. A lot of time and effort went into ankles up.” Whether this act of rebellion was a direct response to the “no flat shoes” rule at Cannes, its timing certainly makes it seem like it was a statement. In 2015, just one year before Roberts walked the carpet barefoot, a group of women were allegedly not allowed into a screening of a film at Cannes because they were wearing flat shoes.

The post Jennifer Lawrence’s Flip-Flops at Cannes Were About More Than Comfort appeared first on FASHION Magazine.

RELATED: Aurora James Is FASHION’s April 2023 Cover Star

Klementieff was born in Quebec City under a diplomatic passport. “And I lived there for about a year because my dad was a French diplomat,” she explains. She moved around a lot as a kid, spending her childhood between here, Japan and the Ivory Coast before her French-Russian father and Korean mother settled in France. As a teen, Klementieff thought “it would be cool” to have a Canadian passport. However, she was denied one due to her father’s diplomatic status at the time of her birth. To make matters worse, years later, while on a press tour for one of her many Marvel movies, she wasn’t allowed into Toronto because of visa issues. Again I apologize, and again she laughs. “I love Canada, but you’ve told me ‘no’ a lot,” she says. “I’m kinda traumatized.” [Laughs] Not that I could tell.

Klementieff asks if she can turn her camera off during our video chat. “I don’t want to see my face — it annoys me,” she laughs. I get only a brief glimpse of the actor in her New York City home in a casual cotton striped tee with her blond hair messily pulled back. And while it would be easy to call her out on the irony of her statement — she’s starring in two of summer’s biggest blockbusters: Guardians of the Galaxy Vol. 3, out now, and Mission: Impossible — Dead Reckoning Part One, premiering in July — coming from Klementieff, who is so sincere and full of sunshine, it doesn’t seem right.

In case you’re a Marvel Cinematic Universe (MCU) amateur, Guardians of the Galaxy has been a phenomenon since 2014. Compared to its comic-book counterparts, it’s an eccentric and eclectic breath of fresh air with a killer soundtrack and comedy chops rivalling any Will Ferrell production. Of course, it has all the normal drippings of an MCU movie (big cast, bigger explosions and even bigger muscles), but the franchise, now in its third and rumoured to be final installment, has an even bigger heart — and Klementieff is at the centre of it. Her character, Mantis, introduced in 2017’s sequel, is a big-eyed antennaed Celestial empath who can control people’s emotions. “She’s kinda like the glue that keeps the Guardians together, especially in volume three,” says Klementieff, who also loves that she gets to be the comic relief — a role not usually given to women. “It gives me a lot of freedom to just be weird,” she says, which is something I can tell she delights in. Klementieff is quick to laugh and even quicker to laugh at herself. She is unusually unguarded and readily shares her stream of consciousness, whether she is receiving a package (as she did in the middle of our call) or contemplating why she can’t do a cartwheel (“I never know if my legs are straight!”).

The only topic she seems reluctant to discuss is her family. Klementieff suffered a series of devastating close personal losses, starting with the death of her father when she was still very young. In desperate need of some escapism, she immersed herself in movies. “As a child, I had a little dream in my head to become an actor, but I never saw anyone who looked like me onscreen so I didn’t think it would be possible,” she shares. Though she thrived in theatre classes from a young age, Klementieff went to law school to appease her family. She dropped out soon after, realizing that life was too short to not do something you love. “I never wanted an office job,” she admits. “I aspired for adventure and something outside the norm.” More specifically, Klementieff wanted to kick some ass.

Listing Kill Bill and Park Chan-wook’s The Vengeance Trilogy as significant influences in her life, Klementieff was inspired by the image of a “strong, unapologetic and crazy fighter female character.” She took up boxing and (later) martial arts, and as luck would have it, her first major role was playing a villainous bodyguard in Spike Lee’s 2013 adaptation of Chan-wook’s Oldboy. “Training is always hard, but that’s the beauty of it,” says Klementieff. “It puts you in action mode instead of being passive and sad — it just makes you happier.”

And, boy, does it make Klementieff happy. I can barely finish my question before she launches into her detailed fight history, animatedly describing how eager she was to show off her skills in Guardians. “When I got the audition, I was so excited that I sent training videos to the producers at Marvel,” she shares. “And then I found out that my character didn’t really fight, and I was like, ‘What the hell, guys!’” After years of pushing, Klementieff finally got physical in 2022’s The Guardians of the Galaxy Holiday Special and in Vol. 3.

However, nothing hits quite like a Tom Cruise movie, as the actor is famous for his practical approach to filmmaking and death-defying stunts. Klementieff started training for Mission: Impossible — Dead Reckoning Part One in 2019 and hasn’t had a break since. She tells me she was just in the Arctic two weeks earlier, fighting off frostbite while filming the sequel. And before that, she was celebrating her 100th skydive. “It’s always a little bit scary, but there’s the excitement of the unknown,” she muses. “It’s like dancing in the sky — poetic and very addictive.”

Klementieff’s thrill-seeking tendencies also apply to the red carpet. “I love taking fashion risks and thinking outside the box,” she shares, describing how she tries to find a balance between having fun and “not being the centre of attention.” To achieve this, she has dedicated folders of inspirational images saved on Instagram that consist primarily of travel, tattoos and motorcycles. Given her tough-girl aesthetic, this is hardly surprising. She’s been known to rock a chunky choker, bold shoulder and structured suit to a premiere, but her style took a definite step up after she became one of the faces of Alexander McQueen. While Klementieff currently stars in the British brand’s Spring 2023 campaign — alongside former FASHION cover star Sadie Sink — she tells me that the leather two-piece she wore to the 2022 Cannes Film Festival might be one of her all-time favourites. “The noise those boots made was crazy — I sounded like a f*cking cowboy,” she laughs. “But I loved not wearing a gown and being a little rebel.”

With two blockbusters in play, I doubt Klementieff will be “little” for much longer. She’s a sweet soul wrapped in a tough moto package who can’t cartwheel but can certainly skydive. For now, she has full days and then a month-long Guardians of the Galaxy Vol. 3 press circuit ahead of her, which quite honestly sounds exhausting. But at least she’ll get the opportunity to travel. “In some ways, being in one place for too long gives me anxiety,” she reveals, referring to both her past and her present. “I live in a suitcase, so home is where the people I love are. And I have so many friends in so many different places that it feels like my heart is torn between cities.” Maybe this time she’ll even make it to Canada.

Photography by ROYAL GILBERT. Creative direction by GEORGE ANTONOPOULOS. Styling by KAREN CLARKSON. Hair by MARCIA LEE for ONE REPRESENTS using HAIR BY SAM MCKNIGHT. Makeup by ARIEL YEH for SAINT LUKE using TATCHA. Nails by SASHA GODDARD for SAINT LUKE using SHOREDITCH NAILS and BYREDO. Photo assistants: NICK COLLINS and PHILIP BRADLEY. Fashion assistants: MOLLY ELLISON and MAGGIE CURWIN. Hair assistant: ANAIS ROSENTHAL. Producer: THEARCADE.

The full Summer 2023 issue will be available May 23. Click here to learn more.

The post Pom Klementieff Is <em>FASHION</em>’s Summer 2023 Cover Star appeared first on FASHION Magazine.

RELATED: Is Anyone Thriving More Than Anne Hathaway Right Now?

On May 16, the two actors attended a Bulgari event in Venice, Italy alongside fellow brand ambassadors Priyanka Chopra and Blackpink’s Lisa. Celebrating the luxury label’s new Mediterranea High Jewelry collection, the four women (unsurprisingly) stunned in luxe accessories and designer gowns. But something about Zendaya and Hathaway, specifically, felt like sartorial serendipity.

Hathaway wore a Versace chainmail gold-to-silver ombré dress with a removable hood, platform heels (because of course), and a necklace with statement pink gemstones. Zendaya emerged in a custom black Richard Quinn mermaid gown, featuring off-the-shoulder draping and accessorized with a diamond snake Bulgari choker. Both dramatic in completely different ways, the pair were a picture of visual harmony. Hathaway’s ornate, sultry vibe complemented Zendaya’s regal, elegant aesthetic. Seated next to each other, they nearly broke the internet. And it’s not hard to see why.

If you were to tell me three years ago that Anne Hathaway and Zendaya would become a coveted pop culture pairing, my movie-and-TV-obsessed mind would protest. Mary Jane Watson and Andy Sachs? Rue Bennett and Mia Thermopolis?! Historically speaking, the two haven’t exactly existed in the same cinematic universe. And yet, every now and again stars align (literally) to produce an unforeseen source of dual celebrity fashion inspiration. With their unique style statuses firmly on the rise, it’s suddenly clear that no two A-listers are currently more in sync.

Think about it: Both Hathaway and Zendaya have undergone major transformations into bona fide It Girls. Going from Disney darling to fashion front row, Zendaya has established a reputation for reinvention. With the help of image architect Law Roach, she coordinates with co-stars, tailors outfits to match movie themes, and always gives the world something new to talk about. Similarly, since 2021, Hathaway has transcended her scrutinized publicly-imposed “good girl” archetype to an image of individuality and risk-taking, thanks to her stylist Erin Walsh. In May 2022, she solidified her title as a new red carpet icon, with FASHION‘s Fashion News Director Annika Lautens noting that “she (finally) isn’t afraid to take risks.” Hence the hooded chainmail dress.

But at the May 16 Bulgari event, the duo’s satisfyingly contrasting outfits weren’t the only standout aspects of their appearances. It’s their respective sparks of self-assurance that offered the ultimate coordination. Just look at the videos of Zendaya and Hathaway giving the exact same energy while posing alone at different times. Individually? Masters of confidence and personal style. Together? A joint slay.

This is not the first occasion Zendaya and Anne (…Annedaya?) have shared undeniable chemistry. Around this time last year, the starlets stunned in a promotional short film for Bulgari. In the two-and-a-half-minute clip, they can be seen walking succinctly side-by-side, dancing freely in slow motion, and leaning into one another to gaze upon the Italian scenery. As a viewing experience, it is cinematic joy. And now, it’s clear it was but a teaser for the fashion feast to come.

Of course, Zendaya and Anne Hathaway aren’t the first unexpected friendship to serve collaborative style prowess. There was an array of looks from Tilda Swinton and Timothée Chalamet at the 2021 Cannes Film Festival. The world saw Shania Twain and Harry Styles wear matching sequins at 2022’s Coachella. More recently, we’ve been blessed with red-carpet coordination from The Last of Us co-stars Pedro Pascal and Bella Ramsey. Time and time again, these special duos complement one another while staying true to themselves.

What’s next for Hathaway and Zendaya, you ask? We can only hope for a full-length feature film in the future. (I mean, can you imagine the method dressing?) Regardless of what they get up to together, with their signature confidence, they’ll always be well suited.

The post Anne Hathaway and Zendaya Are a Match Made in Fashion Heaven appeared first on FASHION Magazine.

The fundraising gala raised more than $600,000 towards full entrance scholarships for incoming residents to the CFC and towards its suite of programs across film, TV, acting, music and digital/immersive media.

