Natalie Michie https://fashionmagazine.com Canada's #1 Fashion and Beauty Magazine Sat, 03 Jun 2023 15:16:21 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 Is Kylie Jenner Going Through a Fashion Rebrand? https://fashionmagazine.com/style/celebrity-style/kylie-jenner-rebrand/ Fri, 02 Jun 2023 20:22:43 +0000 https://fashionmagazine.com/?p=471430 The hold that Kylie Jenner had on teenage girls in 2016 truly cannot be understated. Sporting a stack of Cartier bracelets (at approx $7,000 a pop!), a rotating roster of neon wigs, and an impressive collection of colourful body-con dresses, Jenner was an early social media It girl. If she wasn’t posting to Instagram, she […]

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The hold that Kylie Jenner had on teenage girls in 2016 truly cannot be understated. Sporting a stack of Cartier bracelets (at approx $7,000 a pop!), a rotating roster of neon wigs, and an impressive collection of colourful body-con dresses, Jenner was an early social media It girl. If she wasn’t posting to Instagram, she was documenting her makeup on Snapchat or sharing snippets of her life via Vine (RIP) — and on each platform, millions gathered to watch. All this elusive coolness was bottled up into her novel Kylie Lip Kits, which came in distinctly of-their-time packaging, adorned by plumped lips dripping with a matte makeup substance. It was a special time in pop culture, and for many a high schooler, Jenner — nay, King Kylie — reigned supreme.

RELATED: Fashion Is Going Through a Minimalist Vibe Shift

But in 2023, things look different. Matte finishes have been traded in for glazed donut glossiness. Bright logomania has taken a back seat to quiet luxury and minimalism. And the Kardashians aren’t exactly the undisputed trendsetters they once were. Enter: a Kylie Jenner fashion rebrand.

Lately, the 25-year-old has been going through something of an image change — and the internet has noticed. On a recent trip to Paris, Jenner leaned into a black-and-white colour palette, clean lines and minimalist accessorizing. From a Bottega Veneta halter dress with pointed Lanvin pumps to a Maximilian Davis skirt suit with Chanel sling-backs, her monochrome wardrobe had surprisingly old-school silhouettes and uncharacteristically conservative tailoring. It’s a complete 180 from her 2016 style. And it’s not the only vibe shift to recently come from Jenner.

Another piece of this puzzle is her widely speculated relationship with Timothée Chalamet. It’s a pairing that seemed unlikely to some, but the evidence increasingly points to it being legit. Case in point: On June 1, paparazzi pictures — albeit of “bigfoot sighting quality” — show Chalamet and Jenner together at a barbecue (?). Because everything the Kardashian-Jenners do is shrouded in PR speculation, some view this unforeseen coupling as part of a larger intentional image refresh. And if that’s the case, it’s a trick that Jenner is especially well-versed in. She kind of needs to be.

Since Keeping Up With The Kardashians premiered in 2007 (when Jenner was just nine years old), the youngest sister’s every style era has been publicized. In 2012, she walked Sherri Hill’s tween runway in voluminous tutus and platform pumps (below). The following year, she switched gears with a California flower girl aesthetic for a collaboration with Pacsun.

Photography by Getty Images

But the advent of King Kylie — and her established individuality — can be traced back to 2014. Her lips mysteriously got plumper. She started wearing dark makeup. She embraced edgier aesthetics, with an affinity for skulls, chokers and defiant blue hair.

Photography by Getty Images

By 2015, Jenner had owned up to lip filler and launched her makeup empire, now Kylie Cosmetics. Her influence during this time period can be summed up by the highly regrettable “Kylie Jenner Lip Challenge,” which found young girls attempting to DYI the look of inflated lips. Importantly, the adoration over Jenner’s injections stood in contrast to women of colour, who have long been discriminated against for having naturally fuller lips. Still sporting futuristic bodysuits, skin-baring separates and bright hairstyles, Jenner’s pop culture prominence was arguably at an all-time high in the mid-2010s. To paraphrase Mean Girls, everyone just knew stuff about her: she really loved pomegranate seeds; she drove a matte black Range Rover; Terror Jr’s song “3 Strikes” was her unofficial anthem.

After going through a private period with the birth of her daughter Stormi in 2018, the access that defined King Kylie was gone. But over the past few years, she’s subtly surfaced a new mature taste for suited sets and minimalism. And now, along with an even more obvious style switch-up, aspects reminiscent of King Kylie are coming back too, via cheeky OOTDs and casual dancing-in-the-car videos.

After all, nothing indicates reinvention quite like a wardrobe overhaul. Anne Hathaway’s refreshed outfit formula quickly cemented her as a fashion icon. Zendaya’s transformation after partnering with Law Roach made her a defining red-carpet star. And of course, Sofia Richie Grainge is now firmly in the zeitgeist thanks to her unmistakably “old money” style.

Jenner, it seems, gets this. She has always been good at switching things up, and she’s at it yet again. We may never relive the quintessential cool factor that made 2016 so magical. But her wholehearted embrace of a new era feels very King Kylie indeed.

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The Latest Trailer for And Just Like That… Season 2 Is Here https://fashionmagazine.com/style/and-just-like-that-season-2/ Fri, 02 Jun 2023 20:04:33 +0000 https://fashionmagazine.com/?p=463274 This article was originally published on January 12, 2023 and has been updated.  Prepare yourself: the latest trailer for And Just Like That… season 2 is out and it’s displaying its whimsical costuming chaos for all to see. You never know what the future might bring… #AndJustLikeThat premieres June 22 on Max. #StreamOnMax pic.twitter.com/lAD5tLuaNe — […]

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This article was originally published on January 12, 2023 and has been updated. 

Prepare yourself: the latest trailer for And Just Like That… season 2 is out and it’s displaying its whimsical costuming chaos for all to see.

Written and directed by Michael Patrick King, HBO’s buzzy Sex and the City reboot follows main characters Carrie Bradshaw (Sarah Jessica Parker), Miranda Hobbes (Cynthia Nixon) and Charlotte York (Kristin Davis) alongside new friends as they navigate life in their 50s. To much fan surprise, it turns out Samantha Jones will also be making a cameo in the upcoming season. On May 31, Variety reported that Kim Cattrall will reprise the role yet again for one scene in the finale, in which she’ll have a phone conversation with Carrie. (When filming, she reportedly didn’t see or speak with her co-workers.) A win nonetheless!

Despite some significant changes (like the absence of Samantha), the revival stays true to the aesthetic essentials of the original series. A hyper-romanticized portrayal of New York City? Check. Regular Sunday morning brunch dates? Check. Unapologetically off-kilter fashion? Check, check, check. And the wacky wardrobe is all thanks to costume designer duo Molly Rogers and Danny Santiago.

Season 2 will premiere on June 22, and in it, the famous trio will be reunited with season 1 newcomers, reportedly including Che (Sara Ramirez) Seema (Sarita Choudhury), Lisa (Nicole Ari Parker) and Nya (Karen Pittman). If the street style photos are any indication, the new iteration is still honouring its nonsensical sartorial roots — and nodding to SATC’s most dramatic plot points. Enter: Aidan.

That’s right, Carrie’s on-again-off-again beau, played by John Corbett, is coming back to insight even more internet debate and bewilderment. And from the looks of things, it’s more than just a brief cameo. On January 13 (a.k.a Friday the 13th), the series’ official Instagram account released a photo of the pair walking hand-in-hand (in the middle of the street!) so as to make a theatrical announcement of their romantic reunion. Since then, Corbett has been spotted on set at a restaurant with the ladies and window shopping with Parker. Cozied-up strolls and brunching together… are Carrie and Aidan end game?!

Along with puzzling storyline twists, ample behind-the-scenes pictures show Parker traipsing around in signature Carrie Bradshaw style. Most recently, on January 31, she was spotted wearing a micro-mini Fendi baguette bag as a necklace (practical!). Before that, back in October, there were viral photos of Parker clutching an all-too-realistic pigeon bag by JW Anderson while shooting. (This is a shocking pivot from Carrie’s hatred for the Judith Leiber swan bag that Mr. Big gave her in Sex and the City season 2, but no matter.) To make up for the outfit’s lack of on-the-go storage, her jumpsuit was complemented by yet another teeny Fendi bag, this time as an ankle accessory. All in all, each new costume sneak peek has been a little amuse-bouche for a season undoubtedly filled with loveably questionable fashion.

 

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On January 9, Parker was pictured in a brightly coordinated turquoise and fuchsia get-up (below). Choudhury, whose confident character has become a fan-favourite addition to the group, was spotted wearing a hooded golden gown with painted pin-up bangs and shimmery eyeshadow. The opulent look can only suggest season 2 will be filled with drama, and as it turns out, the show has been foreshadowing this type of theatricality for months.

Photography by Getty Images

The tail end of 2022 was filled with chaotic sneak peeks from the upcoming season of And Just Like That…. We saw Charlotte wearing a top hat, a hot pink blazer, and a bustle skirt adorned with bold stripes. We saw Lisa (Charlotte’s mom friend) donning a custom Valentino frock with a towering feathered headpiece. We saw Carrie sporting a reflective polka-dot dress with an oversized bow, fuchsia jacket and two gold hair bows sitting atop her heavily teased hair.

For those who are watching purely for nostalgia, it appears season 2 will offer some sentimental sartorial moments, too. In November, on-set photos showed Carrie in a reimagined version of the Vivienne Westwood wedding dress she wore in the first Sex and the City movie. Other behind-the-scenes shots imply that there will be another sidewalk burglary reminiscent of Carrie’s stolen Fendi baguette bag. The victim this time? Seema and her Birkin.

As these photographic tidbits make their way onto social media, they’ve been met with mixed reactions and skepticism. Is the fashion so over-the-top it’s become bad? Are the showrunners trying too hard? Has And Just Like That… become a lacklustre version of its iconic predecessor? To all of the above, we argue this: The best thing about this franchise is its campy costuming.

With a tendency to wear birds on her head and belts around her bare midriff, Carrie and her clothing choices were never rooted in practicality. Whether she’s stopping the show or just stopping traffic, her enduring reverence for her wardrobe is refreshing. With And Just Like That… season 2, we’re once again gifted that type of street-style nonsense from every angle.

As the characters experiment with their looks — Carrie finds new ways to incorporate birds into her outfits, Miranda’s androgynous wardrobe is more feminine as she explores her queerness, Charlotte is now coordinating with her dog — And Just Like That… champions the message that women can have fun with their styles at any age. Above all, the series knows it looks ridiculous, and, like the show that came before it, it happily leans into that reputation.

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Can Capris Be Cute? https://fashionmagazine.com/style/trends/capri-pants-2023/ Wed, 31 May 2023 20:46:05 +0000 https://fashionmagazine.com/?p=471214 They say the only way forward is to never look back. But if fashion’s revolving door of widely hated trends is any indication, the true key to innovation is by pushing through what pains you. In other words: The future is here, and it’s full of chock full of capri pants. RELATED: How to Style […]

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They say the only way forward is to never look back. But if fashion’s revolving door of widely hated trends is any indication, the true key to innovation is by pushing through what pains you. In other words: The future is here, and it’s full of chock full of capri pants.

RELATED: How to Style Low-Rise Jeans This Spring

You can thank/blame celebrities. Earlier in May, Jennifer Lawrence made headlines in New York City after wearing a baggy pinstripe button-down with equally XL capri pants from The Row and a pair of ballet flats. A few months earlier, Halsey attended the Givenchy Fall/Winter 2023 show in a lime green bra and a pair of low-slung cropped cargos, putting a dramatic take on the tiny-top big-bottom trend. We’d be remiss not to mention Bella Hadid, whose trend-transcending wardrobe has long included bottoms that are cropped just so. With each new street-style look, stars are spreading the redemption of capris like a virtual virus. And…we fear we’re ill.

In their truest form, capris hit a few inches below the knee. But the general concept of cropped slacks takes many shapes and sizes, from flowy culottes to Bermuda shorts. With each not-quite-a-pant design, a baseline level of contempt is baked into it. For one, capris are the prime vehicle for controversial skirt-over-pants styling. Not to mention, they have a history of coming exclusively in low-rise iterations — a scary flashback that most of us don’t want to relive. On top of it all, some people have come to see capris as inherently unflattering, awkward and just plain irredeemable.

Like other oft-vilified trends (tube tops; bloomers; cargo shorts) their mere presence elicits questions. The main one being, why? Why not commit to full-length trousers or a pair of decisive jorts? Why fall somewhere so ambiguously in the middle? In their defence, capris were in fact created for a functional purpose. (Can those Big Red Boots say the same?) Their first iteration dates back to the late 1940s, when designer Sonja de Lennart was walking on a beach in Capri, Italy, and cut off the bottom of her pants so as to not get them wet. This scientific alteration stood the test of time — (support women in STEM!) — with variations of cropped pants popularized by icons of the ’50s like Audrey Hepburn, Marilyn Monroe and Grace Kelly. In the ’90s, capris made a return in slim, fitted styles before getting bigger and baggier through the 2000s. To further reinforce their status as a controversial noughties design, they became a staple in Carrie Bradshaw’s wardrobe, before fading into the realm of outdated dressing.

Ashley Tisdale (Photography by Getty Images)

Today, perhaps the thought of capris jolts you back to sitting awkwardly in a middle school classroom, fresh off a department store shopping spree with your mom. Or maybe the capri return is a welcome go-ahead to dress like Ashley Tisdale and Beyoncé on the lawless red carpets of the early 2000s. However you choose to view it, though, capris are coming back in all iterations. Chanel has been championing cropped pants for a few seasons. Dua Lipa’s recent viral Versace collection was peppered with colourful just-below-the-knee pants. Capri enthusiasm is thriving on TikTok, too, where cropped trousers of all kinds are worn with gleeful abandon. Sheer lace pants with a disco ball belt. Calf-length slacks accentuated by a string. Faded jean gauchos that theatrically billow about. Turns out, 2023’s capris dial up the quirkiness of their predecessors.

Wearing capris today is taken as a challenge to sartorial risk-takers. They’re sported by It girls like Devon Lee Carlson. They’re the in-the-know uniform for niche fashion fanatics at a Chloë Sevigny closet sale. They’re intentionally “controversial,” and that’s kinda what makes them cool. Above all, perhaps their return can be chalked up to much-needed practicality. At this point, we’ve withstood short shorts, micro minis and ditching pants altogether. It’s undeniably refreshing to have alternative warm-weather bottoms that feel like substantial clothing.