Attendees enjoyed a variety of activities throughout the evening, starting with a cocktail reception hosted by Shaftesbury and AMC, which led into a surprise dance performance by Mayhem’s Finest before guests sat down for dinner. Later, they were treated to incredible performances from The Collective featuring Cleopatra Williams, Slaight Music artist Theo Tams, Juno-nominated roots contemporary artist Shakura S’Aida, and Gordon Deppe and Sandy Horne of iconic Canadian new-wave band Spoons. Plus, there was a number of onsite activities and a digital auction filled with exciting packages and experiences, like a private villa in Saint Vincent and the Grenadines, weekend getaways at exclusive resorts across Ontario, shopping sprees, spa treatments, unique cultural experiences and more.

Check out the top looks of the night on the red carpet—and on the dance floor—in the gallery below.

Photos by George Pimentel Photography

Photos by George Pimentel Photography

Photos by George Pimentel Photography

Photos by George Pimentel Photography

Photos by George Pimentel Photography

Photos by George Pimentel Photography

Photos by George Pimentel Photography

Photos by George Pimentel Photography

Photos by George Pimentel Photography

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CFC’s 35th Anniversary Gala

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CFC’s 35th Anniversary Gala

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CFC’s 35th Anniversary Gala

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CFC’s 35th Anniversary Gala

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CFC’s 35th Anniversary Gala

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CFC’s 35th Anniversary Gala

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CFC’s 35th Anniversary Gala

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CFC’s 35th Anniversary Gala

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CFC’s 35th Anniversary Gala

The post The Best Looks from the Canadian Film Centre’s 35th Anniversary Gala appeared first on FASHION Magazine.

RELATED: What Is Mermaidcore?

When we hear a celeb is going “method,” we can have an unsavoury impression of what that means. The controversial technique is known for seeing an actor throw themselves fully into a role, on and off camera. Think Jared Leto reportedly sending his castmates unwelcome gifts in the name of playing the Joker, or Lady Gaga adopting an Italian accent and living in character for 18 months while filming House of Gucci. Method dressing, on the other hand, is innocuous (and impressive), because it involves submerging oneself into a role using only clothes and accessories. At its core, method dressing is when actors take aspects of a film — like the plot, the scenery, and the characters — and apply them to their red-carpet or street-style ensembles. Simply put, it’s sartorial storytelling at its finest.

Case in point: Ahead of The Little Mermaid‘s premiere on May 26, Bailey has stuck to an array of Ariel-approved ensembles. When performing on American Idol, she donned a custom Michael Fausto mermaid silhouette, inspired by the Disney princess herself. At the UK premiere, her Miss Sohee look had a subtle tail shape and an ornate beaded headpiece. A week earlier, she went viral in a metallic number from Valdrin Sahiti, featuring a shell-like bra and corseted bodice resembling splashing water. When attending the premiere in Mexico City, she emerged in a Georges Chakvra pearl-embellished dress, her billowing skirt made with netted detailing.

This under-the-sea oeuvre is nothing if not intentional. It’s a narrative that Bailey’s stylist, Nicky Good, has been crafting for months. At the Oscars, Bailey sported a gauzy blue Dolce & Gabbana princess ballgown before slipping into a sculptural Maison Yeya after-party dress reminiscent of flowing water. At the Met Gala, her white Gucci cape garnered comparisons to sea foam, coral, and jellyfish tendrils. Of course, with each new look, hype for the film has only grown. Herein lies the tried-and-true power of method dressing.

Zendaya and image architect Law Roach have long been masters of this pr strategy. Over the years, Roach has weaved references into Zendaya’s red-carpet looks when promoting a new project. Take Spider-Man: No Way Home. To the premiere in 2021, Zendaya wore a custom Valentino gown with spider web embroidery and a superhero eye mask. At another screening, she sported an Alexander McQueen suit jacket dripping with crystal web detailing and statement spider-web earrings.

In advance of 2017’s The Greatest Showman, Zendaya wore exuberant colour blocking that referenced the circus setting, while her suited ensembles channelled a ringmaster. For 2021’s Dune, each of her showstopping get-ups paid homage to the sci-fi universe, from her character’s uniform to the desert of the fictional planet Arrakis.

The beauty of this technique? It allows the actor to establish a defining career era in line with each respective project. Exhibit A: Jenna Ortega has been faithful to goth aesthetics since starring in Netflix’s Wednesday, making her basically synonymous with the character. Then there’s Zoë Kravitz, who reliably stunned in sleek leather trenches as well as bat and cat motifs to mark her role as the elusive Catwoman in 2022’s The Batman.

Unlike method acting — which can cause stars to get stuck in the fictional mind of the person they’re playing — method dressing flourishes on the premise of reinvention. When promoting 2015’s Cinderella, Lily James embraced a princess-style alter ego with voluminous ballgowns and glass slippers. Cut to 2022: She had a decidedly sexier look to promote her role as Pamela Anderson in Pam & Tommy, even cosplaying the ’90s icon in a Baywatch swimsuit-inspired dress.

But perhaps some of the best method dressing of all time took place surrounding the Maleficent series. Starring Elle Fanning as Princess Aurora and Angelina Jolie as the titular witch, the leading duo consistently mirrored their starkly contrasting aesthetics. At the 2019 premiere, Fanning wore a Gucci fairytale-like design emblazoned with droplets of blood — a reference to the tale of Sleeping Beauty pricking her finger. The same night, Jolie opted for a severe Versace gown with a scorpion brooch, evoking unmistakable sorceress imagery. In dressing as polar opposites, they brought the film to life.

Ultimately, method dressing sees stars skillfully play up their roles without assuming the entire personality of the character, making it all the more interesting. As for whether Halle Bailey really is an undercover mermaid? It’s still up for debate. She certainly looks the part, though. And that’s the whole point.

The post Halle Bailey, <Em>The Little Mermaid</Em>, and the Art of Method Dressing appeared first on FASHION Magazine.

RELATED: Is Hailey Bieber 2023’s Audrey Hepburn?

The famous couple, who tied the knot in 2018, are frequently photographed out and about looking like they’re going to different parties. Hailey leans form-fitting and polished, while Justin is reliably dressed down and baggy. It’s almost as if they purposely skew as far as they can from one another when getting dressed. And you know what? It works.

Case in point: The pair is currently in New York City, and their sartorial contradictions are on full display. On a May 10 dinner date, Hailey went full Matrix fashion in a leather maxi and bralette with pointed heels. Justin, on the other hand, wore a white tank, low-slung jeans and worker boots. This seems not like a simple vibe difference, but a deeper commitment to being so visually contrary that the untrained eye would think, “Hm, I wonder why these two strangers are holding hands.”

Said dress code conundrum was the case yet again on a date night in April. Hailey’s ensemble? Pointed-toe heels, chic sheer tights and a halter LBD. Justin’s? Sweatshirt, baseball cap, and slides, if we’re being generous (but slippers if we’re being serious).

It was the same deal a few months back, at the grand opening of OBB Studios in Los Angeles. Mrs. Bieber was decked out in Schiaparelli couture with gold accessories, while her husband was in paint-stained jeans, a Drew House sweater and a pink beanie.

At this point, this sort of outright outfitting confusion is part of the couple’s style DNA. Historians will tell you that back in 2021, on a much-publicized outing in Paris, Hailey Bieber dazzled in a pink Miu Miu cocktail dress while Justin donned a slouchy red hoodie. Moral of the story? They almost never look in sync, and maybe that’s the point.

The garments worn by Hollywood couples tend to be taken as symbols of synchronicty. Tom Holland has a “Z” emblazoned on certain pairs of pants, which fans speculate is an understated ode to Zendaya. More alarmingly, Machine Gun Kelly accessorized with a vial of Megan Fox’s blood around his neck during their courtship. But Hailey and Justin Bieber take a decidedly different approach: dedicated inconsistency. Olivia Broussard (@olivialayne6) recently went viral on TikTok pointing out this phenomenon. “Is one of them overdressed or is the other one underdressed?” Broussard mused, flashing a series of photos of the duo on screen. “I cannot tell by looking at these outfits.”

There are, as with everything in life, exceptions to this pattern. Sometimes, the Biebers will appear delightfully harmonious. Take their recent outing in L.A., where they both sported baggy jeans, a staple of low-effort, versatile dressing. Hailey completed her look with kitten heels and a crop top, while Justin went for a hoodie and sneakers. Here, despite their differences, the pair were decidedly in equilibrium. But this is not usually the case.

More often than not, Hailey is dressed to the nines while Justin looks unbothered and relaxed. She’ll wear a luxe Saint Laurent fur coat, and he’ll be in bug-eye sunnies and patterns layered with reckless abandon. For them, that’s normal. And sure, it’s a little jarring. She’s giving high-fashion, he’s giving Adam Sandler with a jar of pickles. But perhaps their drastically different dressing methods signal two partners that are secure in their relationship. They’re wearing what they want, and not judging one another for it.

What’s the purpose of painstakingly coordinating with your significant other, anyhow? To present an image of unity to the world? To convince onlookers that you’re on the same page? The Biebers, and all their incongruous outfits, take this notion and flip it on its head. What’s next for these two and their contrasting street styles? I’m not sure. But in all likelihood, nothing will make sense. And I’ll love it.

The post Hailey and Justin Bieber Are Committed to Not Matching appeared first on FASHION Magazine.

RELATED: Colour, Tailoring and Hats Reigned Supreme at King Charles III’s Coronation

Many royal watchers speculated as to whether Kate Middleton would wear a traditional tiara to the special occasion, as is customary for regal events such as last weekend’s, and if she would borrow one of her predecessor’s precious pieces of headwear for the day.

Instead, the royal mother-daughter duo opted to don the less traditional flower-and leaf-adorned headpieces that were designed by Jess Collett and Alexander McQueen specifically for the coronation.

And the intricately embellished crystal headbands have a deeper significance that goes far beyond them just being stunning statement pieces.

In accordance with King Charles III’s love for nature and the environment, the floral-designed headpieces are said to represent the newly-crowned monarch’s commitment to combatting the dangers of climate change. There’s even been much speculation about how the King will tackle this issue, with ABC News predicting that he will be known as Britain’s first “climate king.”

Designer Jess Collett confirmed the headpiece’s nod to King Charles in an Instagram post where she stated how she has a special personal connection to the monarch’s charity, The Prince’s Trust.

“It was 25 years ago that I secured my first loan from the @princestrust to start Jess Collett Milliner,” the designer shared on Coronation Day. “Thank you King Charles and @princestrust for your support ……….still going strong today and loving my trade.”

 

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A post shared by Jess Collett Milliner (@jesscollettmilliner)

Further speculation around the silver bullion-fashioned regal headband has pointed to the design being a tribute to the late Queen Elizabeth II. During her coronation in 1953, Queen Elizabeth’s six maids, who followed and helped her into Westminster Abbey, wore visually-similar silver headpieces to those that the two princesses wore this past weekend.

Whether this design choice was a purposeful nod to the late Queen, Kate did honour the monarch through another piece of jewellery she wore at the King Charles III’s Coronation as well.

In addition to the sparkling headpiece, the Princess donned the George VI Festoon Necklace. This sacred three-strand chain, which was commissioned by King George VI in 1950 for his daughter, who was known only as Princess Elizabeth at the time, was one of the Queen’s favourite jewels and she often wore the piece on special occasions. Kate also wore Princess Diana’s diamond and pearl earrings in memory of her late mother-in-law.

Kate is no stranger to royal dressing and understands the sartorial significance that comes with every piece of clothing and jewellery she wears. Tying in years of tradition while incorporating King Charles’s modern environmental values into the design is yet another example of the the Princess of Wales’s commitment to honouring the Royal Family and serving the monarchy, one that been under intense scrutiny in recent years.

The post The Deeper Meaning Behind Kate and Charlotte’s Matching Headpieces appeared first on FASHION Magazine.

RELATED: What To Wear To a Harry Styles Concert

In a new music video for Styles’s latest single, “Satellite,” the British pop star paid tribute to his fans’ unique fashion sense in a memorable way.

The video begins with a Mars rover-like robot named Stomper roaming the backstage halls at one of the 15 sold-out Love on Tourshows that Styles played at the Forum in Los Angeles in January of this year.

Stomper soon travels out to the arena floor but before that, the robot stops in front of a TV to listen to a documentary about the Mars Curiosity rover. At this point, Successionfans will recognize a familiar voice as Logan Roy himself (Brian Cox) narrates a short voiceover.

After the brief Succession cameo, Stomper ventures out to the floor of the venue as the night’s concert comes to an end. The small-but-mighty robot then finds itself navigating around hundreds of concert-goers who, as one can tell from their brightly-coloured boots and ’70s-inspired bell bottoms, are unmistakable Harries.

Real-life Harries immediately noticed how the singer included these details about themselves and their outfits in the video — and quickly took to social media to share their thoughts.

There’s been speculation on social media if Styles used real footage of actual concert-goers in the video alongside the clips of actors decked out in Love on Tour wear. The general consensus seems to be that a mix of actor and actual fan footage was used, especially as fans now recount seeing the little robot roaming ominously among feather boa remnants and allegedly recording footage after some of the shows.

Many elements of the Styles fandom’s eccentric concert outfits can be attributed directly to Styles’s own past looks. For instance, the feather boa is not only a popular accessory among his concert-goers, the singer also donned one himself during his 2021 Grammys appearance. Other standout style signatures of the British singer that are often replicated by fans include sequins, leather pants and leotards.

However, Harries don’t solely wear outfits that replicate Styles’s own looks. Instead, a culture centred around a shared respect, kindness and inclusivity has been fostered among fans and the colourful outfits they usually don to Styles’s shows represent just that — the ability to freely and openly express who they are.

Styles himself has made headlines for how his fashion sense has not only evolved throughout his career but how it sometimes challenges conventional norms. And, after appearing on the cover of Vogue’s December 2020 issue in a dress, Styles began to hear more questions regarding his gender identity, and even faced backlash for the look

Despite the constant questioning, the star has continuously refused to label himself in terms of sexuality and gender identity. He was quoted in the June 2022 issue of Better Homes & Gardens, saying, “The whole point of where we should be heading, which is toward accepting everybody and being more open, is that it doesn’t matter, and it’s about not having to label everything, not having to clarify what boxes you’re checking.”

Styles’s willingness to be playful with his fashion sense has been fun for fans to watch as well. On his latest tour, Styles’s wardrobe has ranged widely from night to night — and fans quickly came to look forward to seeing what he’d wear at their show. A pattern also quickly emerged during some Love on Tour shows as the singer’s stylist, Harris Lambert, would sometimes post a photo of Styles’s outfit for the night on Twitter, often crediting Gucci (Styles is an ambassador for the luxury label) with creating the look.

Love on Tour is set to wrap up this July in Italy after over 160 shows — and hundreds of thousands of unforgettable outfits from Styles and his Harries alike.

The post Harry Styles Sees and Loves His Fans’ Unique Fashion Sense appeared first on FASHION Magazine.

RELATED: Is Princess Anne the Best-Dressed Royal?

It was a typically rainy and dreary U.K. day as international politicians, members of the Royal Family, and select celebrities filed into the Westminster Abbey for the coronation. But the gloomy weather didn’t stop many guests from wearing cheerful colours and striking chapeaux. Take the ever-stylish Queen Letizia of Spain who wore a bubblegum peplum skirt suit with killer matching heels and a hat covered in pink netting.

Also in pink were Sophie Trudeau, who wore a rose satin skirt with matching sheer-sleeved top, textured clutch and (what else?) a hat perched atop her head, and Katy Perry, who wore a retro pastel pink suit with opera gloves and an out of this world fascinator.

There was much pomp and circumstance around the event, as is to be expected at such a rare occasion in history, despite the fact that King Charles III’s Coronation was at times plagued by rumours of musical guests turning down offers to perform and, of course, speculation over the attendance of Prince Harry and Meghan Markle. Ultimately, the former was in attendance while the latter chose to remain in California.

Kate Middleton looked the part of the Princess of Wales in a regal velvet cloak atop bespoke Alexander McQueen and diamond headband, with Princess Charlotte by her side in a matching, albeit more age-appropriate, version of the sparkly headpiece.

Here, we round up the most eye-catching coronation outfits from King Charles III’s big day, from punchy colourful dresses and traditional regalia to gravity-defying fascinators.

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

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Pippa Middleton

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Princess Beatrice

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Katy Perry in Vivienne Westwood and Edward Enninful

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Prince William, Prince of Wales, Catherine, Princess of Wales, Princess Charlotte of Wales and Prince Louis of Wales

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Jack Brooksbank and Princess Eugenie

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King Abdullah II of Jordan and Queen Rania in custom Tamara Ralph

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Prime Minister Justin Trudeau and Sophie Trudeau wearing Ted Baker, a hat by The Saucy Milliner and a handbag by Ela

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Zara Phillips

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King Felipe VI of Spain and Queen Letizia of Spain, wearing Carolina Herrera

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U.S. first lady Jill Biden in Ralph Lauren and her granddaughter Finnegan Biden in Markarian and a Gigi Burris headpiece

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King Jigme Khesar Namgyel Wangchuck and Queen Jetsun Pema, Bhutan

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Tamim bin Hamad Al Thani and Jawaher bint Hamad bin Suhaim Al-Thani

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King Letsie III of Lesotho and Masenate Mohato Seeiso, Queen of Lesotho

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Crown Prince Frederik of Denmark and Mary, Crown Princess of Denmark

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Lady Helen Taylor and James Ogilvy

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Dame Emma Thompson in Emilia Wickstead

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French President Emmanuel Macron and his wife Brigitte Macron

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Prince Edward, Duke and Sophie, Duchess of Edinburgh arriving with Lady Louise Windsor (right) and the Earl of Wessex (left)

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Crown Prince Haakon of Norway and Crown Princess Mette-Marit of Norway

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Sweden’s King Carl XVI Gustaf and Crown Princess Victoria

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British Prime Minister Rishi Sunak and his wife Akshata Murty wearing Claire Mischevani

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King Vajiralongkorn of Thailand and Queen Suthida

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Albert II, Prince of Monaco and Charlene, Princess of Monaco

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Ukrainian first lady Olena Zelenska and Ukrainian Prime Minister Denys Shmyhal

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Former prime minister David Cameron and his wife Samantha in Cefinn and Jess Collett Milliner

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King Willem-Alexander of the Netherlands and Queen Maxima

The post Colour, Tailoring and Hats Reigned Supreme at King Charles III’s Coronation appeared first on FASHION Magazine.

RELATED: Kate Middleton’s Decade of Style and the Soft Power in Her Fashion Choices

Who is Princess Anne, you say? We don’t fault you for asking. Daughter of Queen Elizabeth II and sister to King Charles, she is known as the hardest-working, often overshadowed royal. Seventy-two years old with no retirement plans in sight, Princess Anne reportedly worked 214 engagements last year, compared to King Charles’s 181. Over the decades, she has witnessed the evolving monarchy first-hand with a famously tough sensibility (she once faced off an armed would-be kidnapper), a reserved demeanour (shocking, right?) and a signature dry sense of humour. Oh, and she loves horses. All of this can be mirrored in her no-nonsense, ever-put-together style. And this week, in a rare CBC interview, Princess Anne hinted at her winning approach to getting dressed: She’d prefer simply not to think about it.

King Charles’s coronation is a once-a-generation event shrouded in sartorial anticipation. But Princess Anne’s outfit choice — her military uniform — couldn’t be more self-explanatory. The Royal revealed to CBC that she’ll be reprising the ceremonial role of Gold-Stick-in-Waiting at the historic event, adding that such a position solves her “dress problem,” as she’ll be donning traditional regalia. “This is so on-brand,” writes Tamara Abraham in The Telegraph. “It’s not like the Princess Royal to make a fuss about her wardrobe — it’s a problem to be fixed, rather than a creative opportunity.”

As her appearance indicates, Princess Anne seems always focused on the task at hand. Look no further than her stacked resumé. At 39, she was nominated for a Nobel Peace Prize. She was the first British Royal to compete in the Olympics, having ridden in the three-day equestrian at the 1976 Montreal Games. With the reputation of being somewhat of a rebel, she forewent royal titles for her children, Zara and Peter, in an effort to give them a more normal upbringing.

Similarly, at the funeral of Queen Elizabeth, Princess Anne made history when she accompanied the coffin alongside only men, dressed in a military uniform and pink lipstick. With this tribute, she reportedly became the first royal woman to walk in such a procession. All of this to say: Anne is sort of a fashion icon hiding in plain sight.

As a reliable worker in the Royal Family, Princess Anne often sidesteps salacious headlines. With a practical, utilitarian, and sometimes sporty style, she’s perhaps the greatest personification of the rumoured royal “never explain, never complain” mantra. But that’s not to say what she wears is boring. In fact, it’s pretty daring.

Travelling sans stylist on royal tours, Princess Anne is not known for following trends or overhauling her wardrobe each season. She has established a reputation for re-wearing outfits, often changing accessories or styling the same look slightly differently decades later. She stays true to her tomboyish tendencies, which have not always been applauded. In 1973, when Princess Anne famously wore a linen pantsuit to go to the theatre — paired with blue eyeshadow, we might add — it was reportedly seen as controversial for a woman in the Royal Family.

Even still, a frequent inspiration in Princess Anne’s wardrobe is her equestrian career, donning traditional, timeless, and impeccably tailored suiting. She’s also a fan of bright colour blocking and playful patterns — think: pink houndstooth, vibrant polka dots, exaggerated florals and geometric shapes. She has a penchant for statement details like oversized collars, fanciful ruffles and extravagant headpieces. Switching between androgynous utilitarianism and refined glamour, Princess Anne’s under-the-radar dressing legacy is the epitome of personal style.