@luvjessicablair

capris are actually cute! there i said it #styling

♬ original sound – jess

Think about it: there are many reasons to wear capris. Actually, don’t think! Simply slip on your cropped pants and scamper out the door. Are you cosplaying Marilyn Monroe? Are you channelling Britney Spears on an MTV red carpet? Are you honouring your twelve-year-old self? That’s for you to know, and others to endlessly theorize about. Embrace the utter mystique of the three-quarter length slacks, and understand that you look cool doing it. In the needlessly cryptic words of TikTok, “I’m all for capris, if you know what I mean.

Not sure where to start with the 2023 trend? From Barbiecore to business casual, below are our top picks for easing back into capri pants.

 

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In Succession, Did Tom Have the Most Important Style All Along? https://fashionmagazine.com/style/tom-succession/ Tue, 30 May 2023 20:13:43 +0000 https://fashionmagazine.com/?p=471090 Warning: Spoilers for the Succession finale ahead. Throughout the four turbulent seasons of Succession, viewers are trained not to think much of Tom Wambsgans. Played by Matthew Macfadyen, the weakling husband to Shiv Roy and puppet leader of ATN is a textbook hanger-on; always aligning with whoever is at the helm of Waystar Royco and […]

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Warning: Spoilers for the Succession finale ahead.

Throughout the four turbulent seasons of Succession, viewers are trained not to think much of Tom Wambsgans. Played by Matthew Macfadyen, the weakling husband to Shiv Roy and puppet leader of ATN is a textbook hanger-on; always aligning with whoever is at the helm of Waystar Royco and seemingly void of any morals of his own. He’s not a force, he’s a follower. This is why, when he is named U.S. CEO of Waystar in the series finale, it comes as quite a shock. But this ending may have been under our noses all along. Look no further than his style.

RELATED: Succession Has Mastered the Art of Quiet Luxury

From the onset, one thing is clear about Tom: he likes nice things. And in a show that is intentionally lowkey about fashion, he talks about clothes a lot. As someone who wasn’t born into one-per-center wealth like the Roys, he broadcasts his expensive taste in an effort to assert his status. When he mocks the “ludicrously capacious” bag worn by cousin Greg’s date in episode 1 of season 4, he remarks on how it’s an indicator of not having money. (“What’s even in there? Flat shoes for the subway? Her lunch pail?”) Similarly, he’s always coming after Greg’s outfit choices for looking out of place. But in the same way that Greg is Tom’s personal punchline, Tom’s clothes have long been the butt of the joke to Shiv and the other Roy kids.

Photography courtesy of HBO

Tom’s style is built on posturing, costume designer Michelle Matland told The Ringer. And the Roys can tell. “No one else in the family will look at the price tag. They will buy something because they can afford it, and they love it, they like it, whatever,” she said. “Tom doesn’t know what quality is, it’s not part of his history. Money equals quality to him.” Along with shelling out as much cash as possible, he sweats the small details, wearing pocket squares, suspenders and impeccably polished shoes. This approval-seeking style is heightened by an over-enthusiastic assurance that he’s always “here to serve.” To the Roys, though, it’s a symbol of his ineptitude. In the early seasons, Roman criticizes his boxy suits and overly puffed vests for being giveaways of desperation. More recently, in season 4, Shiv ridicules his pristinely white sneakers, telling him they’re “why people don’t take you seriously.” But with this overly-agreeable persona, he’s able to effectively masks his ambitions.

The other Succession characters’ motives are easily gleaned through their clothes. Kendall is dressed to emulate, then defy, then usurp his dad. Shiv’s corporate wardrobe rehaul mirrors her intention to become CEO. Roman’s unchanging uniform shows how he doesn’t care to impress anyone, since he was born with all the status he’ll ever need. Conversely, in Tom’s painstaking precision, he has positioned himself as a faceless suit that can bend any which way the powers that be demand. He’s dressed to take orders, and this is no coincidence.

Photography courtesy of HBO

In season 1, Matland describes Tom as “a bit of a robot.” He’s loyal to the Roy family and their unethical antics — specifically when it comes to Shiv, who holds all the power in their relationship. But his efforts to be accepted through carefully coordinated co-ords — like pocket squares and ties — further establish his outsider status, which is reinforced by Shiv’s mistreatment of him. In season 3, after being repeatedly thrown under the bus by his wife, Tom betrays her by jumping ship to Logan’s camp despite the siblings working against their dad. His uniform when doing so? A relaxed cream Ralph Lauren linen suit, a crisp white button-up and a statement purple pocket square. He emits luxury, excess and distinct proximity to power. It’s in this unforeseen coup that he looks the most Tom he’s ever looked.

Tom Succession
Photography courtesy of HBO

In season 4, with Logan out of the picture, his marriage to Shiv in peril, and the siblings grasping for the top company spot, Tom’s appeasing strategy kicks into high gear. In the eighth episode, he washes his hands of ATN’s decision to unfairly announce fascist candidate Jeryd Mencken as president — despite being the “boss” of the network — because it’s what Kendall and Roman want. He looks particularly boisterous for an all-nighter at work, wearing a yellow tie against a striped shirt. His dress shoes are even remarked upon for being a little too fancy (and uncomfortable) for the gruelling occasion. But for Tom, this finery is armour.

Photography courtesy of HBO

Similarly, in the final episode, he listens attentively as Lukas Matsson divulges his attraction to (and possible intention to sleep with) Shiv, as if she’s not Tom’s wife. Matsson sits relaxed, his fuzzy multicoloured sweater providing ample coziness. Tom, by contrast, embodies an eager employee, leaning forward in a sterile suit and barely flinching at Matsson’s disrespect. In this scene, Matsson sees that Tom would never push back on him, making him the perfect CEO to control.

Photography courtesy of HBO

Time and time again, Tom’s perpetual “poser” identity has made him an easy-to-mock target. But because of it, he has stayed shrouded in mystery. Who is he? What does he want? Where does he come from? What is he capable of? We never really know, and in the end, that’s his biggest selling point.

Photography courtesy of HBO

After being appointed the new Waystar CEO, Tom looks more comfortable than ever in his corporate costume. Wearing a tailored suit and a tie so tight it could cut circulation, he’s the antithesis of the ever-eccentric Matsson in a burnt orange turtle neck. It’s clear what this relationship is: Matsson pulling the strings with Tom as the manicured frontman. Tom doesn’t have real power, he has the illusion of power. And he’s been dressing for that the whole time.

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How to Achieve the Quiet Luxury Look On a Budget https://fashionmagazine.com/style/quiet-luxury-brands/ Mon, 29 May 2023 15:00:18 +0000 https://fashionmagazine.com/?p=468598 This article was originally published on April 12, 2023 and has been updated.  The ultimate billionaire perk? Dressing like you just don’t care. Call it recession core, call it the old money aesthetic, call it straight-up basic — lately, “quiet luxury” has been everywhere. RELATED: The Beauty in Succession Is More Intentional Than You Think Succession characters wear […]

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This article was originally published on April 12, 2023 and has been updated. 

The ultimate billionaire perk? Dressing like you just don’t care. Call it recession core, call it the old money aesthetic, call it straight-up basic — lately, “quiet luxury” has been everywhere.

RELATED: The Beauty in Succession Is More Intentional Than You Think

Succession characters wear exclusively discreetly exorbitant clothes. Gwyneth Paltrow’s skiing accident courtroom fiasco doubled as a master class in stealth wealth. Recent runways have been leaning further into refined minimalism. Practical and sensible, yet painfully expensive, quiet luxury is bare-bones dressing void of labels and flashy embellishments. The antithesis of Barbiecore’s audacious oeuvre — it’s muted, toned-down, and always low-key. In this dimension, a $2,890 USD Burberry check carrier is profane. But a logo-less Celine leather tote? Pure class, baby!

Thing is, when you’re that well off, you don’t really want to draw attention to your wealth. At the core of quiet luxury is a sartorial language that only those in the know can speak; a way for the ultra-rich to separate themselves from the gaudy nouveau riche, and, of course, all us other plebeians. But why not beat the billionaires at their own game? Confuse them with a sea of minimalist ensembles and luxe anonymity! These days, emulating an Olsen twin is more in vogue than ever.

For those of us who don’t have north of $800 to spend on a baseball cap, performing stealth wealth is actually quite achievable. Embedded in this laid-back look is a “buy less, buy better” ethos, revolving around investing in capsule pieces that can be maintained sans constant closet overhauls. The viral quiet luxury style, as exclusive as it sounds, is actually about democratizing unattainable pillars of a wealthy lifestyle. Obviously, no one should feel like they have to pretend to be rich, but it’s admittedly fun to cosplay as a covert nepo baby. Not to mention, it’s pretty easy!

Rule number one: you must always look comfortable. Think matching knitted sets, cozy cardigans, and breezy slacks. Key to embodying this moneyed minimalism is opting for earth tones and basic silhouettes without statement details from quiet luxury brands. Luckily, plenty of affordable retailers specialize in just that. Why pay $1,240 for a short-sleeve button-down from The Row when you can get a near-identical piece from COS for a sliver of the price? Other widely available staples include a neutral trench, a crisp tee, tailored pants, and a versatile — read: muted — bag. Footwear should be equally unremarkable. No big Big Red Boots here! We’re talking flats, Mary Janes, Chelsea boots and kitten-heel slingbacks. Jewellery can be subtle studs, a sleek timepiece, or better yet, none at all.

Wealth and fashion have always been inherently intertwined. Above all, sporting the quiet luxury aesthetic implies being generally at peace with things. You’re not stressing about the humdrum of everyday life — like, say, what you’re going to wear. Instead, you emit an air of nonchalance, communicating that you are perpetually relaxed. This is a privilege that not everyone has. But we can certainly dress like we do.

Looking to build your own quiet luxury wardrobe on a budget? Read on for our top picks from quiet luxury brands that won’t break the bank.

 

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In Succession, Shiv Roy’s Style Is About Suppression https://fashionmagazine.com/style/shiv-roy-succession/ Mon, 29 May 2023 14:46:54 +0000 https://fashionmagazine.com/?p=467965 Of all the questionably dressed and terribly behaved characters in Succession, nobody has undergone appearance-based scrutiny quite like Shiv Roy. The youngest child and sole daughter in the Roy family, played by Sarah Snook, has become the sartorial centrepiece of the HBO drama, which doubles as a case study of the ultra-rich. As she and […]

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Of all the questionably dressed and terribly behaved characters in Succession, nobody has undergone appearance-based scrutiny quite like Shiv Roy.

The youngest child and sole daughter in the Roy family, played by Sarah Snook, has become the sartorial centrepiece of the HBO drama, which doubles as a case study of the ultra-rich. As she and her brothers fight for power within the media conglomerate Waystor Royco helmed by their father Logan Roy (Brian Cox), her tailored suits, neutral colour palette and streamlined silhouettes have become a standard uniform, inexplicably void of personal expression.

RELATED: Succession Has Mastered the Art of Quiet Luxury

Case in point: the fourth and final season of Succession premiered on March 26, and Shiv Roy spent the episode in a simple brown pantsuit. More specifically, costume designer Michelle Matland put her in a blazer layered atop a bodysuit and drawstring pants. As it turns out, this subdued look is the culmination of Shiv’s rocky emotional arch.

Photography by Claudette Barius/HBO

Back in season 1, Shiv is the outlier of the Roy children. She’s working for a progressive political campaign and has seemingly no interest in the family business. Her long, wavy red hair complements her warm autumnal wardrobe, and she wears oversized sweaters, ponchos and statement patterns.

Photography by Peter Kramer/HBO

When she does dress up, it’s similarly lax: partly buttoned-down blouses for corporate attire and pin-up vintage hairstyles with bold lips for high-brow family events. Day-to-day, her penchant for soft hues and comfortable fabrics make up a distinctly informal — if not sometimes messy — personal style. At this point, she seems to be the only one in the family with morals, and unlike her brothers, her appearance is peppered with personal touches. Until it isn’t.

Photography by Peter Kramer/HBO

Succession season 2 sees Shiv Roy go from looking vaguely approachable to utterly untouchable. She’s now in the running to take over her father’s billion-dollar business, and this newfound corporate competitiveness is mirrored in her outward expression. Her loose waves are chopped into an angular bob. Her shapeless sweaters are traded for chic turtlenecks and monochrome grey pantsuits. Although decidedly muted, her clothes get more expensive as she opts for Ralph Lauren, MaxMara and Armani. She’s competing as a woman in a male-dominated environment, and with her gender deemed a downside by her father, there’s an intentional touch of masculinity infused into her wardrobe.

Succession season 2
Photography by Zach Dilgard/HBO

As the story progresses, her style mimics the show’s air of cutthroat ambition. There’s an antiseptic bluish tinge that covers the corporate office environments. Everything feels cold, washed out and uncomfortable. When it comes to fashion, any mark of personal expression is seen as a weakness. (A recognizable brand logo or pattern is basically blasphemy.) The point is not to stand out, but to suppress. And this is evident with Shiv’s constant belittling of her husband, Tom, who does not come from the same generational wealth. The more she rises through the ranks of Waystar, the worse this relationship becomes.

Photography by Peter Kramer/HBO

Take season 3, when Shiv is deep in vicious family-business conflicts. Her monotonous suits act as an armour of strength, but her inner dissatisfaction emerges in notable moments. While in Italy for her mother’s wedding, for instance, Shiv looks purposely out of character in a revealing turquoise halter dress. “Through her clothing, she is not-so-silently signalling her sexuality and frustration with her relationship to Tom,” Matland told W. And by the end of the season, Tom betrays her by telling Logan about her plans to form a coup against him.

Photography courtesy of HBO

Cut to season 4, and Shiv Roy is arguably the most miserable — and powerful — version of herself yet. In episode 1, she and her brothers win a tense bidding war against their father over a major acquisition. It’s a business triumph, yes. But deep down, Shiv is unhappy.

From afar, the aforementioned brown outfit fits her impenetrable powerful image. But thanks to details like an expandable waistband and stretchy top, it’s a little different. Towards the end of the episode, Shiv reveals she doesn’t have access to her full closet because she’s staying in a hotel while separated from her husband. When she briefly goes home to pick up some clothes, she trades her blazer for a creamy white cardigan as she and Tom agree that their marriage is over for good. This cozy garment is something season 4 Shiv would likely never wear at work, but in a moment of private vulnerability, her soft side comes out.

Succession season 4
Photography by Macall B. Polay/HBO

As she enters season 4 battling against her father and feeling more alone than ever, Shiv Roy’s sense of style is vague, forgettable and purposely elusive. To her, personal expression doesn’t matter, because people don’t really matter.