Vogue notes that her outfits reflect her position as one of the family’s most “progressive thinkers,” having put her own spin on the era-defining fashion of the ’60s and ’70s. Whether she’s dressed up or pared down, her style remains direct, unwavering and entirely certain of itself. This is an invaluable skill to have in the Royal Family.

Below, we’ve rounded up some of the best looks from Princess Anne over the years.

Photo by Tim Graham Photo Library via Getty Images

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Photography by Tim Graham Photo Library via Getty Images

Photography by Tim Graham Photo Library via Getty Images

Photography by Tim Graham Photo Library via Getty Images

Photography by Tim Graham Photo Library via Getty Images

Photography by Tim Graham Photo Library via Getty Images

Photogrpahy by Tim Graham Photo Library via Getty Images

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Princess Anne visting a theatre in 1973

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Princess Anne and Queen Elizabeth II at Royal Ascot in 1970

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Princess Anne and Queen Elizabeth ll in Turkey in 1971

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Princess Anne at Royal Ascot in 1987

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Princess Anne at a charity dinner in 2005, wearing a dress she originally wore in 1989

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Anne at Sandhurst Military Academy in 1973, in a dress she would re-wear 11 years later with an extended hemline

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Princess Anne at Cheltenham Races in 1997

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Princess Anne in Kiev, Russia in 1973

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Princess Anne at a film premiere in 1973

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Princess Anne at Royal Ascot in 1980

The post Is Princess Anne the Best-Dressed Royal? appeared first on FASHION Magazine.

Singer, songwriter, Met Gala co-chair — is there anything Dua Lipa can’t do? Versace certainly doesn’t think so, as it has enlisted the star to co-design its high summer collection “La Vacanza.” While not much has been revealed, the show will take place on Tuesday, May 23, in Cannes, France, with the entire assortment immediately available online. With Dua Lipa and Versace at the helm, expect the unexpected!

Tanya Taylor comes home

Welcome home, Tanya Taylor! The Toronto-born, New York-based brand hasn’t returned to its hometown since before the pandemic, so to kick off its 10th anniversary, it’s hosting a pop-up at TNT on May 11 and 12. Expect romantic dresses, bold patterns and smile-inducing colours. Moreover, ten per cent of sales will go to SickKids.

Jennie Kim creates a capsule collection for Calvin Klein

Looking for some spring outfit inspiration? Look no further than Blackpink’s Jennie Kim’s capsule with Calvin Klein. The collection ranges from $25 to $150 and features a selection of underwear sets, denim, tees, fleece and knits infused with the South Korean superstar’s style. Available on May 10, this is one date you’ll want to bookmark.

Mimi So paints the town red

What is a paint brush if not a universal symbol for the artistic community? In collaboration with celebrity makeup artist Daniel Martin and pianist Chloe Flower, notable jewellery brand Mimi So has unveiled an 18k gold ring, shaped like a paint brush and stamped with the words “paint your dreams.” Available as of May 4 for a limited time, the trio is working to raise money for Apex for Youth, a charity that empowers AAPI youth in New York City.

You can now pre-order Christopher John Rogers’s Resort 2024 collection

Christopher John Rogers is Hollywood’s best worst-kept secret. He dressed Anne Hathaway at the beginning of her style renaissance. He created one of Jodie Turner Smith’s most memorable red carpet looks. And he’s made a fan-girl out of Tracee Ellis Ross. So if you’re eager to hop on this fashionable bandwagon, you’re in luck because the American designer’s Resort 2024 collection is on pre-sale now. Our top pick? This blue knit jacket.

The post Dua Lipa Collaborates with Versace + More Fashion News appeared first on FASHION Magazine.

RELATED: A Look Back at the Best Fashion Moments in Met Gala History

In all its prestigious glory, the annual fundraising ball has a unique ability to cram together as many gussied-up famous people as possible. As it always does, this year’s affair delivered on a lot: endless bridal fashion; many a pregnancy reveal; and a record-breaking number of catsuits. So, it is with much chagrin (and some nosiness) that we must turn our attention to all the celebrities who shockingly weren’t there.

ICYMI, the theme was dedicated to the late designer Karl Lagerfeld, whose artistic work over his decades-long career is the epitome of coveted vintage fashion. Because of this, the event was met with expectations for a sea of archival garments and iconic women who were once Lagerfeld’s muses. The former we got. The latter, we sadly did not.

While legends like Kate Moss and Naomi Campbell did attend, many of Lagerfeld’s longtime inspirations didn’t. Claudia Schiffer, the designer’s favourite model in the ’90s and a repeated Chanel bride, was rumoured to be attending but posted on May 1 that she had declined the invitation. Canadian supermodel Linda Evangelista is synonymous with some of Lagerfeld’s most recognizable Chanel designs. She was referenced by guests (including Lizzo), but never present herself. And one of Lagerfeld’s buzziest Gen Z muses, Lily-Rose Depp, who has donned his work several years running at the Met Gala and whose mother Vanessa Paradis was an O.G. Karl muse, was also conspicuously M.I.A. at Monday’s ball was. Unjust!

On May 1, as A-listers trickled onto the steps of the Met, non-attendees became a social media focus as well. A Photoshopped picture of Zendaya in Rita Ora’s dress made the rounds. An AI-generated image of Selena Gomez quickly went viral. An old paparazzi shot of Lady Gaga dressed as a Chanel bride was mislabelled as a sneak peek of the star en route that evening. (Cruel, all of it!) Throughout the night, trending tweets lamented the loss of Met Gala frequenters like Bella Hadid, Blake Lively, Billy Porter, and Katy Perry.

Some absences were more expected than others. Beyoncé hasn’t been to a Met Gala since 2016 — basically a lifetime ago. As a supporter of Lagerfeld, fans held out hope that 2023 would mark her great return, but to no avail. The same goes for Nicki Minaj, who has reliably repped Lagerfeld’s use of logomania at Fendi. Her presence last year established false hope for Monday’s event, where she was nowhere to be found.

Many of the missing stars are masters of a Met Gala theme. In 2019, Lady Gaga honoured camp with a 16-minute transformational entrance. That same night, Zendaya showed up as a real-life Disney princess, with Law Roach as her fairy godmother. Just last year, Blake Lively gave us gilded glamour by unwrapping her gown’s billowing skirt to reveal an entirely new one underneath. It’s hard not to think about the looks we missed out on account of these stars not being there. Not to be dramatic, but a fashion robbery is afoot!

In the world of Met Gala lore, there’s endless speculation surrounding exactly what it means when a celebrity doesn’t show up. This year, with the contentious legacy of Lagerfeld as context, some theorized that stars like Gomez and Lively opted out as a statement of solidarity for the communities the designer has offended. It’s a nice thought! But when you take into account that both of them have worked with him in the past, it doesn’t exactly hold up. The less glamorous, more believable possibility: scheduling conflicts. And as for why many of Karl’s most iconic muses, specifically, weren’t there? That remains a mystery.

One thing’s for sure, we’ll always have memories. See below for our favourite Met Gala looks by those who skipped this year.

Photography via Karwai Tang/WireImage/Getty

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Zendaya and Law Roach at the 2019 Met Gala celebrating Camp: Notes on Fashion. Photo by Getty Images

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NEW YORK, NY - MAY 07: Bella Hadid at Metropolitan Museum of Art on May 7, 2018 in New York City. (Photo by Jackson Lee/Getty Images)

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Beyoncé in Givenchy in 2016

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Nicki Minaj in Burberry in 2022

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Zendaya in Tommy Hilfiger in 2019

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Lily-Rose Depp in Chanel in 2021

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Bella Hadid in Chrome Hearts Official in 2018

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Lady Gaga in Brandon Maxwell in 2019

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Katy Perry in Maison Margiela Artisinal by John Galliano in 2017

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Blake Lively in Atelier Versace in 2022

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Claudia Schiffer at the 2007 Met Gala

The post Who Was Missing From the Met Gala? appeared first on FASHION Magazine.

RELATED: The Met Gala After-Party Uniform Was Sexy, Slinky and Sheer

Some celebrities took the archival approach a step further and opted to wear designs that they had previously donned themselves.

Nicole Kidman honoured Lagerfeld by slipping into a Chanel haute couture gown that she originally wore for her classic Chanel No. 5 campaign back in 2004. In the commercial for the popular fragrance, Kidman played a celebrity who was struggling with her role in the public eye. The ad, which was directed by Baz Lurhmann, featured clips of her running through New York’s Times Square in the blush pink gown. Last night though, the silk tulle dress endured much less severe conditions as it gracefully draped down the legendary steps of The Met.

Lagerfeld’s longtime muse Gisele Bündchen also re-wore a past look as she walked the carpet in a Chanel Spring 2007 bridal gown complete with a grand feathered cape. Bündchen, who first wore the dress in a photoshoot for Harper’s Bazaar South Korea from the same year, was all smiles at her first post-divorce Met as she was clearly having fun posing in the angelic outfit.

Vanessa Kirby also sported an original Lagerfeld design on the first Monday in May, sparkling in the historic “shower dress” from Chloé’s Spring 1983 collection. The English actress said that wearing an original piece, which was previously being showcased at the North Carolina Museum of Art, “felt special” during a red carpet interview.

Naomi Campbell (another longstanding Lagerfeld muse) also wore a vintage Chanel confection, pulling from Chanel’s Spring 2010 haute couture collection. Dua Lipa, who was a co-chair of the event, wore vintage Chanel haute couture as well, showcasing a bridal gown from the Fall 1992 line that was famously worn by supermodel Claudia Schiffer.

There’s certainly a sustainable fashion element to stars re-wearing pieces that were already made prior to the 2023 Met Gala — and these gowns weren’t the only reference to sustainability on Monday. According to Vogue, an installation made of flowers and thousands of recycled water bottles was the main centrepiece of the event. The innovative decoration, developed by designer Tadao Ando, was reportedly a reference to how Lagerfeld always looked to the future, and the eco-friendly component of the design was also a nod to that forward-thinking ideation.

While they may not have re-worn exact gowns to the Met Gala on May 1, several other celebrities drew major inspiration from Lagerfeld’s vintage designs. Margot Robbie, for example, wore a stunningly similar remake of a Chanel black dress fitted with a transparent bodice that Cindy Crawford previously wore down the Spring 1993 runway 30 years ago.

K-pop star Jennie Kim also looked to vintage Chanel for her Met Gala look, sporting a recreation of a mini-dress from the house’s Fall 1990 ready-to-wear collection.

Ashley Graham, Penélope Cruz, Maude Apatow, Allison Williams and Lizzo also followed the trend and selected looks that were deeply inspired by Lagerfeld’s past creations.

Whether these stars wore the originals or near-identical replicas of previous designs, the willingness to recycle memorable looks points to another aspect of sustainability in fashion — the importance of not losing the significance of past artwork. Through the numerous nods to Lagerfeld’s classic creations last night, it’s clear that when it comes to high fashion, the late designer’s artistic legacy and dedication to his craft lives on.

The post So Many 2023 Met Gala Looks Were Vintage (or Vintage-Inspired) appeared first on FASHION Magazine.

RELATED: Chanel Brides and Chic Cats Dominate the 2023 Met Gala Red Carpet

Throughout his influential career, Karl Lagerfeld came to represent the gatekeeping nature of the fashion industry. At the helm of Chanel and Fendi, the creative director was quick to defend the pervasive practice of hiring only waif-like models. In 2009, he told the German magazine Focus that “no one wants to see curvy women,” among other offensive quotes documented over the years. His opinion was clear: thinness equates to beauty. And as a titan of his field, Lagerfeld’s blatant fatphobia reverberated in the fashion world.

But as attendees strolled up the carpeted steps in his honour at the 2023 Costume Institute ball, this problematic legacy was not brushed under the expensive cream-coloured rug. In fact, where many outfit tributes were concerned, it stood front and centre.

For starters, celebrities who don’t fit Lagerfeld’s norm for the “ideal” body type emerged as sartorial stars fearlessly taking up space. Actor Alex Newell’s black dress featured a sculptural heart-shaped silhouette and mesh cutouts at the ribs. A round chapeau towered over their head, so as to create a feathered halo effect. Model Precious Lee wore a curve-hugging Fendi black wrap and a bedazzled baguette bag — complete with a trailing hot pink train and voluminously teased hair.

Ashley Graham donned a Harris Reed corset gown with a plunging off-shoulder design, inflated hips, and a dramatic mermaid skirt. Though inspired by a couture gown from Chanel’s Fall 1987 show, the ensemble offers an undeniably dramatized interpretation. With Lagerfeld’s non-inclusive views as context, these statement-making looks held a deeper meaning about plus-size bodies, and how they exist in exclusionary spaces.

As fashion’s most prestigious fête, the Met has long been an emblem of high society; attendance guarded by an elusive worthiness. And when paying homage to Lagerfeld, instead of fading into the background, attendees above the sample size vivaciously stood out.

Perhaps most affecting were the cheeky riffs on quintessential Chanel imagery. Actor Harvey Guillén — who has spoken about the challenges of being Latino, queer, and plus-sized in Hollywood — leaned into femme visuals, donning a baby pink tweed suit and trailing train. Punctuated with strings of pearls and colossal rosettes, it was a reclamation of ’90s Chanel runways, which exclusively featured thin, mostly white models.

Lizzo, who typically serves up avant-garde moments on the red carpet, toned things down in a classic silhouette with a clear-cut message. Wearing a black gown adorned by a caged pearl top, her custom Chanel look emulated model Linda Evangelista on the Fall 1991 runway. Often viewed as the “ultimate Chanel girl,” Evangelista fit the rigid body mould perpetuated by Lagerfeld (and the fashion industry at large in that era). Conversely, Lizzo’s mere presence evoking coveted traditional Chanel is a rebellion in and of itself.

Throughout the evening, there was a throughline of thematic defiance against Lagerfeld’s views. For instance, the designer reportedly spoke out against same-sex couples adopting children. Along with body standard statements, there was a sense of lavish irreverence among some queer stars who walked the carpet. Lil Nas X shocked the world (as he does) in a full face of rhinestones and pearls while swapping clothes for bedazzled body paint. Janelle Monáe entered in a gargantuan Thom Browne hoop overcoat, only to reveal a black sparkly bikini underneath. A theme of all these risk-taking looks? Commanding a room while existing fully and unapologetically.

With thin appearance ideals continually dominating the cultural conversation, experimental body-inclusive fashion is as crucial as ever. Far too often, red carpets and runways see those above a size two in billowy caftans, conservative hemlines and unimaginative silhouettes. But at the 2023 Met Gala, the ensembles worn by larger bodies exuded joy, individuality and pure thoughtfulness.

The irony is obvious. As some have noted, Karl Lagerfeld probably would have hated to see plus-size celebs donning custom designer garb and attending fashion’s most esteemed event in his name. At the end of the day, that is precisely what makes this year’s Met Gala such a soaring success.

The post The <Em>Real</Em> Star of the Met Gala? Plus-Size Fashion appeared first on FASHION Magazine.

RELATED: Florence Pugh and More Met Gala First-Timers

The 2023 Met Gala, which honoured the work and legacy of Karl Lagerfeld, presented a red carpet replete with vintage Chanel, wedding gowns (an homage to the late designer’s tradition of closing each Chanel couture show with an elaborate bridal look), tributes to Choupette, and design signatures like pearls, tweed and 3D flowers. Naturally, this made for quite a cohesive Met Gala red carpet where most attendees understood the assignment. Thankfully, the famous guests seemed to also take the *unofficial* Met Gala after-party assignment to heart, too, where the dress code was short, skin-baring, and extra sassy. EmRata taught us:

 

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Here, we round up the most jaw-dropping fashion moments from the 2023 Met Gala after-parties.

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Photography courtesy of Emilio Madrid

Photography courtesy of Emilio Madrid

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Photography by BFA, courtesy of Stella McCartney

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Photography courtesy of Emilio Madrid

Photography by BFA, courtesy of Stella McCartney

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Photography by BFA, courtesy of Stella McCartney

Photography by BFA, courtesy of Stella McCartney

Photography courtesy of Emilio Madrid

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Photography by BFA, courtesy of Stella McCartney

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Photography courtesy of Emilio Madrid

Photography by BFA, courtesy of Stella McCartney

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Photography by BFA, courtesy of Stella McCartney

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Kendall Jenner in Nensi Dojaka

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Olivia Rodrigo

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Coco Rocha at a Met Gala after-party hosted by Janelle Monáe

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Rihanna

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Kerry Washington

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Ashley Park in Michael Kors Collection

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Janelle Monáe

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Penelope Cruz

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Gigi Hadid at a Met Gala after-party hosted by Stella McCartney, Baz Luhrmann and Casamigos Tequila

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Jenna Ortega at a Met Gala after-party hosted by Janelle Monáe

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Lea Michele in Michael Kors Collection

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Olivia Wilde at a Met Gala after-party hosted by Stella McCartney, Baz Luhrmann and Casamigos Tequila

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Keke Palmer at a Met Gala after-party hosted by Janelle Monáe

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Jared Leto, Kate Hudson and Stella McCartney at a Met Gala after-party hosted by Stella McCartney, Baz Luhrmann and Casamigos Tequila

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Cara Delevingne and Giselle Bündchen at a Met Gala after-party hosted by Stella McCartney, Baz Luhrmann and Casamigos Tequila

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Kaitlyn Dever in Michael Kors Collection

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Florence Pugh at a Met Gala after-party hosted by Janelle Monáe

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Karlie Kloss at a Met Gala after-party hosted by Stella McCartney, Baz Luhrmann and Casamigos Tequila

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Billie Eilish at a Met Gala after-party hosted by Janelle Monáe

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Ariana DeBose at a Met Gala after-party hosted by Janelle Monáe

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Vanessa Hudgens in Michael Kors Collection

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Aubrey Plaza and Madelyn Cline at a Met Gala after-party hosted by Stella McCartney, Baz Luhrmann and Casamigos Tequila

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Chloe Fineman at a Met Gala after-party hosted by Janelle Monáe

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Amber Valletta and Grace Elizabeth at a Met Gala after-party hosted by Stella McCartney, Baz Luhrmann and Casamigos Tequila

The post The Met Gala After-Party Uniform Was Sexy, Slinky and Sheer appeared first on FASHION Magazine.

RELATED: Met Gala 2023 Beauty: Our Favourite Looks From Fashion’s Biggest Night

This year’s evening, co-chaired by Penélope Cruz, Michaela Coel, Roger Federer, and Dua Lipa, celebrates The Metropolitan Museum of Art Costume Institute’s latest exhibition, “Karl Lagerfeld: A Line of Beauty.” Inspired by the late-great designer’s work with Chanel, Fendi, Chloé and more, the dress code was to pay tribute to his legacy in the only way Lagerfeld would want: through fashion.

As predicted, there was a sea of tweed, black and white, and vintage but no one could’ve been prepared for this many Chanel brides. Famously, Lagerfeld started the tradition of closing Chanel shows with a euphoric white bridal look in 1984. Since then, it’s become a mainstay and one of his definitive legacies. And today on the Met Gala 2023 red carpet, many celebs took note. Co-chair Dua Lipa looked effortlessly elegant in vintage Chanel tweed ballgown, famously worn by Claudia Schiffer in 1992.  Gisele proved she never needs a plus one and looked fabulous in another Chanel throwback from 2007. And Nicole Kidman re-wore her dress from her Chanel No. 5 commercial directed by Baz Luhrmann.

Another major highlight was seeing how other designers interpreted the iconic designer’s signature style. Emily Ratajkowski looked Lagerfeld-approved in a light beige Tory Burch dress. Emma Chamberlain’s Miu Miu ensemble was an ode to his love of suits. And Maya Hawke looked cozy in feather couture by Prada.

Scroll through the Met Gala 2023 red carpet gallery for the most memorable appearances.

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Rihanna in Valentino

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Jenna Ortega in Thom Browne

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Ashley Graham in Harris Reed

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Simu Liu

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Karen Elson

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Viola Davis in custom Valentino

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Michelle Yeoh

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A$AP Rocky in Gucci

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Naomi Campbell in Chanel

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Lily James in Tamara Ralph

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Michaela Coel in custom Schiaparelli

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Jodie Comer in Burberry

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Bad Bunny in Jacquemus

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Imaan Hammam

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Conan Gray in Balmain

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Gabrielle Union and Dwyane Wade in Prada

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Jeremy Scott and Devon Aoki in Jeremy Scott

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Elle Fanning in Vivienne Westwood

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Ke Huy Quan in Dior Men

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Cara Delevingne in custom Karl Lagerfeld

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Salma Hayek in Gucci

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Serena Williams in Gucci

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Brooklyn Beckham and Nicola Peltz

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Erykah Badu in Marni

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Idris Elba and Sabrina Dhowre Elba in Gucci

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Cai Xukun

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Vanessa Kirby in Chloé and Christian Louboutin shoes

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Anne Hathaway in Versace

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Alessandro Borghi in Gucci

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Hannah Bagshawe and Eddie Redmayne in Alexander McQueen

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Maude Apatow in Chloé

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Lil Nas X in 218,784 round flatback Swarovski crystals over silver body paint by Pat McGrath

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Lizzo in Chanel

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Camila Morrone in Rodarte

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Maluma

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Jared Leto dressed as Choupette

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Jared Leto

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Aurora James in custom Bode, a tribute to Karl Lagerfeld’s 1954 Woolmark Prize-winning coat

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Ashley Park in Michael Kors Collection

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Paloma Elsesser in Luar and Swarovski jewellery

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Doja Cat in Oscar de la Renta and Messika High Jewelry

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Amber Valletta in Karl Lagerfeld and Brilliant Earth jewellery

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Letitia Wright in Prada

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Jack Harlow in Tommy Hilfiger

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Yara Shahidi in Jean Paul Gaultier

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Phoebe Bridgers in Tory Burch

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Glenn Close

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Stormzy in Burberry

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Lea Michele in Michael Kors Collection

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Alexa Chung in Roisin Pierce