Is there any redemption for Shiv yet? We’ll have to keep watching to find out.

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In Succession, Kendall Roy’s Style Has Always Been an Act https://fashionmagazine.com/style/kendall-roy-style-succession/ Fri, 26 May 2023 20:12:09 +0000 https://fashionmagazine.com/?p=470978 Nothing is ever really right in Succession, but these days, the air feels particularly ominous. Waystar’s future is uncertain. Sibling rivalries are reaching a fever pitch. And democracy is in a state of peril thanks to an impending fascist president. As the series finale approaches on May 28, the question of who will become CEO […]

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Nothing is ever really right in Succession, but these days, the air feels particularly ominous. Waystar’s future is uncertain. Sibling rivalries are reaching a fever pitch. And democracy is in a state of peril thanks to an impending fascist president. As the series finale approaches on May 28, the question of who will become CEO is weighing heavier than ever. In spite of it all, Kendall Roy seems to be — for the first time thriving. And his style evolution reflects it.

RELATED: The Subtle Flex of Kendall Roy’s Baseball Caps

Jeremy Strong Succession
Photography by Macall Polay/HBO

When we’re introduced to the second-eldest Roy sibling (portrayed by Jeremy Strong) in season 1, he looks like he’s playing dress-up. Wearing a fitted suit and tie, he sits in the backseat of a chauffeured Mercedes Benz blasting music on his headphones and aggressively punching the seat in front of him. As he pumps himself up to act like a corporate boss, the effect is that of a nervous boy-turned-king. Although armed in a well-tailored outfit, the worry in his eyes give him away: Kendall is out of his depth. And this is a theme for him.

Jeremy Strong in Succession
Photography by Craig Blankenhorn/HBO

Kendall’s central conflict in Succession is that he overestimates his abilities, particularly in trying (and failing) to beat his dad. Consequently, his clothes play into his veneer. From his penchant for Tom Ford jackets to his collection of exorbitant baseball caps, Kendall values high-end labels, costume designer Michelle Matland told Vogue, because they help him define who he is. But over the course of the show, it’s obvious that Kendall isn’t quite sure. This is evident in season 1, after a series of failed coup attempts. At Shiv’s wedding, Kendall embarks on a search for drugs, resulting in him inadvertently killing a waiter. His toxic dependence on his dad only intensifies after revealing to him what he’s done. Logan likes when Kendall is weak, and this is ammunition.

Brian Cox and Jeremy Strong in Succesion
Photography by Peter Kramer/HBO

Throughout the following seasons, Kendall’s changing appearance reflects his tumultuous mental state. In season 3, he’s the most unstable yet. Struggling with addiction, ridden with guilt, and feeling generally incapable, he’s no longer vying to emulate the boardroom uniform of his father. His hair gets shorter and patchier, resulting in an inevitable buzz cut. This reflects his split from his dad, said Angel De Angelis, the head hairstylist for Succession, to Coveteur.

Photography by Graeme Hunter/HBO

But even when he’s working against Logan, he’s constantly at war with the independent “woke” visionary he wants to be and the love-seeking neglected son that he is. He values street-style staples like baseball caps, fresh kicks, bomber jackets, and chains, but even his most casual pieces aren’t listed below a few hundred dollars. He’s forever trying to align himself with the culture, without really knowing what it is.

PHOTOGRAPHY COURTESY OF HBO

The mission to prove himself comes across in his relentless efforts to “go big.” When he rapped at his dad’s 50th work anniversary in season 2 (“L to the O G” ring a bell?), he wore a Logan Roy–themed baseball jersey. When he threw himself an absolutely unhinged birthday bash in season 3, he donned a bright green Prada turtle neck, a Gucci bomber, and an ostentatious gold chain. Most recently, while fudging the numbers of Waystar’s “Living Plus” program in a presentation to investors, Kendall took the stage in a custom Tom Cruise-inspired flight jacket. With nearly everything he wears, he’s playing pretend.

Photography by Macall B. Polay/HBO

And yet, in the fourth and final season, Kendall looks more confident than ever. In episode 5, the opening scene recreates his season 1 car-ride introduction. He’s still sitting in the backseat of a window-tinted car, but this time, the music plays on the radio while he nonchalantly scrolls through his phone. His eyes are shielded by sunglasses, and his dress shirt has a few buttons undone and no tie. He looks relaxed and decidedly at ease.

 

Now, Kendall is planted firmly against his dad — a stance that only gets easier after Logan passes. With the patriarch out of the picture, Kendall is no longer trying to please him, he’s becoming him. In the last few episodes alone, he’s manipulated an emotionally unstable Roman, he’s backstabbed his siblings, and he’s threatened to take his kids (who he never sees) away from his ex-wife. Logan would surely be proud.

Jeremy Strong Succession
Photography by Macall Polay/HBO

But his transformation into the image of a true cut-throat CEO takes place in episode 9. Arriving at Logan’s funeral in a Loro Piana cashmere herringbone overcoat — priced at a humble $8,895 — he’s dressed to take the thrown. After Roman chokes at the podium, Kendall steps in and saves the day, delivering a speech rich with imagery of rebirth. Afterwards, while divulging his plans to screw the GoJo deal and “rule the world,” his collar is popped just so, asserting dominance and emphasizing his newfound severity.

Jeremyt Strong
Photography by Macall Polay/HBO

Kendall has never been known as the smartest person in the room. But the must-have trait of a CEO, as evidenced by Logan, is not necessarily being the best, it’s the art of acting like you are. As the future head of Waystar hangs in the air, Kendall’s dressing charade has not ended. He’s still pretending. It’s just that now, he also seems to have himself convinced. That may be all it takes.

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The Exposed Bra Trend Is Officially Back https://fashionmagazine.com/style/trends/exposed-bra-cannes/ Wed, 24 May 2023 20:19:50 +0000 https://fashionmagazine.com/?p=470762 All good outfits should make you sort of wonder, “Was this actually intentional?” And lately, the fashion world is brimming with statements so audacious they look almost accidental. We’ve seen our fair share of peek-a-boo thongs. We’ve weathered the pantless party. What’s next? Honouring an age-old outfit malfunction: the exposed bra. RELATED: I Tried Wearing […]

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All good outfits should make you sort of wonder, “Was this actually intentional?” And lately, the fashion world is brimming with statements so audacious they look almost accidental. We’ve seen our fair share of peek-a-boo thongs. We’ve weathered the pantless party. What’s next? Honouring an age-old outfit malfunction: the exposed bra.

RELATED: I Tried Wearing Tights As Pants

Purposely showing off one’s brassiere is not exactly an emblem of high fashion. On the contrary, it garners assumptions of an ill-fitted top, a layering oversight, and to some, a plain lack of taste. It’s different than wearing a sheer blouse atop a dark bralette, which can be decidedly refined. It’s more chaotic than using a bra as a top, which somehow looks extra purposeful and thus acceptable. The unfortunate crux of the peering-out bandeau is that it evokes a certain immaturity — that of wrangling with your first bra. Think: The eager middle schooler, fresh off a La Senza shopping spree, ready to flaunt their bedazzled neon trainer. Or Cady Heron, desperate to establish her newfound popularity in Mean Girls, sporting a pleather tube dress accentuated by offensively bright straps. In the mainstream zeitgeist of 2023, there’s something embarrassingly naive embedded in the image of an exposed bra. But it seems that’s starting to change.

The polarizing styling choice is set to be a defining summer trend, and we have the Cannes Film Festival to thank. Over on the French Riviera, A-list stars are loudly and proudly emerging with their own takes on bra-strap couture. Scarlett Johansson’s Prada number gave the illusion of a strapless baby pink column with a white bra poking forth. Days earlier, Euphoria’s Sydney Sweeney wore a pale Miu Miu negligée with decidedly darker straps peeping through.

Over the course of the week, Rosie Huntington-Whiteley channelled movie star glamour in Fendi couture featuring a bedazzled brassiere, model Cindy Bruna chose a multicoloured Vivienne Westwood frock with an exposed corset, and Elsa Hosk wore a surrealist Viktor & Rolf slanted ballgown revealing nude undergarment boning. To revisit the aforementioned question: Yes, each of these risqué bra slips is indeed intentional. And at Cannes, that’s saying something.

Photography by Getty Images for Chopard

This is not a public school dance, nor Cady Heron’s ill-fated house party. An esteemed annual destination for the upper crust of Hollywood, the red carpets of Cannes are known for demanding decorum. (Read: heels are an unspoken requirement and selfies are a no-no). With so many attendees opting to expose their underthings, it begs the question: Are the tides on this maligned style finally turning?

The evidence overwhelmingly points to “yes.” On-display bras resurfaced on the Fall 2022 runways by the likes of Bottega Veneta and Versace. On the red carpet, Lily James was an early adopter (or offender, depending on who you ask) of the reimagined trend. In February 2023, she donned a bright green Miu Miu dress with a white bra strap flagrantly sitting front and centre of her back. The look was met with befuddlement (see below). But it was a harbinger of unfazed undergarment exposures to come.

To naysayers, the look is an emblem of garish Y2K style. But what is “tackiness,” anyway, if not a celebration of taking risks? Love it or hate it, the exposed bra is a marker of personal style. Amy Winehouse repeatedly rocked contrasting straps against sultry body-con dresses in the aughts. Nicki Minaj’s visible hot pink bras were an inextricable part of her signature bubblegum Barbie persona through the 2000s and early 2010s. And Carrie Bradshaw — fervent rejecter of subtlety — famously loved to show off her bras in her outfits on Sex and the City, and that’s part of what makes her a style icon.

As the controversial trend gains revitalized attention on contemporary red carpets, it has been met with mixed reactions. But in truth, the exposed bra carries with it all the makings of a great fashion statement: a little mystique, a lot of boldness, and most importantly, a healthy dose of confusion.

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Why Is The Idol So Controversial? https://fashionmagazine.com/flare/tv-movies/the-idol-controversy/ Tue, 23 May 2023 20:13:33 +0000 https://fashionmagazine.com/?p=470691 Is all press really good press? After premiering with a bang on the French Riviera, The Idol would argue oui. At the 2023 Cannes Film Festival on May 22, HBO’s upcoming series made a momentous debut with opulent red-carpet fashion followed by a five-minute standing ovation. But as its release date fast approaches, alarming rumours […]

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Is all press really good press? After premiering with a bang on the French Riviera, The Idol would argue oui. At the 2023 Cannes Film Festival on May 22, HBO’s upcoming series made a momentous debut with opulent red-carpet fashion followed by a five-minute standing ovation. But as its release date fast approaches, alarming rumours surrounding the show have only intensified. Here’s what you should know about The Idol controversy.

What is The Idol about?

Created by Abel Tesfaye (The Weeknd), his producing partner Reza Fahim, and Euphoria creator Sam Levinson, The Idol is positioned as a cautionary tale about showbiz and the seedy underbelly of Hollywood. It centres on Jocelyn, a troubled pop star played by Lily-Rose Depp, who gets entangled with Tesfaye’s predatory cult leader character, Tedros. Also starring in the show are Dan Levy, Troye Sivan, Da’Vine Joy Randolph, Eli Roth, Blackpink’s Jennie Ruby Jane and Hari Nef. Starting June 4, the six-episode series will be available on HBO. New episodes will drop every Sunday, meaning The Idol is following in the footsteps of HBO’s previous internet-dominating hits like Succession, The White Lotus, and Euphoria, which all had the coveted Sunday night streaming spot. In other words, it’s going to be big.

The Idol promotional poster
Photography courtesy of HBO

What’s the controversy around The Idol?

It all started in April 2022, when it was revealed that director Amy Seimetz was dropping out of the project after roughly 80 per cent of it was finished and a rumoured $54 to 75 million had been spent. Following the announcement of a creative overhaul, HBO appointed Levinson as The Idol’s new director — and he reportedly scrapped the entire thing. There was no one clear reason given for this change, but reports claim that Tesfaye felt the show was leaning too much into a “female perspective.”

The underlying air of uncertainty surrounding its production came to a fever pitch in March 2023 when Rolling Stone released an exposé about the troubling on-set culture and the script’s descent into chaos, at the hands of Levinson. After interviewing 13 members of the cast and crew, the publication reported that the director watered down the show’s message by “dialling up the disturbing sexual content and nudity.” As a result, sources claimed that the show romanticizes abuse, with some describing it as a “rape fantasy” and “torture porn.”

Photography by Eddy Chen/HBO

Essentially, what was originally a story about the trappings of fame and the exploitation of women was weakened to “a show about a man who gets to abuse this woman and she loves it,” as one source told Rolling Stone. Notably, HBO and the stars of the show have since pushed back on these claims. Depp released a statement to Rolling Stone praising Levinson as a director, while Tesfaye took a more public approach, tweeting a clip from the show in which his character calls the publication “irrelevant.” Cut to nearly three months in the future: incoming reviews of The Idol seem to align with Rolling Stone’s claims (but more on that later).

What’s Sam Levinson’s deal?

For starters, being provocative is kind of his whole shtick. After a meteoric rise to fame following Euphoria’s trendsetting success, the director’s work has been increasingly scrutinized. Even loyal Euphoria fans tend to have a fraught relationship with Levinson, as his storytelling style on the show has been criticized for exploiting trauma, over-sexualizing women (who are playing teenagers), and pushing triggering mental health content. Along with its beloved trance-inducing cinematography and escapist energy, Euphoria has also garnered a reputation for blurring the boundaries of what is ethical. And now, The Idol is being called a more extreme version of that.

What are critics saying about The Idol?

Ahead of its release, reviews are doubling down on murmurs of The Idol’s on-screen messiness. Vulture, for instance, cites “porn-adjacent” sex scenes, reductive writing and nearly constant nudity or partial nudity from Depp’s Jocelyn, while the male characters remain fully clothed. As the backlash ramps up, so too does the buzz — and perhaps that’s the point. At a press conference in Cannes, when asked about how he avoided taking sex scenes too far, Levinson reportedly replied, “Sometimes, things that might be revolutionary are taken too far.” Later, he revealed that after reading the scathing Rolling Stone feature, he felt assured that The Idol would be “the biggest show of the summer.”

Photography by Eddy Chen/HBO

So, what can viewers expect from The Idol?

Hyper-aestheticized storytelling is Sam Levinson’s calling card…so lots of that. After all, Euphoria’s undeniable influence is first and foremost rooted in kaleidoscopic visuals and a hypnotic soundtrack. Regardless of the show’s writing letdowns, it has always delivered irresistibly watchable vibes. Already brimming with tantalizing fashion and hazy imagery, it seems The Idol and its plot-point extremities are set to follow the same winning formula. Will it be successful? Should it be? Only time will tell.

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Anne Hathaway and Zendaya Are a Match Made in Fashion Heaven https://fashionmagazine.com/style/celebrity-style/anne-hathaway-zendaya/ Wed, 17 May 2023 20:14:53 +0000 https://fashionmagazine.com/?p=470422 How does one describe the perfect wine and cheese pairing? The subtle coolness of intentionally mismatched socks? The right sunglasses that pull an entire outfit together? That’s how I feel about Anne Hathaway and Zendaya. RELATED: Is Anyone Thriving More Than Anne Hathaway Right Now? On May 16, the two actors attended a Bulgari event […]

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How does one describe the perfect wine and cheese pairing? The subtle coolness of intentionally mismatched socks? The right sunglasses that pull an entire outfit together? That’s how I feel about Anne Hathaway and Zendaya.

RELATED: Is Anyone Thriving More Than Anne Hathaway Right Now?

On May 16, the two actors attended a Bulgari event in Venice, Italy alongside fellow brand ambassadors Priyanka Chopra and Blackpink’s Lisa. Celebrating the luxury label’s new Mediterranea High Jewelry collection, the four women (unsurprisingly) stunned in luxe accessories and designer gowns. But something about Zendaya and Hathaway, specifically, felt like sartorial serendipity.

Hathaway wore a Versace chainmail gold-to-silver ombré dress with a removable hood, platform heels (because of course), and a necklace with statement pink gemstones. Zendaya emerged in a custom black Richard Quinn mermaid gown, featuring off-the-shoulder draping and accessorized with a diamond snake Bulgari choker. Both dramatic in completely different ways, the pair were a picture of visual harmony. Hathaway’s ornate, sultry vibe complemented Zendaya’s regal, elegant aesthetic. Seated next to each other, they nearly broke the internet. And it’s not hard to see why.

If you were to tell me three years ago that Anne Hathaway and Zendaya would become a coveted pop culture pairing, my movie-and-TV-obsessed mind would protest. Mary Jane Watson and Andy Sachs? Rue Bennett and Mia Thermopolis?! Historically speaking, the two haven’t exactly existed in the same cinematic universe. And yet, every now and again stars align (literally) to produce an unforeseen source of dual celebrity fashion inspiration. With their unique style statuses firmly on the rise, it’s suddenly clear that no two A-listers are currently more in sync.

Think about it: Both Hathaway and Zendaya have undergone major transformations into bona fide It Girls. Going from Disney darling to fashion front row, Zendaya has established a reputation for reinvention. With the help of image architect Law Roach, she coordinates with co-stars, tailors outfits to match movie themes, and always gives the world something new to talk about. Similarly, since 2021, Hathaway has transcended her scrutinized publicly-imposed “good girl” archetype to an image of individuality and risk-taking, thanks to her stylist Erin Walsh. In May 2022, she solidified her title as a new red carpet icon, with FASHION‘s Fashion News Director Annika Lautens noting that “she (finally) isn’t afraid to take risks.” Hence the hooded chainmail dress.

But at the May 16 Bulgari event, the duo’s satisfyingly contrasting outfits weren’t the only standout aspects of their appearances. It’s their respective sparks of self-assurance that offered the ultimate coordination. Just look at the videos of Zendaya and Hathaway giving the exact same energy while posing alone at different times. Individually? Masters of confidence and personal style. Together? A joint slay.

This is not the first occasion Zendaya and Anne (…Annedaya?) have shared undeniable chemistry. Around this time last year, the starlets stunned in a promotional short film for Bulgari. In the two-and-a-half-minute clip, they can be seen walking succinctly side-by-side, dancing freely in slow motion, and leaning into one another to gaze upon the Italian scenery. As a viewing experience, it is cinematic joy. And now, it’s clear it was but a teaser for the fashion feast to come.

 

Of course, Zendaya and Anne Hathaway aren’t the first unexpected friendship to serve collaborative style prowess. There was an array of looks from Tilda Swinton and Timothée Chalamet at the 2021 Cannes Film Festival. The world saw Shania Twain and Harry Styles wear matching sequins at 2022’s Coachella. More recently, we’ve been blessed with red-carpet coordination from The Last of Us co-stars Pedro Pascal and Bella Ramsey. Time and time again, these special duos complement one another while staying true to themselves.

What’s next for Hathaway and Zendaya, you ask? We can only hope for a full-length feature film in the future. (I mean, can you imagine the method dressing?) Regardless of what they get up to together, with their signature confidence, they’ll always be well suited.

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Halle Bailey, The Little Mermaid, and the Art of Method Dressing https://fashionmagazine.com/flare/celebrity/halle-bailey-the-little-mermaid-method-dressing/ Tue, 16 May 2023 20:49:12 +0000 https://fashionmagazine.com/?p=470333 Is Halle Bailey the real-life Ariel? Lately, it feels entirely possible. In light of Disney’s upcoming live-action remake of The Little Mermaid, starring Bailey as the underwater princess, the singer’s outfits have exclusively channelled oceanic imagery, siren aesthetics, and underwater dreaminess. Through this fashion worldbuilding, she has blurred the lines between reality and mythology — […]

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Is Halle Bailey the real-life Ariel? Lately, it feels entirely possible. In light of Disney’s upcoming live-action remake of The Little Mermaid, starring Bailey as the underwater princess, the singer’s outfits have exclusively channelled oceanic imagery, siren aesthetics, and underwater dreaminess. Through this fashion worldbuilding, she has blurred the lines between reality and mythology — even kicking off mermaidcore, the micro trend of the summer. And it’s all because of one masterful styling trick: method dressing.

RELATED: What Is Mermaidcore?

Halle Bailey Little Mermaid
Photography by Getty Images

When we hear a celeb is going “method,” we can have an unsavoury impression of what that means. The controversial technique is known for seeing an actor throw themselves fully into a role, on and off camera. Think Jared Leto reportedly sending his castmates unwelcome gifts in the name of playing the Joker, or Lady Gaga adopting an Italian accent and living in character for 18 months while filming House of Gucci. Method dressing, on the other hand, is innocuous (and impressive), because it involves submerging oneself into a role using only clothes and accessories. At its core, method dressing is when actors take aspects of a film — like the plot, the scenery, and the characters — and apply them to their red-carpet or street-style ensembles. Simply put, it’s sartorial storytelling at its finest.

Case in point: Ahead of The Little Mermaid‘s premiere on May 26, Bailey has stuck to an array of Ariel-approved ensembles. When performing on American Idol, she donned a custom Michael Fausto mermaid silhouette, inspired by the Disney princess herself. At the UK premiere, her Miss Sohee look had a subtle tail shape and an ornate beaded headpiece. A week earlier, she went viral in a metallic number from Valdrin Sahiti, featuring a shell-like bra and corseted bodice resembling splashing water. When attending the premiere in Mexico City, she emerged in a Georges Chakvra pearl-embellished dress, her billowing skirt made with netted detailing.

This under-the-sea oeuvre is nothing if not intentional. It’s a narrative that Bailey’s stylist, Nicky Good, has been crafting for months. At the Oscars, Bailey sported a gauzy blue Dolce & Gabbana princess ballgown before slipping into a sculptural Maison Yeya after-party dress reminiscent of flowing water. At the Met Gala, her white Gucci cape garnered comparisons to sea foam, coral, and jellyfish tendrils. Of course, with each new look, hype for the film has only grown. Herein lies the tried-and-true power of method dressing.

Zendaya and image architect Law Roach have long been masters of this pr strategy. Over the years, Roach has weaved references into Zendaya’s red-carpet looks when promoting a new project. Take Spider-Man: No Way Home. To the premiere in 2021, Zendaya wore a custom Valentino gown with spider web embroidery and a superhero eye mask. At another screening, she sported an Alexander McQueen suit jacket dripping with crystal web detailing and statement spider-web earrings.

In advance of 2017’s The Greatest Showman, Zendaya wore exuberant colour blocking that referenced the circus setting, while her suited ensembles channelled a ringmaster. For 2021’s Dune, each of her showstopping get-ups paid homage to the sci-fi universe, from her character’s uniform to the desert of the fictional planet Arrakis.

The beauty of this technique? It allows the actor to establish a defining career era in line with each respective project. Exhibit A: Jenna Ortega has been faithful to goth aesthetics since starring in Netflix’s Wednesday, making her basically synonymous with the character. Then there’s Zoë Kravitz, who reliably stunned in sleek leather trenches as well as bat and cat motifs to mark her role as the elusive Catwoman in 2022’s The Batman.

Unlike method acting — which can cause stars to get stuck in the fictional mind of the person they’re playing — method dressing flourishes on the premise of reinvention. When promoting 2015’s Cinderella, Lily James embraced a princess-style alter ego with voluminous ballgowns and glass slippers. Cut to 2022: She had a decidedly sexier look to promote her role as Pamela Anderson in Pam & Tommy, even cosplaying the ’90s icon in a Baywatch swimsuit-inspired dress.

But perhaps some of the best method dressing of all time took place surrounding the Maleficent series. Starring Elle Fanning as Princess Aurora and Angelina Jolie as the titular witch, the leading duo consistently mirrored their starkly contrasting aesthetics. At the 2019 premiere, Fanning wore a Gucci fairytale-like design emblazoned with droplets of blood — a reference to the tale of Sleeping Beauty pricking her finger. The same night, Jolie opted for a severe Versace gown with a scorpion brooch, evoking unmistakable sorceress imagery. In dressing as polar opposites, they brought the film to life.

Ultimately, method dressing sees stars skillfully play up their roles without assuming the entire personality of the character, making it all the more interesting. As for whether Halle Bailey really is an undercover mermaid? It’s still up for debate. She certainly looks the part, though. And that’s the whole point.

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Hailey and Justin Bieber Are Committed to Not Matching https://fashionmagazine.com/style/celebrity-style/hailey-justin-bieber-style/ Fri, 12 May 2023 20:48:21 +0000 https://fashionmagazine.com/?p=470233 It’s hard to be a celebrity in a relationship, I assume. Your dating timeline is basically public knowledge. Slightly humiliating monikers like “Bennifer” and “Tay-Squared” are unavoidable. And your street style as a couple is treated as a marker of your compatibility. But Hailey and Justin Bieber — in all their mismatched glory — don’t […]

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It’s hard to be a celebrity in a relationship, I assume. Your dating timeline is basically public knowledge. Slightly humiliating monikers like “Bennifer” and “Tay-Squared” are unavoidable. And your street style as a couple is treated as a marker of your compatibility. But Hailey and Justin Bieber — in all their mismatched glory — don’t seem phased by this.

RELATED: Is Hailey Bieber 2023’s Audrey Hepburn?

The famous couple, who tied the knot in 2018, are frequently photographed out and about looking like they’re going to different parties. Hailey leans form-fitting and polished, while Justin is reliably dressed down and baggy. It’s almost as if they purposely skew as far as they can from one another when getting dressed. And you know what? It works.

Case in point: The pair is currently in New York City, and their sartorial contradictions are on full display. On a May 10 dinner date, Hailey went full Matrix fashion in a leather maxi and bralette with pointed heels. Justin, on the other hand, wore a white tank, low-slung jeans and worker boots. This seems not like a simple vibe difference, but a deeper commitment to being so visually contrary that the untrained eye would think, “Hm, I wonder why these two strangers are holding hands.”

Said dress code conundrum was the case yet again on a date night in April. Hailey’s ensemble? Pointed-toe heels, chic sheer tights and a halter LBD. Justin’s? Sweatshirt, baseball cap, and slides, if we’re being generous (but slippers if we’re being serious).

It was the same deal a few months back, at the grand opening of OBB Studios in Los Angeles. Mrs. Bieber was decked out in Schiaparelli couture with gold accessories, while her husband was in paint-stained jeans, a Drew House sweater and a pink beanie.

At this point, this sort of outright outfitting confusion is part of the couple’s style DNA. Historians will tell you that back in 2021, on a much-publicized outing in Paris, Hailey Bieber dazzled in a pink Miu Miu cocktail dress while Justin donned a slouchy red hoodie. Moral of the story? They almost never look in sync, and maybe that’s the point.

The garments worn by Hollywood couples tend to be taken as symbols of synchronicty. Tom Holland has a “Z” emblazoned on certain pairs of pants, which fans speculate is an understated ode to Zendaya. More alarmingly, Machine Gun Kelly accessorized with a vial of Megan Fox’s blood around his neck during their courtship. But Hailey and Justin Bieber take a decidedly different approach: dedicated inconsistency. Olivia Broussard (@olivialayne6) recently went viral on TikTok pointing out this phenomenon. “Is one of them overdressed or is the other one underdressed?” Broussard mused, flashing a series of photos of the duo on screen. “I cannot tell by looking at these outfits.”

There are, as with everything in life, exceptions to this pattern. Sometimes, the Biebers will appear delightfully harmonious. Take their recent outing in L.A., where they both sported baggy jeans, a staple of low-effort, versatile dressing. Hailey completed her look with kitten heels and a crop top, while Justin went for a hoodie and sneakers. Here, despite their differences, the pair were decidedly in equilibrium. But this is not usually the case.

More often than not, Hailey is dressed to the nines while Justin looks unbothered and relaxed. She’ll wear a luxe Saint Laurent fur coat, and he’ll be in bug-eye sunnies and patterns layered with reckless abandon. For them, that’s normal. And sure, it’s a little jarring. She’s giving high-fashion, he’s giving Adam Sandler with a jar of pickles. But perhaps their drastically different dressing methods signal two partners that are secure in their relationship. They’re wearing what they want, and not judging one another for it.

Photography by Getty Images

What’s the purpose of painstakingly coordinating with your significant other, anyhow? To present an image of unity to the world? To convince onlookers that you’re on the same page? The Biebers, and all their incongruous outfits, take this notion and flip it on its head. What’s next for these two and their contrasting street styles? I’m not sure. But in all likelihood, nothing will make sense. And I’ll love it.

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Gerri Is the Silent Style Star in Succession https://fashionmagazine.com/style/gerri-succession-style/ Tue, 09 May 2023 19:40:10 +0000 https://fashionmagazine.com/?p=469985 In a business where people are used as pawns and it pays to look out for only yourself, Gerri Kellman from Succession is terrifyingly good at her job. RELATED: Succession Gives Mourning Attire a Whole New Meaning As the longtime exec and general counsel to the late patriarch Logan Roy, Gerri (played by J. Smith-Cameron) regularly puts up […]

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In a business where people are used as pawns and it pays to look out for only yourself, Gerri Kellman from Succession is terrifyingly good at her job.