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Emily Blunt in Michael Kors

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Pedro Pascal in Valentino

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Sienna Miller in Gucci and Christian Louboutin shoes

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Amanda Seyfried in custom Oscar de la Renta and Cartier jewellery

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Lily Collins in custom Vera Wang and Christian Louboutin shoes

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Marion Cotillard in Chanel

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Kerry Washington in Michael Kors Collection

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Sydney Sweeney in Miu Miu

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FKA twigs in custom Maison Margiela

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Quinta Brunson in Prabal Gurung

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Karlie Kloss in Loewe

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Kristen Stewart in Chanel

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Grace Elizabeth in Christopher John Rogers

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Gisele Bündchen in Chanel

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Gabriella Karefa-Johnson in custom Coachtopia

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Daisy Edgar-Jones in Gucci

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Quannah Chasinghorse

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Adut Akech

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Keke Palmer in Sergio Hudson and Swarovski jewellery

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Margot Robbie in Chanel

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Donatella Versace

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Julia Garner in Gucci

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Irina Shayk

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Jessica Chastain in Gucci

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Halle Bailey in Gucci

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Gustav Magnar Witzoe in Palomo Spain

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Precious Lee in Fendi

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Gwendoline Christie in Fendi

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Anok Yai in Prabal Gurung

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Brian Tyree Henry

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Suki Waterhouse in Fendi and Robert Pattinson in Dior Men

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Kate Moss in Fendi

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Lila Moss in Fendi

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Maya Hawke in Prada

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Emma Chamberlain in Miu Miu

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Vittoria Ceretti in Balenciaga

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Olivia Wilde in Chloé

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Roger Federer and Mirka Federer

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Dua Lipa in Chanel

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Nicole Kidman in Chanel

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Ariana DeBose in custom Altuzarra

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Taika Waititi

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Penélope Cruz in Chanel

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Chloe Fineman in Wiederhoeft

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Janelle Monáe in Thom Browne

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Rami Malek in Prada

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Allison Williams

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Paris Hilton in Marc Jacobs

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Emily Ratajkowski in Tory Burch

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Cardi B in Chenpeng Studio

Photography by Getty Images

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Jennifer Lopez in Ralph Lauren

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Ice Spice in Balmain

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Miranda Kerr in Dior

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Kylie Jenner in custom Jean Paul Gaultier

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Alton Mason

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Gigi Hadid in Givenchy

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Billie Eilish in custom Simone Rocha

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Kim Kardashian in Schiaparelli

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Priyanka Chopra and Nick Jonas in Valentino

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Mary J. Blige in Burberry

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Aubrey Plaza in Stella McCartney

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Teyana Taylor in Thom Browne

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Rachel Brosnahan in a Sergio Hudson gown embellished with Swarovski crystals

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Bella Ramsey in Thom Browne

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Ben Platt in Wiederhoeft and Christian Louboutin shoes

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Olivia Rodrigo in Thom Browne

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Trevor Noah in Thom Browne

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Kendall Jenner in Marc Jacobs

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Mindy Kaling in Jonathan Simkhai

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Rita Ora in Prabal Gurung

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Baz Luhrmann and Catherine Martin

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Liberty Ross in Burberry

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Vanessa Hudgens in Michael Kors Collection

The post Chanel Brides and Chic Cats Dominate the 2023 Met Gala Red Carpet appeared first on FASHION Magazine.

RELATED: Chanel Brides and Chic Cats Dominate the 2023 Met Gala Red Carpet

The Little Woman star turned heads — quite literally — with her tribute to the late Karl Lagerfeld who was known for his love of feathers and monotone colours. Pugh arrived for her Met Gala debut accessorizing her black and white Valentino gown with a freshly shaved head and sky-high feather headpiece. Now Pugh is not stranger to taking fashionable risks. She fearlessly freed her nipple in 2022 at a Valentino show. She’s rocked monstrously tall platforms multiple times. And who can forget her infamous black tulle revenge dress at the Venice Film Festival? But this is undoubtedly her most daring — and tallest — look yet.

That said, the biggest daredevil of the night was another Met Gala newcomer, Doja Cat. Instead of honouring Lagerfeld’s fashion legacy, the rapper chose to pay homage to his famous cat Choupette with a feathery white frock by Oscar de la Renta, a cat ear-adorned hood and literal cat eye makeup. Other celebs who were new to the red carpet took slightly safer approaches. Quinta Brunson’s Prabal Gurung ensemble was an ode to iconic Chanel camellia. Bella Ramsey wore a pearl-encrusted suit. And Ice Spice wore a white bodycon Balmain dress whilst holding a camera, as a cheeky nod to Lagerfeld’s love of photography.

Click through to get a closer look at what Florence Pugh and other Met Gala newcomers wore on the 2023 red carpet.

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

Photography by Getty Images

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Doja Cat in Oscar de la Renta and Messika High Jewelry

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Florence Pugh in Valentino

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Bella Ramsey in Thom Browne

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Ice Spice in Balmain

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Quinta Brunson in Prabal Gurung

The post Florence Pugh Walked Her First Met Gala Red Carpet appeared first on FASHION Magazine.

RELATED: Hailey Bieber Says It’s Time to Make the Hair Change You’ve Been Considering

After three years of a daringly ambitious renovation — the first since it opened its doors in 1940 — the Tiffany & Co. Fifth Avenue store finally reopened its historic doors and the stars celebrated in style. Like a modern Holly Golightly à la Breakfast at Tiffany’s, Bieber wore a Versace LBD with strands of pearls and a Tiffany Blue manicure. She spent most of the night with the equally effervescent Zoë Kravitz, who paid homage to Tiffany’s former designer Elsa Peretti by wearing a halter top with a silk Saint Laurent button-down and pencil skirt.

Blake Lively, Anya Taylor-Joy, Brooklyn Beckham, Nicola Peltz, Michael B. Jordan, Jacob Elordi, Gal Gadot and others were also there (along with FASHION, by the way). Still, Florence Pugh caused gasps to ripple in the fashionable crowd. Debuting new bangs and a bob, the actor looked like she was carrying a wind machine the whole night as her mint green Valentino gown danced wherever she went. And as this is Tiffany & Co., having a crowd full of stunning A-list stars simply wasn’t enough. The brand surprised everyone with an intimate performance by Katy Perry that ended with iridescent confetti covering the partygoers.

But the true star of the night was the venue itself (sorry Mrs. Biebs!). While the party was so packed I could barely see my bedazzled green pumps, I luckily got a private tour of the premises the day before. Now, at first glance, the reveal is admittedly a little anticlimactic: the storefront’s iconic limestone, Atlas Statue and clock remain relatively unchanged. However, the new three-story glass addition, spearheaded by the Office for Metropolitan Architecture (OMA), gives a glimpse into the innovation you can expect from the interior by legendary architect Peter Marino.

Entering through the grandiose revolving doors, the first word that comes to mind is luxury. In case the location (57th Street and Fifth Avenue) wasn’t enough of an indicator that you are walking on NYC sidewalk royalty, the ground floor features a giant LED screen that mimics windows, with views of the Manhattan skyline and Central Park. The walls that aren’t covered in pixels are adorned with art by renowned artists like Damien Hirst, and the entire space glitters and glows as if it were dunked in the bubbliest and sparkliest Champagne imaginable.

@fashionmagazine If the newly renovated Tiffany Landmark isn’t on your New York to-do list, add it immediately! @Tiffany&Co. #tiffanyandco #newyorkcity #thetiffanylandmark #interiors ♬ original sound – kardashianshulu

But be warned — the Tiffany Landmark is massive, so much so that I recommend sporting a pair of sneakers if you want to make it to all ten floors in one piece. However, if you’re willing and able to take the stairs, I highly suggest you do. Before you protest, this is no ordinary staircase. Inspired by the aforementioned Peretti’s love of organic forms, the steps are surrounded by rock crystal columns and angled infinity mirrors, which are guaranteed to take your mirror selfies to the next level (pun intended). Head to the seventh floor to check out the most extensive collection of Tiffany high jewellery in the world, with the crown jewel of them all — a strand of perfect pearls valued at $2.8 million that is so elegant and understated, it’s begging to be worn by Hailey Bieber at this year’s Met Gala.

If seeing all the delicious jewellery has made you feel a bit peckish, the Instagrammable Blue Box Café has reopened and will have you seeing Tiffany Blue long after your amuse-bouche. “The Audrey Experience,” a mini shrine to Hepburn and the iconic movie, complete with a replica of the LBD and pearl necklace from Breakfast at Tiffany’s  is on floor five. The famous 128.54-carat Tiffany Diamond has been redesigned and is currently on display in the window. And, if you can maneuver your way onto the guest list, there’s even a secret club on the top floor with its own elevator. Consider it Hailey Bieber- and Holly Golightly-approved.

See what all the stars wore to the opening of The Tiffany Landmark below.

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

Photography by BFA/Matteo Prandoni

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Florence Pugh

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Zoe Kravitz

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Blake Lively

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Brooklyn Beckham, Nicola Peltz

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Hailey Bieber

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Jimin

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Anya Taylor-Joy

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Jacob Elordi

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Katy Perry

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Pharrell

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Gal Gadot

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Michael B. Jordan

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Gabrielle Union

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Barbara Palvin, Dylan Sprouse

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Tiffany Haddish

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Mark Ronson

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Tracee Ellis Ross

The post Is Hailey Bieber 2023’s Audrey Hepburn? appeared first on FASHION Magazine.

Hear me out, Lizzo is the definition of a Taurus. She’s down-to-earth, dependable and all about self care.

The self-proclaimed Bop Star is a Taurus Sun, Virgo Moon — just like me, and I can attest to the downsides of being a double earth sign. When you mix the meticulous nature of the bull with perfectionist Virgo, you can easily veer into workaholic territory. Enter: creature comforts. Taureans know when to treat themselves, and in my case, it’s usually with a face mask and some sort of indulgent drink. In Lizzo’s case…Well, as they say on TikTok, we’re in different tax brackets, and her fashion is proof. But let’s be honest, she’s earned it. Between her award-winning records and influence on the world of inclusive fashion, Lizzo’s impact can’t be understated.

And so, in honour of her 35th birthday, we’re taking a look back at some of her most decadent fashion moments.

A 3D floral cloak

For the 2023 Grammys, Lizzo wore a larger-than-life cloak the colour of orange tropical punch that was decked out in 3D rosettes.

An un-bow-lievable look

Subtle? We don’t know her.

Pint-sized purse

Who can forget when Lizzo appeared on the 2019 American Music Awards red carpet with a clutch small enough to carry Thumbelina? Sharing photos of the custom Valentino ensemble to Instagram, she wrote, “Bag big enough for my f***s to give.” We know a fixed sign when we see one.

The goddess in her

At the 2020 Grammys, Lizzo paid homage to Cher (a fellow Taurus) and Diana Ross in a Versace gown with hand-embroidered Swarovski crystals. The “Truth Hurts” singer paired the dress (which reportedly took two months to make) with jewels by Lorraine Schwartz, taking the Taurean love of luxury to a whole new level.