RELATED: Succession Gives Mourning Attire a Whole New Meaning

As the longtime exec and general counsel to the late patriarch Logan Roy, Gerri (played by J. Smith-Cameron) regularly puts up with the Roy kids’ entitlement while wading through endless boardroom shenanigans. Both expertly conniving and deceivingly comforting, she’s a pivotal player in the billion-dollar company, but she also remains strategically on the sidelines. Key to her success is her unwavering corporate decorum. In other words: Wardrobe-wise, she has long relied on subdued, by-the-books professionalism. But in season 4, Gerri is taking a new approach.

Succession J. Smith-Cameron
Photography by Peter Kramer/HBO

At the start of Succession, Gerri is befitted in her own corporate protective gear comprising figure-concealing skirt suits, dark-rimmed glasses and modest strings of pearls. If not pulled back into a matronly updo, her hair lays in a semi-grown-out bob. This is in line with her motives: She’s always trying to stay on safe footing. As an older woman in a position of power, she walks a fine (sexist) line between getting taken seriously and being written off. Through it all, Gerri’s steady outfit choices have been symbolic of her efforts not to rock the boat.

Succession J. Smith-Cameron
Photography by Peter Kramer/HBO

This somewhat dowdy dressing is not to be confused with her powerful — surprisingly salacious — role at Waystar RoyCo. Case in point: As season 2 sees her sexual tension with Roman Roy progress, she maintains her own best interest, viewing their back-and-forth as an unorthodox business partnership. But when Roman takes things too far by sending her explicit pictures, he endangers her job and betrays her trust. This serves as a reminder that although she may be more qualified than them, Gerri doesn’t have the luxuries of being born into the business, as the Roy children do. “She’s got to be super careful,” Smith-Cameron told Vogue. “And so [in season 4], too, I had to be sort of cold-blooded at times.” Her wardrobe reflects that.

Succession J. smith-cameron
Photography by Macall B. Polay/HBO

Gerri has long dressed to communicate that she’s an asset; never a threat. And this approach has worked, until recently. As her position is increasingly called into question, Gerri’s quest for power is more evident than ever.

In episode 3 of this season, she goes to Connor’s wedding in a monochrome grey skirt suit with a hat fastened onto the side of her head, à la Kate Middleton. She stands out in a sea of black and white, her look more imposing than usual with a statement belt and a chunky necklace. It goes against her sartorial strategy of subtlety, and that’s kind of the point. She’s feeling uncertain in her position at Waystar, so she’s using fashion to grasp status. This same day, Gerri learns that Logan plans to fire her. In the episodes since — after Logan Roy passes — we see her style evolve even more.

Succession J. Smith Cameron
Photography by David Russell/HBO

She starts wearing more revealing dresses, chunky jewelry, and her (now considerably longer) hair in a blowout. Her silhouettes are looser and more fluid instead of buttoned-up and structured. To Logan’s wake reception, she dons a plunging neckline with a gold chain-link necklace to complement her sleek gold-rimmed glasses. There’s a sense that now, with the vicious oligarch out of the picture, Gerri isn’t dressing to appease anymore.

Succession J. Smith-Cameron
Photography by Macall B. Polay/HBO

This assertion of power culminates in episode 7, when Roman tries to backtrack on his brutal firing of her from the previous episode. He comes to Gerri looking to make amends because, per usual, he needs her advice. But instead of feigning professionalism, she tells Roman she’s “out” completely. She adds that she’ll be asking for “eye-watering sums” of money from Waystar. And if anyone tries to undermine her? Her threat: “I will sue, and I will go public with the many, many pictures of your genitalia that I have in my possession. Have I made myself clear?” Using Roman’s inappropriate advances against him, while sporting her new look — a sleek dress and loosely curled blond locks — Gerri has never looked more confident.

Succession
Photography by David M. Russell/HBO

Part of Gerri’s charm is how real she feels. She’s a “nervous wreck,” Smith-Cameron told The New York Times, and this sometimes shows in her appearance, from her frazzled flyaways to her wildly out-of-place wedding outfit. But there’s something cool, calm, and collected about her that only progresses as season 4 unfolds. One thing that has always been clear: Regardless of what she wears, Gerri is competent and capable. That’s more than can be said about the Roy children.

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Is Princess Anne the Best-Dressed Royal? https://fashionmagazine.com/style/celebrity-style/princess-anne-style/ Fri, 05 May 2023 20:34:16 +0000 https://fashionmagazine.com/?p=469849 When we talk about fashion in the Royal Family, we tend to focus on Princess Diana, the Duchess of Sussex, the Princess of Wales, and Queen Elizabeth II. But there’s one unsung hero of this famous sartorial lineup. Ahead of the Coronation of King Charles III on May 6, we must discuss the style legacy […]

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When we talk about fashion in the Royal Family, we tend to focus on Princess Diana, the Duchess of Sussex, the Princess of Wales, and Queen Elizabeth II. But there’s one unsung hero of this famous sartorial lineup. Ahead of the Coronation of King Charles III on May 6, we must discuss the style legacy of Princess Anne.

RELATED: Kate Middleton’s Decade of Style and the Soft Power in Her Fashion Choices

Who is Princess Anne, you say? We don’t fault you for asking. Daughter of Queen Elizabeth II and sister to King Charles, she is known as the hardest-working, often overshadowed royal. Seventy-two years old with no retirement plans in sight, Princess Anne reportedly worked 214 engagements last year, compared to King Charles’s 181. Over the decades, she has witnessed the evolving monarchy first-hand with a famously tough sensibility (she once faced off an armed would-be kidnapper), a reserved demeanour (shocking, right?) and a signature dry sense of humour. Oh, and she loves horses. All of this can be mirrored in her no-nonsense, ever-put-together style. And this week, in a rare CBC interview, Princess Anne hinted at her winning approach to getting dressed: She’d prefer simply not to think about it.

King Charles’s coronation is a once-a-generation event shrouded in sartorial anticipation. But Princess Anne’s outfit choice — her military uniform — couldn’t be more self-explanatory. The Royal revealed to CBC that she’ll be reprising the ceremonial role of Gold-Stick-in-Waiting at the historic event, adding that such a position solves her “dress problem,” as she’ll be donning traditional regalia. “This is so on-brand,” writes Tamara Abraham in The Telegraph. “It’s not like the Princess Royal to make a fuss about her wardrobe — it’s a problem to be fixed, rather than a creative opportunity.”

As her appearance indicates, Princess Anne seems always focused on the task at hand. Look no further than her stacked resumé. At 39, she was nominated for a Nobel Peace Prize. She was the first British Royal to compete in the Olympics, having ridden in the three-day equestrian at the 1976 Montreal Games. With the reputation of being somewhat of a rebel, she forewent royal titles for her children, Zara and Peter, in an effort to give them a more normal upbringing.

Similarly, at the funeral of Queen Elizabeth, Princess Anne made history when she accompanied the coffin alongside only men, dressed in a military uniform and pink lipstick. With this tribute, she reportedly became the first royal woman to walk in such a procession. All of this to say: Anne is sort of a fashion icon hiding in plain sight.

As a reliable worker in the Royal Family, Princess Anne often sidesteps salacious headlines. With a practical, utilitarian, and sometimes sporty style, she’s perhaps the greatest personification of the rumoured royal “never explain, never complain” mantra. But that’s not to say what she wears is boring. In fact, it’s pretty daring.

Travelling sans stylist on royal tours, Princess Anne is not known for following trends or overhauling her wardrobe each season. She has established a reputation for re-wearing outfits, often changing accessories or styling the same look slightly differently decades later. She stays true to her tomboyish tendencies, which have not always been applauded. In 1973, when Princess Anne famously wore a linen pantsuit to go to the theatre — paired with blue eyeshadow, we might add — it was reportedly seen as controversial for a woman in the Royal Family.

Even still, a frequent inspiration in Princess Anne’s wardrobe is her equestrian career, donning traditional, timeless, and impeccably tailored suiting. She’s also a fan of bright colour blocking and playful patterns — think: pink houndstooth, vibrant polka dots, exaggerated florals and geometric shapes. She has a penchant for statement details like oversized collars, fanciful ruffles and extravagant headpieces. Switching between androgynous utilitarianism and refined glamour, Princess Anne’s under-the-radar dressing legacy is the epitome of personal style.

Vogue notes that her outfits reflect her position as one of the family’s most “progressive thinkers,” having put her own spin on the era-defining fashion of the ’60s and ’70s. Whether she’s dressed up or pared down, her style remains direct, unwavering and entirely certain of itself. This is an invaluable skill to have in the Royal Family.

Below, we’ve rounded up some of the best looks from Princess Anne over the years.

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Here’s What You Should Know About Red Dress Day https://fashionmagazine.com/flare/identity-politics/red-dress-day/ Fri, 05 May 2023 14:45:27 +0000 https://fashionmagazine.com/?p=448691 This article was originally published in March 2022 and has been updated.  Every year at the start of May, red dresses can be seen hanging from trees, statues and front doors across Canada. These hollow vermilion silhouettes make a sartorial statement on the epidemic of missing and murdered Indigenous women, girls and two-spirit people. The […]

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This article was originally published in March 2022 and has been updated. 

Every year at the start of May, red dresses can be seen hanging from trees, statues and front doors across Canada. These hollow vermilion silhouettes make a sartorial statement on the epidemic of missing and murdered Indigenous women, girls and two-spirit people.

The National Day of Awareness for Missing and Murdered Indigenous Women, Girls and Two-Spirit People (MMIWG2S) is widely recognized as Red Dress Day, and Canadians are encouraged to hang and wear red as a means of drawing attention to gendered and racialized crimes against Indigenous peoples.

@resilientinuk May 5th – Show Your Support #may5 #reddressday #wearred #showsupport ♬ original sound – Resilient Inuk

“The red dress itself is a visual reminder of the staggering number of Indigenous women who are no longer with us,” explains Cory Hunlin, a two-spirit Tsilhqot’in artist. “I have been raised by powerful Indigenous women: my mom, grandma, aunties and relatives. [They] have all been affected by the residential school system. So for me, to see what’s still going on today is heart-wrenching and hits close to home.”

The annual observation of Red Dress Day came from The REDress Project, an art installation created by Métis artist Jamie Black in 2010. The exhibit of empty hanging red dresses has since traveled to different cities across North America. Over a decade later, Red Dress Day remains a means of recognizing those that have been lost while raising awareness around ongoing calls for justice.

In 2019, the Canadian government released the National Inquiry into MMIWG2S. ​​The report gathered the stories of nearly 2,400 people, including experts, survivors and family members of those who have been lost. It stated that systemic violence towards Indigenous women has resulted in a lack of safety and security, leaving them disproportionately vulnerable.

The report outlined 231 individual Calls for Justice, which include addressing intergenerational trauma, marginalization and the disregard for Indigenous women, girls and 2SLGBTQ+ people.

Indigenous women make up only 4.3 per cent of the population in Canada, but comprise 16 per cent of all female homicide victims and 11 per cent of missing women. Despite growing awareness of these alarming statistics and national calls to action, systemic barriers have continued to worsen for Indigenous women, who, as of April 2022, make up half of the female population in federal prisons.

This is why understanding the significance behind occasions like Red Dress Day is so important. “Red Dress Day means that we’re closer to finding justice and peace for these families affected,” says Michelle Chubb, a Swampy Cree artist and content creator located in Winnipeg. “It means a better future for my daughter so she doesn’t have to live in fear, like most of us.”

Red has become a symbol for MMIWG2S across Canada. It represents blood, earth and strength, but it also holds sacred symbolism. “It is said that red is the only colour spirits can see,” explains Vanessa Brousseau, an Inuk and Ojibwe artist, in a TikTok video. “The red dress represents a calling back to the spirits of these women; allowing them a chance to be among us and have their voices heard through family members and community.”

@indigenous_baddie National Day of Awareness for Missing & Murdered Indigenous Women & Girls. Please educate yourself & be aware of what Indigenous Women & Girls have to face everyday. I want to have a better future for Pîsim & acknowledging about this crisis is a step forward to finding justice & peace. #MMIWG #awareness #may5th ♬ Eyabay – Jingle Dress

Violence against Indigenous peoples remains urgent and under-discussed. “I encourage everyone to wear red, hang a red dress, and donate to organizations [working] directly with [victims’] families,” says Hunlin. But that’s just the beginning. “Read the report from National Inquiry into MMIWG2S+. Attend virtual discussions, vigils, walks and any space where families and advocates are taking the time to organize and educate.”

Learning about these issues, donating to organizations and supporting Indigenous artists, creators and small businesses are vital steps non-Indigenous Canadians can take towards reconciliation. “Education is violence prevention,” Hunlin concludes.

Below, find some resources and small businesses to support on Red Dress Day and beyond.

Resources:

Kairos Canada: Missing and Murdered Indigenous Women and Girls Information Hub

National Inquiry Into Missing Indigenous Women and Girls

The Native Women’s Association of Canada: MMIWG & Violence Prevention

What Their Stories Tell Us: Research Findings From The Sisters In Spirit Initiative

Indigenous small businesses:

This Claw

Inuk360

Assinewe Jewelry

Resilient Inuk Creations

Cheekbone Beauty

Renee Bell Designs

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Who Was Missing From the Met Gala? https://fashionmagazine.com/style/celebrity-style/met-gala-2023-missing-stars/ Wed, 03 May 2023 20:27:38 +0000 https://fashionmagazine.com/?p=469687 We are gathered here today to mourn. No, there hasn’t been a death. But fashion has suffered a great loss: all the stars absent from the 2023 Met Gala. RELATED: A Look Back at the Best Fashion Moments in Met Gala History In all its prestigious glory, the annual fundraising ball has a unique ability […]

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We are gathered here today to mourn. No, there hasn’t been a death. But fashion has suffered a great loss: all the stars absent from the 2023 Met Gala.

RELATED: A Look Back at the Best Fashion Moments in Met Gala History

In all its prestigious glory, the annual fundraising ball has a unique ability to cram together as many gussied-up famous people as possible. As it always does, this year’s affair delivered on a lot: endless bridal fashion; many a pregnancy reveal; and a record-breaking number of catsuits. So, it is with much chagrin (and some nosiness) that we must turn our attention to all the celebrities who shockingly weren’t there.

ICYMI, the theme was dedicated to the late designer Karl Lagerfeld, whose artistic work over his decades-long career is the epitome of coveted vintage fashion. Because of this, the event was met with expectations for a sea of archival garments and iconic women who were once Lagerfeld’s muses. The former we got. The latter, we sadly did not.

While legends like Kate Moss and Naomi Campbell did attend, many of Lagerfeld’s longtime inspirations didn’t. Claudia Schiffer, the designer’s favourite model in the ’90s and a repeated Chanel bride, was rumoured to be attending but posted on May 1 that she had declined the invitation. Canadian supermodel Linda Evangelista is synonymous with some of Lagerfeld’s most recognizable Chanel designs. She was referenced by guests (including Lizzo), but never present herself. And one of Lagerfeld’s buzziest Gen Z muses, Lily-Rose Depp, who has donned his work several years running at the Met Gala and whose mother Vanessa Paradis was an O.G. Karl muse, was also conspicuously M.I.A. at Monday’s ball was. Unjust!

On May 1, as A-listers trickled onto the steps of the Met, non-attendees became a social media focus as well. A Photoshopped picture of Zendaya in Rita Ora’s dress made the rounds. An AI-generated image of Selena Gomez quickly went viral. An old paparazzi shot of Lady Gaga dressed as a Chanel bride was mislabelled as a sneak peek of the star en route that evening. (Cruel, all of it!) Throughout the night, trending tweets lamented the loss of Met Gala frequenters like Bella Hadid, Blake Lively, Billy Porter, and Katy Perry.

Some absences were more expected than others. Beyoncé hasn’t been to a Met Gala since 2016 — basically a lifetime ago. As a supporter of Lagerfeld, fans held out hope that 2023 would mark her great return, but to no avail. The same goes for Nicki Minaj, who has reliably repped Lagerfeld’s use of logomania at Fendi. Her presence last year established false hope for Monday’s event, where she was nowhere to be found.

Many of the missing stars are masters of a Met Gala theme. In 2019, Lady Gaga honoured camp with a 16-minute transformational entrance. That same night, Zendaya showed up as a real-life Disney princess, with Law Roach as her fairy godmother. Just last year, Blake Lively gave us gilded glamour by unwrapping her gown’s billowing skirt to reveal an entirely new one underneath. It’s hard not to think about the looks we missed out on account of these stars not being there. Not to be dramatic, but a fashion robbery is afoot!

In the world of Met Gala lore, there’s endless speculation surrounding exactly what it means when a celebrity doesn’t show up. This year, with the contentious legacy of Lagerfeld as context, some theorized that stars like Gomez and Lively opted out as a statement of solidarity for the communities the designer has offended. It’s a nice thought! But when you take into account that both of them have worked with him in the past, it doesn’t exactly hold up. The less glamorous, more believable possibility: scheduling conflicts. And as for why many of Karl’s most iconic muses, specifically, weren’t there? That remains a mystery.

One thing’s for sure, we’ll always have memories. See below for our favourite Met Gala looks by those who skipped this year.

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The Real Star of the Met Gala? Plus-Size Fashion https://fashionmagazine.com/style/celebrity-style/met-gala-2023-plus-size/ Tue, 02 May 2023 19:17:35 +0000 https://fashionmagazine.com/?p=469649 When it was announced that Karl Lagerfeld was the theme of the 2023 Met Gala, there was some understandable backlash about the late designer’s complicated legacy. Industry voices (including FASHION) pointed to Lagerfeld’s track record of vocalizing misogynistic, discriminatory, and, perhaps most reliably, fatphobic views. This is why, as stars graced the steps of the […]

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When it was announced that Karl Lagerfeld was the theme of the 2023 Met Gala, there was some understandable backlash about the late designer’s complicated legacy. Industry voices (including FASHION) pointed to Lagerfeld’s track record of vocalizing misogynistic, discriminatory, and, perhaps most reliably, fatphobic views. This is why, as stars graced the steps of the Metropolitan Museum of Art on Monday, May 1, it became positively poetic that many of the best-dressed guests were those with plus-size bodies.

RELATED: Chanel Brides and Chic Cats Dominate the 2023 Met Gala Red Carpet

Throughout his influential career, Karl Lagerfeld came to represent the gatekeeping nature of the fashion industry. At the helm of Chanel and Fendi, the creative director was quick to defend the pervasive practice of hiring only waif-like models. In 2009, he told the German magazine Focus that “no one wants to see curvy women,” among other offensive quotes documented over the years. His opinion was clear: thinness equates to beauty. And as a titan of his field, Lagerfeld’s blatant fatphobia reverberated in the fashion world.

But as attendees strolled up the carpeted steps in his honour at the 2023 Costume Institute ball, this problematic legacy was not brushed under the expensive cream-coloured rug. In fact, where many outfit tributes were concerned, it stood front and centre.

For starters, celebrities who don’t fit Lagerfeld’s norm for the “ideal” body type emerged as sartorial stars fearlessly taking up space. Actor Alex Newell’s black dress featured a sculptural heart-shaped silhouette and mesh cutouts at the ribs. A round chapeau towered over their head, so as to create a feathered halo effect. Model Precious Lee wore a curve-hugging Fendi black wrap and a bedazzled baguette bag — complete with a trailing hot pink train and voluminously teased hair.

Photography by Getty Images

Ashley Graham donned a Harris Reed corset gown with a plunging off-shoulder design, inflated hips, and a dramatic mermaid skirt. Though inspired by a couture gown from Chanel’s Fall 1987 show, the ensemble offers an undeniably dramatized interpretation. With Lagerfeld’s non-inclusive views as context, these statement-making looks held a deeper meaning about plus-size bodies, and how they exist in exclusionary spaces.

Photography by Getty Images

As fashion’s most prestigious fête, the Met has long been an emblem of high society; attendance guarded by an elusive worthiness. And when paying homage to Lagerfeld, instead of fading into the background, attendees above the sample size vivaciously stood out.

Perhaps most affecting were the cheeky riffs on quintessential Chanel imagery. Actor Harvey Guillén — who has spoken about the challenges of being Latino, queer, and plus-sized in Hollywood — leaned into femme visuals, donning a baby pink tweed suit and trailing train. Punctuated with strings of pearls and colossal rosettes, it was a reclamation of ’90s Chanel runways, which exclusively featured thin, mostly white models.

Lizzo, who typically serves up avant-garde moments on the red carpet, toned things down in a classic silhouette with a clear-cut message. Wearing a black gown adorned by a caged pearl top, her custom Chanel look emulated model Linda Evangelista on the Fall 1991 runway. Often viewed as the “ultimate Chanel girl,” Evangelista fit the rigid body mould perpetuated by Lagerfeld (and the fashion industry at large in that era). Conversely, Lizzo’s mere presence evoking coveted traditional Chanel is a rebellion in and of itself.

Throughout the evening, there was a throughline of thematic defiance against Lagerfeld’s views. For instance, the designer reportedly spoke out against same-sex couples adopting children. Along with body standard statements, there was a sense of lavish irreverence among some queer stars who walked the carpet. Lil Nas X shocked the world (as he does) in a full face of rhinestones and pearls while swapping clothes for bedazzled body paint. Janelle Monáe entered in a gargantuan Thom Browne hoop overcoat, only to reveal a black sparkly bikini underneath. A theme of all these risk-taking looks? Commanding a room while existing fully and unapologetically.

With thin appearance ideals continually dominating the cultural conversation, experimental body-inclusive fashion is as crucial as ever. Far too often, red carpets and runways see those above a size two in billowy caftans, conservative hemlines and unimaginative silhouettes. But at the 2023 Met Gala, the ensembles worn by larger bodies exuded joy, individuality and pure thoughtfulness.

The irony is obvious. As some have noted, Karl Lagerfeld probably would have hated to see plus-size celebs donning custom designer garb and attending fashion’s most esteemed event in his name. At the end of the day, that is precisely what makes this year’s Met Gala such a soaring success.

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We Expect To See These Trends at the 2023 Met Gala https://fashionmagazine.com/style/2023-met-gala-predictions-trends/ Fri, 28 Apr 2023 20:24:32 +0000 https://fashionmagazine.com/?p=469370 Arguably the best thing about the Met Gala? The discourse, darling. In the days leading up to fashion’s biggest night, the internet is rich with guest list speculations and couture conspiracies. And in 2023, there’s no shortage of opinions surrounding the annual ball, which will pay tribute to Karl Lagerfeld. The late designer helped shape […]

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Arguably the best thing about the Met Gala? The discourse, darling. In the days leading up to fashion’s biggest night, the internet is rich with guest list speculations and couture conspiracies. And in 2023, there’s no shortage of opinions surrounding the annual ball, which will pay tribute to Karl Lagerfeld. The late designer helped shape contemporary fashion through his work at Fendi, Chanel, and his own eponymous brand. He was also famously controversial — making fatphobic, misogynistic, and anti-immigrant remarks throughout his very public career.

RELATED: The Best Met Gala Beauty Looks Ever — Period

On Monday, May 1, stars will descend upon the steps of The Metropolitan Museum of Art in New York City dressed to honour the theme “Karl Lagerfeld: A Line of Beauty.” The affair inevitably begs the question: does Lagerfeld’s sartorial genius trump his complicated legacy? With that consideration lingering in the air, there are many ways to interpret this year’s dress code. But one thing’s for sure: the fashion at the 2023 Met Gala will deliver glamour, drama and cause for conversation, as it always does.

Below, FASHION outlined six trends that will likely surface on this year’s grandiose red carpet, based on Lagerfeld’s unforgettable reputation.

A sea of tweed

Of all Chanel creative directors, Karl Lagerfeld’s tenure was the longest and most influential. Having been named the artistic director in 1983, he stayed at the Parisian maison until his death in 2019. As such, the red carpet will no doubt be rife with Chanel-isms, none of which are more instantly recognizable than tweed. Lagerfeld famously revamped the brand in the ’90s by taking its classic prim suiting and presenting it with bright colours, chunky chain adornments and provocative mini-skirts. The 2023 Met Gala guest list remains unconfirmed, but longtime celebrity Chanel ambassadors like Margot Robbie and Kristen Stewart will likely be in attendance, repping references to these emblems.

Ironic sweatpants

To Karl Lagerfeld, stretchy waistbands were the enemy. “Sweatpants are a sign of defeat,” he famously once declared. “You lost control of your life so you bought some sweatpants.” After years of lockdowns and working from home, this wardrobe rule simply doesn’t hold up anymore — even Anna Wintour has worn them! Comfy pants may seem sacrilegious at a fête such as the Met, but perhaps it’s a risk just bold enough to pass as camp. Whether through gargantuan proportions or slouchy silhouettes, we’ll be on the lookout for tongue-in-cheek protests against Lagerfeld’s staunchly anti-sweatpant stance.

Logomania

After beginning his tenure at Fendi in 1965, Lagerfeld created the now identifiable double “F” logo. And when signing on at Chanel, he employed the pre-established interlocked “C” motif as a prominent branding staple. Through the years, Lagerfeld took inspiration from streetwear and hip hop — especially with his enthusiastic use of logomania, which was pioneered by Harlem designer Dapper Dan in the ’80s. The maximalist look of emblazoned monograms can be seen across Lagerfeld’s collections at Fendi and Chanel. At the 2023 Met Gala, we expect to see logos not only on clothes, but in the form of necklaces, shoes, sunglasses, and headpieces.

Karl doppelgängers

Remember last year’s Met Gala, when three attendees looked strikingly like Jared Leto? Picture that, times ten. As the theme of this year’s event, Karl Lagerfeld and his signature look — white ponytail; dark sunglasses; fingerless gloves; exaggerated white collar — basically beg recreation. We will likely see crafty re-interpretations of this oeuvre, à la Kendall Jenner circa Halloween 2015.

Brides everywhere

If Sofia Richie’s internet-breaking nuptials proved one thing, it’s that the world cannot get enough of a Chanel wedding dress — or in her case, three. Beginning in the ’80s, Lagerfeld famously closed his Chanel couture shows with a “bride.” Over the years, It girl models like Cara Delevingne, Claudia Schiffer and Devon Aoki donned white for the coveted runway honour. On Monday, we’ll presumably see a nod to this tradition, via billowing ballgowns or trailing ivory veils.

References to Lagerfeld’s cat, Choupette

Sure, it may sound silly. But Choupette is not just any cat. As Lagerfeld’s longtime companion, she is a verified petfluencer held in high esteem — who at one time had two maids, an iPad, and a personal driver. Just this week, Kim Kardashian posted about a recent play date in Paris with le chat of honour to “get a little inspiration for the Met.” Take it from her: we can surely expect Choupette-inspired details on the internet’s favourite steps. Think Schiaparelli lion dress, but make it a Birman cat.

All of this is speculation, of course. To see what celebs really wear, check back here on May 1 for the full fashion round-up.

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Ryan Gosling Was Born To Play Ken https://fashionmagazine.com/flare/tv-movies/ryan-gosling-ken/ Wed, 26 Apr 2023 19:44:32 +0000 https://fashionmagazine.com/?p=469204 Every now and again, an actor takes on a role that just feels right. Their connection to the character is undeniable, and their performance leaves an indelible mark on pop culture. Such is the case for Ryan Gosling as Ken in Barbie. RELATED: We Just Got Another Look At the Barbie Movie The cast of Greta Gerwig’s […]

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Every now and again, an actor takes on a role that just feels right. Their connection to the character is undeniable, and their performance leaves an indelible mark on pop culture. Such is the case for Ryan Gosling as Ken in Barbie.

RELATED: We Just Got Another Look At the Barbie Movie

The cast of Greta Gerwig’s upcoming movie descended upon CinemaCon on April 25, and Gosling was in fine Ken form. Margot Robbie, who plays Barbie, wore a preppy pink gingham two-piece set, which could have come straight from Mattel’s design book. Next to her, a spray-tanned Gosling appeared in a pair of dark wash jeans, a hot pink bomber jacket, and a white T-shirt with Gerwig’s name in Barbie bubble letters. With this, we can further understand a fundamental truth about the world: Gosling was made for this role.

In any given sneak peek of the viral film, Ryan Gosling can be seen wearing a chest-exposing top — his oiled-up abs contoured to cartoonish perfection — looking off into the distance at presumably nothing at all. Armed with bleach-blonde hair and a taste for eye-assaulting colours, Gosling looks at home as Ken. His on-screen trailer moments comprise a groan here, a wink there, and a general sense of befuddlement delivered with each line. Personality-wise, he gives nothing. And it’s sublime.