Green with envy

For the 2021 Grammys, Lizzo looked good as hell in her sign’s lucky colour green. And as if the minty ruched strapless Balmain dress wasn’t sparkly enough, she paired the look with jewels from Bulgari.

Now we’ve seen it all

 

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A post shared by Lizzo (@lizzobeeating)

Lizzo went viral last October when she stepped out in a sheer, shimmery, floor-length dress by Matthew Reisman for Cardi B’s birthday. After being pictured barefoot, she assured fans on Instagram that she did wear shoes — Jimmy Choos, for the record. And if this outfit doesn’t perfectly encapsulate her sign’s love of comfort and quality, I don’t know what does.

In a galaxy far, far away

 

View this post on Instagram

 

A post shared by Lizzo (@lizzobeeating)

Like any Taurean, Lizzo knows when it’s time to go hard and when it’s time to go home. And last Halloween, she definitely went hard. The singer wore not one but *three* costumes, most memorable of which being her transformation into Grogu from The Mandalorian.

Let them eat cake

 

View this post on Instagram

 

A post shared by Lizzo (@lizzobeeating)

Finally, Lizzo took to Instagram earlier today to give us all a taste of what’s to come. For her birthday photoshoot, the singer stepped inside a white and pink “cake” wearing a hot pink wig, long pink opera gloves, a mesh bodysuit and lots of jewellery. Is there anything more Taurus than dessert served with a side of glamour? We think not.

The post Lizzo is a Taurus Style Icon appeared first on FASHION Magazine.

RELATED: These Are the Exact Products Used for Sofia Richie’s Wedding Makeup Look

Whether you sought it out or not, over the past few days, your social media feed was likely inundated with what has been appropriately deemed 2023’s “royal wedding.” At a multi-day event in the South of France, 24-year-old Sofia Richie (daughter of Lionel Richie) married music exec Elliot Grainge (son of Universal Music Group CEO Lucian Graing). It was a celebration of over-the-top opulence, as one might expect from the children of the rich and famous.

With a splashy Vogue feature and over 133 million views on TikTok, the event quickly morphed into a viral viewing party, met with internet-wide gawking and critical commentary. During a time when “quiet luxury” is top of mind, this sheer display of chic excess served the exact opposite energy. Nothing about it was under-the-radar or pared down, and that’s what made it so watchable.

The guest list? Hollywood royalty like Paris Hilton, Cameron Diaz, and Nicole Richie. The venue? The five-star Hotel du Cap-Eden-Roc in Antibes (where one of the “cheaper” rooms reportedly goes for USD $2,300 a night) that the newlyweds rented out in its entirety. The wedding dress? A rotation of three custom Chanel dresses, inspired by the house’s iconic archives. With each new detail revealed, the world could not seem to look away. And it’s not hard to see why.

These days, we’re increasingly in an era of toned-down accessorizing, indiscernible designer clothes and muted minimalist aesthetics. The trending ethos behind “recession core” is about hiding signs of money during a time when many are struggling financially. Conversely, this highly publicized, luxurious fête was served up to the world on a silver platter, and there’s something oddly refreshing about that.

Let’s revisit the situational buzzword: royal weddings. We are a culture obsessed with them because they offer a glimpse into an indulgent, seemingly perfect lifestyle that is completely unattainable — and not even real for those living in it. As such, one of the most alluring things about royal weddings is the mystique; the separation. Sure, there are swirling rumours and leaked insider tips. But the world witnesses the nuptials as the final performance of a meticulously choreographed production. With all the same extravagance, the Sofia Richie wedding eschewed this formula. Despite being distinctly out of reach for the everyday person, it felt oddly accessible. For that, we have TikTok to thank.

The 24-four-year-old bride — now formally Sofia Richie Grainge — debuted her account in the days leading up to tying the knot. A series of GRWM (“get ready with me”) videos show her in a cozy white robe — shiny slicked-back hair; impeccably dewy skin — as she does her makeup. When dressing for various wedding-related events, she confers with her virtual audience about sunglasses options and last-minute hair styling changes in real time. She even posted a behind-the-scenes look at the actual wedding with a day-in-the-life style vlog. In the midst of the affair’s undeniable opulence, this side of things made it all feel very…chill. Almost as if the fairytale was not painstakingly pre-planned, but actually au naturel.

Then there are her outfits, which offered an expensive and elegant “old money” vibe. Case in point: The aforementioned trio of Chanel pieces comprised a hand-beaded number for the rehearsal dinner, a lace-embroidered halter gown for the ceremony, and for the after-party, a recreation of a Chanel Fall 1993 mini-dress.

In the days surrounding the official wedding festivities, Richie sported a fringed look from Khaite, a striped maxi from Proenza Schouler, and a pristine two-piece set from Australian label Posse. This rotation of luxurious vacation wear has even prompted speculations of a “shift in how celebrities dress,” leading to more modest, refined pieces that fit this moneyed aesthetic.

Publicized destination celebrity weddings are nothing new (just ask Kourtney Kardashian). But with outfit confessionals, behind-the-scenes details, and an overall air of being casual while completely blowing up the internet, Richie’s wedding has elevated her to “It” girl status, or at the very least, the world’s new favourite nepo baby. Above all, the internet-breaking hype surrounding her weekend in France marks an unprecedented level of access to celebrity weddings.

Which star will tie the knot next and be elevated to Richie’s new status? Only time will tell. But one thing’s for sure: the world will be expecting a front row ticket.

The post The Irresistible Spectatorship of Sofia Richie’s Wedding appeared first on FASHION Magazine.

RELATED: In Praise of Jonah Hill’s Style

This week, Evans is out and about promoting his new action-romance movie Ghosted, co-starring Ana de Armas, ahead of its Apple TV+ release on April 21. Lucky for us, he is serving a selection of ever-satisfying outfits, courtesy of famed menswear stylist Ilaria Urbinati. With each new appearance, Evans looks both supremely cozy and like he put a reasonable amount of effort into getting dressed. An A+ combination!

At the film’s New York City premiere on April 18, a bespectacled, scruffy-bearded Evans arrived in a white knitted polo by King & Tuckfield and green Giuliva Heritage trousers. The coloured stitching on his shirt brought out the playful hue of his lower half, right down to his forest socks and Vinny’s suede loafers. Waving at the paparazzi with a “Hey guys!” warmth, Evans’s impeccably coordinated get-up is emblematic of a precise outfit methodology.

When you possess a certain fashion intuition, a select few styles nestle themselves seamlessly into your wardrobe with a surprising amount of versatility. For Chris Evans, the recipe is as follows: a knitted polo; wide-set trousers; retro eyewear; and a good pair of shoes, preferably loafers. In other words: styles that show off his biceps (if you got it, flaunt it!), and allow him to stand out in a never-too-flashy kind of way.

Case in point: When guest starring on Good Morning America, Evans told an equally polished sartorial story. Wearing burnt orange pleated pants with just the right amount of slouch and a patterned polo tee with a complementary warm palette, Evans’s decade-exceeding heartthrob status emanated from his vintage-leaning ensemble.

For an interview with People, he donned a navy iteration of this style, featuring a criss-cross pattern with a few buttons undone to reveal a white tank. Another day, he gave the look a preppier spin with a white shirt featuring blue stripes and a pair of green khakis. Notice a theme?

To be clear, there’s a difference between “signature” and “boring.” While sporting a tried-and-true formula, Evans experiments via colour and patterns. And every now and again, his traditional rotation is peppered with knit vests layered atop crisp T-shirts. Such was the case when he appeared as a guest on The Tonight Show Starring Jimmy Fallon this week, and last summer when promoting his film The Gray Man. With each new appearance, his style is reliable, just like his role as an internet darling.

This appeal may seem obvious. I mean, he’s literally Captain America. But the 41-year-old actor’s unique charm is not in his conventionally good looks. It’s the way that he seems oddly approachable. Perhaps that’s because he’s not afraid to dance on the cusp of archetypical nerdy outfit territory. Or the fact that he, to paraphrase One Direction, doesn’t think he’s beautiful. He may be the Chris Evans, but he never takes himself too seriously. Take his viral back and forth flirtation with Lizzo, which ignited a will-they-won’t-they dynamic that brought joy to the world in 2021. This playful persona seeps through his easygoing approach to fashion, and it’s been a long time coming.

Evans’s red-carpet appearances once involved lots of plaid and baseball caps. Since he began working with Urbinati roughly 17 years ago, the world has watched his style silently evolve down to a refined — yet uncomplicated — science. We’ll always love Harry Styles’s commitment to rainbow feather boas. But Chris Evans proves that, even if you aren’t “pushing the boundaries” per se, you can still be a style icon in your own way. “I’ve been working with Chris longer than any client I have,” Urbinati told People in 2021. “His style has really evolved over time and he has acquired really beautiful taste of his own.”

What does that mean? He sticks to what works. And it works, every time.

The post The Secret to Chris Evans’s Style appeared first on FASHION Magazine.

Mention the first Monday in May to any fashion lover and they’ll immediately know what you’re talking about. Each year, the star-studded Met Gala takes place on this date, in partnership with The Costume Institute at the Metropolitan Museum of Art, and brings with it some of the most incredible fashion looks we’ll see in the year. From larger-than-life ballgowns to radical suits, there’s no limit on self-expression on style.

RELATED: The Best Met Gala Beauty Looks Ever — Period

Ahead of the 2023 Met Gala, we dove into the event’s archives to relive some of the Met ball’s most memorable fashion moments. Ahead, see more than 90 of the Met Gala best looks of all time.