Ryan Gosling as Ken in Barbie
Photography Courtesy Warner Bros. Pictures

The thing is, Barbie is everything. She’s had over 200 careers, 20-plus dreamhouses, and a revolving door of wardrobe options that only gets more iconic with time. How does her boyfriend compete with that? Hint: he doesn’t. As the movie marketing states, he’s literally “just Ken.” He was created to be Barbie’s boyfriend; his raison d’être is to make her happy. Refreshingly, Ryan Gosling gets this. “Nobody plays with Ken [dolls],” Gosling said on The Tonight Show Starring Jimmy Fallon back in July. He outlined Ken’s lack of prospects: no job, no money, no house. “He’s an accessory, and not even one of the cool ones.”

Ryan Gosling as Ken in Barbie
Photography Courtesy Warner Bros. Pictures

Even still, to be “just Ken,” one cannot be just good-looking. You must also understand the essence of Barbie’s beau, and Gosling does. He waxed his entire body for the role. He’s crafted a demeanour that is both hilarious and void of intentional humour. For months in interviews, he can’t stop bringing up an elusive “Kenergy.” Can it be taught? How is it measured? He never really says. But if the below video of him dancing circa 1992 is any indication, Gosling’s Kenergy is innate.

“This has been coming my whole life,” he told Variety. “I felt like I was seeing myself. I felt seen. I think a lot of Kens will feel seen when they see this.” Ken may be undeniably insignificant, but his big screen debut fills a void. Cinema doesn’t need another villain-fighting action hero or world-saving detective. Hollywood needs something much, much more important: Himbo representation. Defined as “an attractive but vacuous man,” the Himbo’s objective beauty may be initially intimidating, but his simple heart of gold always shines through. This archetype, in all his benign glory, has become an unlikely hero in recent years. Nobody fits that bill more than Ken, and Gosling embodies the side character with gravitas.

Ryan Gosling as Ken in Barbie
Photography Courtesy Warner Bros. Pictures

When he was first announced for the role, there was some online backlash. Critics said he wasn’t young enough to play the plastic boyfriend, lamenting that he lacked the Ken look. But with each new sneak peek, the 42-year-old has been proving that he not only understands the assignment, he was born for it.

“Up until this point, I only knew Ken from afar,” Gosling reportedly told the crowd at CinemaCon, discussing his approach to filming. “I didn’t know Ken from within. I doubted my Kenergy.” Lucky for us, he seems to have found it.

His CinemaCon get-up was not the first sign of his metamorphosis into the Mattel doll. Last summer, he donned an array of pastel suits when promoting his movie The Gray Man. More recently, on April 20, he sported highlighted grown-out hair and a pink dress shirt to an event in London, inevitably garnering Malibu Ken comparisons.

And, like Ken, Gosling’s Barbie reverence spills into each conversation. When asked about Margot Robbie’s cryptic clue that the movie is not what viewers expect, Gosling responded, “I would never correct Barbie…I would say whatever Barbie says is exactly right,” he told Entertainment Tonight. “Wait, what are we talking about?” he said moments later. Give this man an Oscar, stat!

We may still be months out from Barbie‘s anticipated release on July 21, 2023. But with Ryan Gosling as Ken, all is good in the world.

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The Irresistible Spectatorship of Sofia Richie’s Wedding https://fashionmagazine.com/style/celebrity-style/sofia-richie-wedding/ Tue, 25 Apr 2023 20:14:59 +0000 https://fashionmagazine.com/?p=469167 Sofia Richie is newly married! Have you heard? Just kidding — of course you have. In fact, you probably know more about it than you thought you needed to. RELATED: These Are the Exact Products Used for Sofia Richie’s Wedding Makeup Look Whether you sought it out or not, over the past few days, your […]

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Sofia Richie is newly married! Have you heard? Just kidding — of course you have. In fact, you probably know more about it than you thought you needed to.

RELATED: These Are the Exact Products Used for Sofia Richie’s Wedding Makeup Look

Whether you sought it out or not, over the past few days, your social media feed was likely inundated with what has been appropriately deemed 2023’s “royal wedding.” At a multi-day event in the South of France, 24-year-old Sofia Richie (daughter of Lionel Richie) married music exec Elliot Grainge (son of Universal Music Group CEO Lucian Graing). It was a celebration of over-the-top opulence, as one might expect from the children of the rich and famous.

With a splashy Vogue feature and over 133 million views on TikTok, the event quickly morphed into a viral viewing party, met with internet-wide gawking and critical commentary. During a time when “quiet luxury” is top of mind, this sheer display of chic excess served the exact opposite energy. Nothing about it was under-the-radar or pared down, and that’s what made it so watchable.

The guest list? Hollywood royalty like Paris Hilton, Cameron Diaz, and Nicole Richie. The venue? The five-star Hotel du Cap-Eden-Roc in Antibes (where one of the “cheaper” rooms reportedly goes for USD $2,300 a night) that the newlyweds rented out in its entirety. The wedding dress? A rotation of three custom Chanel dresses, inspired by the house’s iconic archives. With each new detail revealed, the world could not seem to look away. And it’s not hard to see why.

These days, we’re increasingly in an era of toned-down accessorizing, indiscernible designer clothes and muted minimalist aesthetics. The trending ethos behind “recession core” is about hiding signs of money during a time when many are struggling financially. Conversely, this highly publicized, luxurious fête was served up to the world on a silver platter, and there’s something oddly refreshing about that.

Let’s revisit the situational buzzword: royal weddings. We are a culture obsessed with them because they offer a glimpse into an indulgent, seemingly perfect lifestyle that is completely unattainable — and not even real for those living in it. As such, one of the most alluring things about royal weddings is the mystique; the separation. Sure, there are swirling rumours and leaked insider tips. But the world witnesses the nuptials as the final performance of a meticulously choreographed production. With all the same extravagance, the Sofia Richie wedding eschewed this formula. Despite being distinctly out of reach for the everyday person, it felt oddly accessible. For that, we have TikTok to thank.

The 24-four-year-old bride — now formally Sofia Richie Grainge — debuted her account in the days leading up to tying the knot. A series of GRWM (“get ready with me”) videos show her in a cozy white robe — shiny slicked-back hair; impeccably dewy skin — as she does her makeup. When dressing for various wedding-related events, she confers with her virtual audience about sunglasses options and last-minute hair styling changes in real time. She even posted a behind-the-scenes look at the actual wedding with a day-in-the-life style vlog. In the midst of the affair’s undeniable opulence, this side of things made it all feel very…chill. Almost as if the fairytale was not painstakingly pre-planned, but actually au naturel.

Then there are her outfits, which offered an expensive and elegant “old money” vibe. Case in point: The aforementioned trio of Chanel pieces comprised a hand-beaded number for the rehearsal dinner, a lace-embroidered halter gown for the ceremony, and for the after-party, a recreation of a Chanel Fall 1993 mini-dress.

In the days surrounding the official wedding festivities, Richie sported a fringed look from Khaite, a striped maxi from Proenza Schouler, and a pristine two-piece set from Australian label Posse. This rotation of luxurious vacation wear has even prompted speculations of a “shift in how celebrities dress,” leading to more modest, refined pieces that fit this moneyed aesthetic.

Publicized destination celebrity weddings are nothing new (just ask Kourtney Kardashian). But with outfit confessionals, behind-the-scenes details, and an overall air of being casual while completely blowing up the internet, Richie’s wedding has elevated her to “It” girl status, or at the very least, the world’s new favourite nepo baby. Above all, the internet-breaking hype surrounding her weekend in France marks an unprecedented level of access to celebrity weddings.

Which star will tie the knot next and be elevated to Richie’s new status? Only time will tell. But one thing’s for sure: the world will be expecting a front row ticket.

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Indigenous Designers To Support On Earth Day and Beyond https://fashionmagazine.com/style/earth-day-2023/ Fri, 21 Apr 2023 20:19:15 +0000 https://fashionmagazine.com/?p=469094 Should we stop celebrating Earth Day? It’s not an entirely unfair question. In theory, the annual event, held on April 22, is a time to raise environmental awareness and, where fashion is concerned, spark conversations around mindful consumption. In practice, however, it evokes greenwashing. Big-box brands launch campaigns with flashy eco-friendly marketing and buzzwords about […]

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Should we stop celebrating Earth Day? It’s not an entirely unfair question.

In theory, the annual event, held on April 22, is a time to raise environmental awareness and, where fashion is concerned, spark conversations around mindful consumption. In practice, however, it evokes greenwashing. Big-box brands launch campaigns with flashy eco-friendly marketing and buzzwords about honouring Mother Earth. “This year, several Earth Day campaigns have a philanthropic slant,” Vogue recently noted. But often, the grandiose sustainability claims lack external verification and the materials employed aren’t all that environmentally friendly. And in the long run, this only encourages more consumption. It also promotes the idea that clothing brands should be churning out sustainably-labelled products based on industry timelines. In that vein, Earth Day has been commercialized into its own kind of trend.

Where marketing is concerned, many sustainable brands have forgone Earth Day observations altogether. Indigenous artists, specifically, are trailblazers of slow fashion as a standard practice. “My father grew up on the land,” wrote Cree author David A. Robertson in FASHION’s April 2022 issue. “He told me that time works differently for Indigenous people. There was never a need to rush; it was about patience and following the patterns of the animals: taking what you needed, not what you wanted, to preserve the land and its resources.” Take beadwork — a pillar of Indigenous design — which requires intentionality and merges art, fashion and storytelling. “Beading is part of our survivance story, and through it, I celebrate the immense strength of our people,” jeweller Catherine Blackburn told FLARE in 2019. “It becomes a tool and practice of resistance.”

Instead of conforming to the trend cycle and seasonal runway demands, many Indigenous designers work on their own timelines. “Often I will go to an Indigenous creator’s site and everything will be sold out because they are handcrafting, sometimes with materials that are coming from the land, and in very small batches,” says FASHION editor-in-chief Bernadette Morra. She notes that some artists may simply close commissions, no reasons given. “It’s a completely different way of thinking about fashion and one that I have a huge respect for because it is slow, thoughtful, and creator-centric.” And isn’t that the core ethos behind Earth Day?

Instead of finding new deals to shop, this year, try familiarizing yourself with Indigenous designers who are creating mindfully, all year round. Below, FASHION highlighted seven.

Anne Mulaire

Anne Mulaire’s eponymous clothing brand is made entirely in Canada with designs inspired by her Indigenous heritage. As such, prints are handcrafted by her father, Métis Elder David Albert. A former art teacher, Albert’s work is embedded with storytelling, from an embroidered prairie flower symbolizing pride to an Eagle feather representing unity among Indigenous communities.

Justine Woods

 

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The Toronto-based garment artist, designer, educator and scholar uses Indigenous fashion practices as a means of exploring Indigenous resurgence and liberation. She is a Penetanguishene Aabitaawikwe, whose extensive portfolio includes a bespoke beaded suit collection that pushes back on Western norms of professional wear and a multicoloured ribbon skirt inspired by a dream about swimming with her ancestors.

Catherine Blackburn

A member of the English River First Nation, Catherine Blackburn is a multidisciplinary artist and jeweller. A throughline of her work is using fashion to spark a dialogue about history, specifically addressing Canada’s colonial past. Employing beadwork and other historical adornment techniques, Blackburn’s work explores themes of Indigenous sovereignty, decolonization and representation.

Lynette La Fontaine

“The process of creating is healing for me,” writes Two-Spirit Métis mixed media artist Lynette La Fontaine on their website. “Emotionally, mentally, spiritually and physically.” Working with materials like plants, animals, and fish, they create jewelry, accessories, home decor, and wearable art following Métis traditions. Their method is infused with storytelling and guided by their intuition.

Jennifer Younger

Raised in the Southeast Alaska town of Yakutat, designer Jennifer Younger is Tlingit of the Eagle Kaagwaantaan clan and resides in Sitka, Alaska. She uses the contrast and texture of metals in her work and draws inspiration from Tlingit formline designs. All of her one-of-a-kind pieces are crafted with care — from handmade and assembled jewelry to engraved creations.

Justin Jacob Louis

 

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In 2016, Justin Jacob Louis founded cult-favourite streetwear brand Section 35 with the intention of using art and fashion to tell stories from his culture. As a member of the Samson Cree Nation, his designs — ranging from hoodies to cargo pants — strike an eye-catching balance by blending the past with the present.

Jamie Okuma

Jamie Okuma’s work spans from beaded bomber jackets to fringed dresses, and the designer has recently been added to the CFDA‘s coveted membership roster. Residing in Southern California, she specializes in handmade one-of-a-kind pieces and ready-to-wear fashions. Her work celebrates the combination of Indigenous art with fashion, categorizing garments as “Art to Wear” and “Art to Adorn.

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The Secret to Chris Evans’s Style https://fashionmagazine.com/style/celebrity-style/chris-evans-outfits-2023/ Wed, 19 Apr 2023 20:03:56 +0000 https://fashionmagazine.com/?p=468991 Ah, the mystery of internet heartthrobs. What is the je ne sais quoi behind Keanu Reeves sadly eating a sandwich? Or the viral thirst over Pedro Pascal’s suspiciously posed selfies? These are questions for philosophers greater than myself. But when it comes to 2022’s Sexiest Man Alive, Chris Evans, the enduring dreamboat essence can be […]

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Ah, the mystery of internet heartthrobs. What is the je ne sais quoi behind Keanu Reeves sadly eating a sandwich? Or the viral thirst over Pedro Pascal’s suspiciously posed selfies? These are questions for philosophers greater than myself. But when it comes to 2022’s Sexiest Man Alive, Chris Evans, the enduring dreamboat essence can be pinned down to his uniform.

RELATED: In Praise of Jonah Hill’s Style

This week, Evans is out and about promoting his new action-romance movie Ghosted, co-starring Ana de Armas, ahead of its Apple TV+ release on April 21. Lucky for us, he is serving a selection of ever-satisfying outfits, courtesy of famed menswear stylist Ilaria Urbinati. With each new appearance, Evans looks both supremely cozy and like he put a reasonable amount of effort into getting dressed. An A+ combination!

At the film’s New York City premiere on April 18, a bespectacled, scruffy-bearded Evans arrived in a white knitted polo by King & Tuckfield and green Giuliva Heritage trousers. The coloured stitching on his shirt brought out the playful hue of his lower half, right down to his forest socks and Vinny’s suede loafers. Waving at the paparazzi with a “Hey guys!” warmth, Evans’s impeccably coordinated get-up is emblematic of a precise outfit methodology.