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photography courtesy of Getty Images

Photo by Kevin Mazur/MG21/Getty Images for The Met Museum/Vogue

Photo by Getty Images

Photo by Taylor Hill/WireImage

Photo by Mike Coppola/Getty Images

Photo by Theo Wargo/Getty Images

Photo by Dimitrios Kambouris/Getty Images for The Met Museum/Vogue

Photo by Jeff Kravitz/FilmMagic

Photo by Jeff Kravitz/FilmMagic

Photo by John Shearer/WireImage

Photo by Dimitrios Kambouris/Getty Images for The Met Museum/Vogue

Photo by Dimitrios Kambouris/Getty Images for The Met Museum/Vogue

Photo by John Shearer/WireImage

Photo by Theo Wargo/Getty Images

Photo by Jennifer Graylock/PA Images/Getty

Photo by Kevin Mazur/MG19/Getty

Photo by Kevin Mazur/MG19/Getty

Photo by Kevin Mazur/MG19/Getty

Photo by Theo Wargo/WireImage/Getty

Photo by John Shearer/Getty

Photo by Kevin Tachman/MG19/Getty

Photo by Dia Dipasupil/FilmMagic/Getty

Photo by Jamie McCarthy/Getty

Photo by Dimitrios Kambouris/Getty

Photo by Jamie McCarthy/Getty

Photo by Rabbani and Solimene Photography/WireImage/Getty

Photo by Sean Zanni/Patrick McMullan/Getty

Photo by Rabbani and Solimene Photography/WireImage/Getty

Photo by Theo Wargo/Getty

Photo by Karwai Tang/Getty

Photo by Jamie McCarthy/Getty

Photo by Theo Wargo/Getty

Photo by Theo Wargo/Getty

Photo by Theo Wargo/Getty

Photo by Neilson Barnard/Getty

Photo by John Shearer/Getty

Photo by Jackson Lee/FilmMagic/Getty

Photo by John Shearer/Getty

Photo by Dimitrios Kambouris/Getty

Photo by Venturelli/FilmMagic/Getty

Photo by George Pimentel/WireImage/Getty

Photo by Dimitrios Kambouris/Getty

Photo by Taylor Hill/FilmMagic/Getty

Photo by Andrew H. Walker/Getty

Photo by Andrew H. Walker/Getty

Photo by Larry Busacca/Getty

Photo by Kevin Mazur/WireImage/Getty

Photo by Kevin Mazur/WireImage/Getty

Photo by Kevin Mazur/WireImage/Getty

Photography via Larry Busacca/Getty

Photography via Getty

Photography via Getty

Photography via Larry Busacca/Getty

Photo by Lars Niki/Corbis/Getty

Photo by BILLY FARRELL/Patrick McMullan/Getty

Photo by Billy Farrell/Patrick McMullan/Getty

Photography via Sylvain Gaboury/FilmMagic/Getty

Photo by Chance Yeh/Patrick McMullan/Getty

Photography via Evan Agostini/Getty

Photography via Gucci/Getty

Photography by Evan Agostini/Getty

Photo by Mari Sarai/Wireimage/Getty

Photo by Ron Galella/Ron Galella Collection/Getty

Photo by Mitchell Gerber/Corbis/Getty Images

Photography via Ron Galella, Ltd./Ron Galella Collection/Getty

Photography via Jim Smeal/Ron Galella Collection/Getty

Photography via Rose Hartman/Getty

Photography via Ron Galella, Ltd./Ron Galella Collection/Getty

Photo by Ron Galella/Ron Galella Collection/Getty

Photo by Rose Hartman/Getty

Photography via Ron Galella/Ron Galella Collection/Getty

Photo by Ron Galella, Ltd./Ron Galella Collection/Getty

Photo by Rose Hartman/Archive Photos/Getty

Photography via Ron Galella/Ron Galella Collection/Getty

Photo by Ron Galella/Ron Galella Collection/Getty

Photography via Ron Galella/Ron Galella Collection/Getty

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2022 – Gilded Glamour

Cardi B in Atelier Versace

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2022 – Gilded Glamour

Hailey Bieber in Saint Laurent

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2022 – Gilded Glamour

Janelle Monáe in Ralph Lauren

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Blake Lively in Atelier Versace in 2022

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2022 – Gilded Glamour

Emma Chamberlain in Louis Vuitton

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2022 – Gilded Glamour

Alessandro Michele and Jared Leto at the 2022 Met Gala

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2022 – Gilded Glamour

Teyana Taylor in Iris Van Herpen

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2022 – Gilded Glamour

Gigi Hadid in Atelier Versace

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2022 – Gilded Glamour

Paloma Elsesser in Coach

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2022 – Gilded Glamour

Michelle Yeoh in Prabal Gurung

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2022 – Gilded Glamour

Alexa Chung in Christian Siriano

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2022 – Gilded Glamour

Jodie Turner-Smith in Gucci

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2022 – Gilded Glamour

Kate Moss in Burberry

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2022 – Gilded Glamour

Bad Bunny in Burberry

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2022 – Gilded Glamour

Dakota Johnson in Gucci

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2022 – Gilded Glamour

SZA in Vivienne Westwood

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2022 – Gilded Glamour

Bella Hadid in Burberry

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2022 – Gilded Glamour

Lizzo in Thom Browne

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2021 – In America: A Lexicon of Fashion

Hunter Schafer in Prada and Evangeline AdaLioryn

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2021 – In America: A Lexicon of Fashion

Kim Kardashian in Balenciaga

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2021 – In America: A Lexicon of Fashion

Sophia Roe in Halston

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2021 – In America: A Lexicon of Fashion

A$SAP Rocky in ERL, Rihanna in Balenciaga Haute Couture and Bulgari

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2021 – In America: A Lexicon of Fashion

Zoe Kravitz in Saint Laurent

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2021 – In America: A Lexicon of Fashion

Lil Nas X in Versace

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2021 – In America: A Lexicon of Fashion

Kaia Gerber in Oscar de la Renta and Omega

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2021 – In America: A Lexicon of Fashion

Iman in Gucci and Harris Reed

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2021 – In America: A Lexicon of Fashion

Kendall Jenner in Givenchy

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2021 – In America: A Lexicon of Fashion

Barbie Ferreira in Jonathan Simkhai

29/93

2021 – In America: A Lexicon of Fashion

Justin Bieber in La Maison Drew, Hailey Bieber in Saint Laurent and Tiffany & Co.

30/93

2021 – In America: A Lexicon of Fashion

Bilie Eilish in Oscar de la Renta

31/93

2021 – In America: A Lexicon of Fashion

Timothée Chalamet in Haider Ackermann and Rick Owens

32/93

2019 – Camp: Notes On Fashion

Lizzo in custom Marc Jacobs

33/93

2019 – Camp: Notes On Fashion

Billy Porter in The Blonds and Baz Luhrmann in Prada

34/93

2019 – Camp: Notes On Fashion

Celine Dion in Oscar de la Renta gown and Noel Stewart headpiece, Law Roach, and Zendaya

35/93

2019 – Camp: Notes On Fashion

Michael B. Jordan in Coach, Cara Delevingne in Dior and Jared Leto in Gucci

36/93

2019 – Camp: Notes On Fashion

Lena Waithe in custom Pyer Moss and Kerby Jean-Raymond in custom Pyer Moss

37/93

2019 – Camp: Notes On Fashion

Cardi B in Thom Browne

38/93

2019 – Camp: Notes On Fashion

Kim Kardashian West in Thierry Mugler, Jennifer Lopez in Versace, Kylie Jenner in Versace, and Kendall Jenner in Versace

39/93

2019 – Camp: Notes On Fashion

Ciara in Peter Dundas

40/93

2019 – Camp: Notes On Fashion

Darren Criss in Balmain

41/93

2019 – Camp: Notes On Fashion

Awkwafina in Altuzarra

42/93

2019 – Camp: Notes On Fashion

Laverne Cox in Christian Siriano

43/93

2019 – Camp: Notes On Fashion

Alex Rodriguez and Jennifer Lopez in Versace

44/93

Lady Gaga in Brandon Maxwell in 2019

45/93

2019 – Camp: Notes On Fashion

Harry Styles in Gucci and Alessandro Michele

46/93

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Katy Perry in custom Versace

47/93

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Lana del Rey in Gucci and Jared Leto in Gucci

48/93

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Rihanna in Maison Margiela

49/93

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Madonna in Jean Paul Gaultier

50/93

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Jasmine Sanders in custom H&M

51/93

2018 – Heavenly Bodies: Fashion & The Catholic Imagination

Cynthia Erivo in custom Valentino

52/93

2017 – Rei Kawakubo/Comme des Garcons: Art Of The In-Between

Ashley Graham in custom H&M

53/93

2017 – Rei Kawakubo/Comme des Garcons: Art Of The In-Between

Blake Lively in Atelier Versace and Ryan Reynolds

54/93

2017 – Rei Kawakubo/Comme des Garcons: Art Of The In-Between

Zendaya in Dolce & Gabbana

55/93

2017 – Rei Kawakubo/Comme des Garcons: Art Of The In-Between

Cara Delevingne in Chanel

56/93

2016 – Manus x Machina: Fashion In An Age Of Technology

Lupita Nyong’o in Calvin Klein

57/93

2016 – Manus x Machina: Fashion In An Age Of Technology

Florence Welch in Gucci

58/93

2016 – Manus x Machina: Fashion In An Age Of Technology

Kanye West in Balmain (jacket) and Fear Of God (jeans)

59/93

2015 – China: Through The Looking Glass

Grace Coddington

60/93

2015 – China: Through The Looking Glass

Kim Kardashian West in Roberto Cavalli

61/93

2015 – China: Through The Looking Glass

Beyoncé in custom Givenchy

62/93

2015 – China: Through The Looking Glass

Rihanna in Guo Pei

63/93

2015 – China: Through The Looking Glass

Katy Perry in Moschino

64/93

2014 – Charles James: Beyond Fashion

Lupita Nyong’o in Prada

65/93

2014 – Charles James: Beyond Fashion

Mary-Kate Olsen in vintage Chanel and Ashley Olsen in vintage Gianfranco Ferré

66/93

2013 – PUNK: Chaos To Couture

Kerry Washington

67/93

2012 – Schiaparelli And Prada: Impossible Conversations

Karolina Kurkova

68/93

2011 – Alexander McQueen: Savage Beauty

Beyoncé in Emilio Pucci

69/93

2011 – Alexander McQueen: Savage Beauty

Blake Lively

70/93

2011 – Alexander McQueen: Savage Beauty

Naomi Campbell in Alexander McQueen

71/93

2010 – American Woman: Fashioning A National Identity

Jessica Alba in Sophie Theallet for Gap

72/93

2008 – Superheroes: Fashion and Fantasy

Anna Wintour in Chanel

73/93

2007 – Poiret: King of Fashion

Jennifer Lopez

74/93

2006 – AngloMania: Tradition and Transgression in British Fashion

Victoria Beckham in Roland Mouret

75/93

2005 – The House of Chanelves

Rolf Snoeren, Karolina Kurkova in Chanel, Viktor Horsting

76/93

2004 – Dangerous Liaisons: Fashion And Furniture In The 18th Century

Scarlett Johansson in Calvin Klein

77/93

2003 – Goddess: The Classical Mode

David Bowie and Iman

78/93

1999 – Rock Style

John Galliano

79/93

1999 – Charlize Theron

Charlize Theron

80/93

1999 – Rock Style

Whitney Houston in Dolce & Gabbana and Bobby Brown

81/93

1997 – Gianni Versace

Iman and Ferré Gianfranco

82/93

1997 – Gianni Versace

John Galliano

83/93

1997 – Gianni Versace

Salma Hayek in Versace

84/93

1996 – Christian Dior

Donatella Versace and Gianni Versace

85/93

1995 – Haute Couture

Naomi Campbell

86/93

1994 – Orientalism: Visions of the East in Western Dress

Iris Love

87/93

1990 – Théâtre de la Mode: Fashion Dolls: The Survival of Haute Couture

Naomi Campbell and Francesco Scavullo

88/93

1985 Costumes of Royal India

Cher and Bob Mackie

89/93

1981 – The 18th Century Woman

Diana Ross

90/93

1981 – The Eighteenth Century Woman

Calvin Klein and Iman

91/93

1979 – Fashions of The Hapsburg Era

Jackie Onassis

92/93

1974 – Romantic and Glamorous Hollywood Design

Anthony Perkins, Berry Berenson and Marisa Berenson

93/93

1974 – Romantic and Glamorous Hollywood Design

Cher in Bob Mackie