When you possess a certain fashion intuition, a select few styles nestle themselves seamlessly into your wardrobe with a surprising amount of versatility. For Chris Evans, the recipe is as follows: a knitted polo; wide-set trousers; retro eyewear; and a good pair of shoes, preferably loafers. In other words: styles that show off his biceps (if you got it, flaunt it!), and allow him to stand out in a never-too-flashy kind of way.

Case in point: When guest starring on Good Morning America, Evans told an equally polished sartorial story. Wearing burnt orange pleated pants with just the right amount of slouch and a patterned polo tee with a complementary warm palette, Evans’s decade-exceeding heartthrob status emanated from his vintage-leaning ensemble.

For an interview with People, he donned a navy iteration of this style, featuring a criss-cross pattern with a few buttons undone to reveal a white tank. Another day, he gave the look a preppier spin with a white shirt featuring blue stripes and a pair of green khakis. Notice a theme?

To be clear, there’s a difference between “signature” and “boring.” While sporting a tried-and-true formula, Evans experiments via colour and patterns. And every now and again, his traditional rotation is peppered with knit vests layered atop crisp T-shirts. Such was the case when he appeared as a guest on The Tonight Show Starring Jimmy Fallon this week, and last summer when promoting his film The Gray Man. With each new appearance, his style is reliable, just like his role as an internet darling.

This appeal may seem obvious. I mean, he’s literally Captain America. But the 41-year-old actor’s unique charm is not in his conventionally good looks. It’s the way that he seems oddly approachable. Perhaps that’s because he’s not afraid to dance on the cusp of archetypical nerdy outfit territory. Or the fact that he, to paraphrase One Direction, doesn’t think he’s beautiful. He may be the Chris Evans, but he never takes himself too seriously. Take his viral back and forth flirtation with Lizzo, which ignited a will-they-won’t-they dynamic that brought joy to the world in 2021. This playful persona seeps through his easygoing approach to fashion, and it’s been a long time coming.

Evans’s red-carpet appearances once involved lots of plaid and baseball caps. Since he began working with Urbinati roughly 17 years ago, the world has watched his style silently evolve down to a refined — yet uncomplicated — science. We’ll always love Harry Styles’s commitment to rainbow feather boas. But Chris Evans proves that, even if you aren’t “pushing the boundaries” per se, you can still be a style icon in your own way. “I’ve been working with Chris longer than any client I have,” Urbinati told People in 2021. “His style has really evolved over time and he has acquired really beautiful taste of his own.”

What does that mean? He sticks to what works. And it works, every time.

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Succession Gives Mourning Attire a Whole New Meaning https://fashionmagazine.com/style/succession-logan-roy-death-mourning-attire/ Tue, 18 Apr 2023 20:10:50 +0000 https://fashionmagazine.com/?p=468884 Warning: Spoilers ahead for season 4 episode 4 of Succession. The traditional funeral dress code is soberingly straightforward: black; muted; conservative. But for a mourning event that doubles as a life-changing career opportunity? Well, that makes things a little more complicated. After patriarch Logan Roy’s death, the succession in Succession has finally begun. It’s the […]

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Warning: Spoilers ahead for season 4 episode 4 of Succession.

The traditional funeral dress code is soberingly straightforward: black; muted; conservative. But for a mourning event that doubles as a life-changing career opportunity? Well, that makes things a little more complicated. After patriarch Logan Roy’s death, the succession in Succession has finally begun. It’s the greatest power struggle to take place yet in the HBO show, and the outfits are the vehicle.

RELATED: Gwyneth Paltrow’s Court Wardrobe Is Kinda Perfect

Episode 4 is set at Logan’s $63 million apartment, wherein a wake is being held hours before a board meeting that will determine who takes over at Waystar Royco. People are mingling, hors d’oeuvres are passed, and speeches are made. It’s an off-kilter gathering filled with theatrical displays of “grief” and conference-ready suits. All in all, it reads pretty insincerely for a wake, but that’s because, for basically everyone here, this is business.

Marcia Succession
Photograph by David Russell/HBO

Take Marcia (Hiam Abbass), Logan’s estranged third wife, who is suddenly back in the picture and asserting her dominance in the Waystar empire after being pushed out. Dressed as the ultimate wealthy widow, Marcia welcomes guests to Logan’s apartment wearing head-to-toe black, finished by an extravagant tulle veil-adjacent hairpiece. Although her intentions are clearly transactional, she fits the visual bill of a melancholic mourner. But for Logan Roy’s kids, wake attire looks a little different.

At the centre of Succession is the question of whether Logan (Brian Cox) actually ever loved his children. And after his death, this mystery still hangs in the air. With the weight of their unresolved dynamic, plus the looming tension of Waystar’s future, Kendall, Shiv and Roman are dressed to prove themselves.

Kendall Succession
Photograph by David Russell/HBO

Doubling down on his affinity for quiet luxury via exceptionally plain outfits, Kendall (Jeremy Strong) spends the episode in a Tom Ford polo. His look, in a sea of suits, is a power move. Similar to a laid-back Silicon Valley billionaire, Kendall is stating that he doesn’t need to conform to formalities — he has inherited importance, and this emanates through his conspicuously casual wardrobe.

Shiv, Kendall and Roman in Succession
Photograph by David Russell/HBO

Roman (Kieran Culkin) looks the same as always — and this is intentional. An agent of verbal chaos, the youngest Roy brother keeps emotions buried or deals with them exclusively via inappropriate jokes. At the start of the episode, he tells his siblings that he has “pre-grieved” and maintains his everyday uniform: a tucked dress shirt, no tie and slicked-back hair. Costume designer Michelle Matland previously told Vogue that Roman’s style doesn’t waver much because it’s one thing he understands about himself, amid lots of internal confusion. In surprising small moments, he proves to have possibly the most empathy out of all the siblings. But with his clothing’s corporate exactness, Roman’s slimeball masquerade is part of an effort to be taken seriously by his dictatorial dad.

Shiv Succession
Photograph by David Russell/HBO

Then there’s Shiv (Sarah Snook), who seems the most put-together after Logan’s death that she’s looked all season. Gone are her drawstring pants and sad, scruffy ponytail. Instead, she’s sporting a coiffed bob and a turtleneck-pantsuit combo, reminiscent of her chic transformation in season 2. Her delicately layered necklaces add intentionality and her power shoulders communicate control.

But beneath this, she’s grappling with a secret pregnancy and guilt over how she left things with her dad. Not to mention her overarching uncertainty about her position within Waystar. This is exacerbated by the end of the episode, when it’s decided that Roman and Kendall will be co-CEOs, with an unsatisfying handshake agreement that Shiv will be equally involved behind the scenes. In light of her father’s job opening, Shiv’s pregnancy further illustrates her fatal career “flaw”: her gender. Regardless of how capable she is, Shiv’s womanhood will always be used against her. And her ultra-composed ensemble at the wake is a culmination of that. Meanwhile, everyone else is scrambling to get a piece of the Waystar pie.

Gerri and Karl Succession
Photograph by Macall Polay/HBO

Company execs, who were once devoted followers under Logan’s tyrannical rule, are now huddling in corners and holding covert meetings about who should step up for the interim CEO role. For flailing opportunists and wannabe members of the inner circle, like cousin Greg and Shiv’s soon-to-be ex-husband Tom, there’s an even greater urgency in the air. After betraying the siblings to work for Logan, they’re now rushing to get back in the good graces of Waystar’s future leaders. Tom (Matthew Macfadyen) keeps enthusiastically repeating that he’s “Here to serve,” and his overly formal suit and tie emphasize this desperation.

Kendall and Tom Succession
Photograph by David Russell/HBO

Of course, throughout the gathering, sibling loyalties are waning and interactions become increasingly cut-throat. The boardroom-ready fashion speaks for itself: Even in death, Logan Roy is able to set off psychological warfare among his children and employees.

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The Most Iconic Coachella Fashion Moments of All Time https://fashionmagazine.com/style/celebrity-style/best-coachella-outfits-celebrities/ Fri, 14 Apr 2023 19:51:42 +0000 https://fashionmagazine.com/?p=468810 Coachella gives the world so much. There’s live music. The California heat. And most importantly, celebrity fashion antics. Each spring, as stars get down in the desert, they reveal a new side to their styles sans red-carpet regulations and Hollywood dress codes. The result? Downright iconic Coachella outfits that feature a mishmash of flower crowns, […]

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Coachella gives the world so much. There’s live music. The California heat. And most importantly, celebrity fashion antics. Each spring, as stars get down in the desert, they reveal a new side to their styles sans red-carpet regulations and Hollywood dress codes. The result? Downright iconic Coachella outfits that feature a mishmash of flower crowns, vaguely boho-inspired accessorizing and a sea of statement patterns that, for better or worse, has left an indelible mark on pop culture.

RELATED: How To Dress Sustainably for Festival Season

Over the years, the norms of Coachella fashion have skewed from breezy and carefree aesthetics at best, to cultural appropriation at worst. Even still, certain famous festival-goer get-ups live on in internet history for being objectively unforgettable. In light of the 2023 music festival kicking off on April 14, FASHION highlighted the most memorable Coachella celebrity moments of all time — in no particular order.

Vanessa Hudgens, 2012

PHOTOGRAPHY BY GETTY IMAGES

It’s not hard to see why Vanessa Hudgens has been ordained the ultimate embodiment of Coachella fashion. Each season, the professional festival attendee has refined hippie-in-the-desert dressing with her crocheted tops, denim cut-offs and floral head adornments, as seen by a shoe-less Hudgens in 2012.

Paris Hilton, 2015

Paris Hilton 2015 Coachella
PHOTOGRAPHY BY GETTY IMAGES

The cat ears. The bedazzled flats. The turquoise patterned sheer caftan. We could expect nothing less from Paris Hilton at Coachella circa 2015. You may think this look is a relic of its time…exactly *checks notes* eight years ago. But Hilton makes her own trends — and is still sporting animal-inspired head adornments to this day.

Harry Styles, 2022

2022 Coachella Valley Music And Arts Festival - Weekend 1 - Day 1
PHOTOGRAPHY BY GETTY IMAGES

On any given occasion, Harry Styles’s style can be accurately described as “chaotic good.” So at the most anticipated American music festival of the year, this sartorial whimsy is taken to the next level. Naturally, in 2022, the artist wore a rainbow sequin one-piece from Gucci — a harbinger of many bedazzled jumpsuits to come.

Zoë Kravitz, 2015

Zoe Kravitz Spotted At Coachella Wearing Marc By Marc Jacobs Sunglasses
PHOTOGRAPHY BY GETTY IMAGES

Ever the effortlessly cool dresser, Zoë Kravitz’s Coachella looks are just as emblematic of refined personal style as her street ensembles. In 2015, the actor went grunge in a sea of flower crowns, wearing combat boots, a punky plaid romper and a bold statement choker.

Jared Leto, 2014

Jared Leto 2014 Coachella
PHOTOGRAPHY BY GETTY IMAGES

Before he was dressing up as his own twin at the 2022 Met Gala, Jared Leto was taking much bigger fashion risks: pairing zebra-patterned pants with red and white plaid. This small snapshot of 2014’s Coachella has become not only a source of Halloween costume inspiration but a historical document of mid-2010s fashion.

Beyoncé, 2018

Beyonce 2018 Coachella
PHOTOGRAPHY BY GETTY IMAGES

In 2018, Beyoncé made history as the festival’s first Black female headliner. To viewers’ delight, her viral performances were full of custom outfit changes, courtesy of Balmain. Case in point: this hot pink cropped hoodie and denim micro-shorts, which were paired with holographic fringe Christian Louboutin boots.

Jasmine Tookes, 2018

Jasmine Tookes 2018 Coachella
PHOTOGRAPHY BY GETTY IMAGES

Dare we say this was…the best look ever? The model’s 2018 ensemble is both oh-so-Coachella and timeless. The hat is satisfyingly wide-brimmed. The bracelets are stacked to mismatched perfection. The lace bralette is complemented by a billowing panelled maxi skirt. In short, it’s all the best things about festival fashion.

Katy Perry, 2012

Katy Perry Coachella 2012
PHOTOGRAPHY BY GETTY IMAGES

Perry has been churning out unique festival outfits for years. Perhaps the most memorable? The delicious randomness of this 2012 get-up. Together, her violet-blue hair, sequin rose motif mini-dress and tattered tights possess an intentionally unkempt coolness that is perfect for sweating in the desert.

Lizzo and Janelle Monáe, 2019

2019 Coachella Lizzo and Janelle Monae
PHOTOGRAPHY BY GETTY IMAGES

This on-stage moment between Lizzo and Janelle Monáe dominated social media feeds in 2019, not only because of its inherent meme potential but because it captures the whacky glory of festival fashion. Where else can Lizzo’s fringe apron and cowboy boots look masterfully cohesive alongside Monáe’s silver sequin leggings?

Kendall and Kylie Jenner, 2015

Kendall and Kylie Jenner 2015 Coachella
PHOTOGRAPHY BY GETTY IMAGES

2015 was big for the youngest sisters of the KarJenner gang. It was the year that Kylie Jenner launched her lip kit empire and the first time that Kendall Jenner walked in the Victoria’s Secret fashion show (remember those?). They were also Coachella regulars — the former serving a rotation of colourful hairstyles and the latter opting for layered jewelry. Time flies.

Gigi Hadid, 2015

Gigi Hadid 2015 Coachella
PHOTOGRAPHY BY GETTY IMAGES

The key to dressing for a concert in the desert? Light fabrics and heavy accessories. In 2015, Gigi Hadid adorned her simple white dress with delicate necklaces and a chunky brown belt, and her blonde beach waves with a paisley bandana. She also added foot, finger and arm jewelry. Most importantly — like a seasoned festival pro — she ditched her shoes.

Rihanna, 2018

Rihanna and PUMA Gear up for Summer '18 at Coachella
PHOTOGRAPHY BY GETTY IMAGES

Rihanna has long been known to turn heads at Coachella, because, like in all her other endeavours, she subverts expectations. Take 2018, when the mogul eschewed flower child festival dressing for utilitarian cargo pants and a hot pink bodysuit by Fenty x Puma Spring 2018. Among other looks this year were a balaclava and impossibly slouchy thigh-high boots.

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How To Dress Sustainably for Festival Season https://fashionmagazine.com/style/trends/coachella-festival-fashion-sustainability/ Fri, 14 Apr 2023 14:00:40 +0000 https://fashionmagazine.com/?p=447174 This article was originally published in April 2022 and has been updated.  Don’t get me wrong, there’s plenty to love about Coachella fashion. I mean, where else would you see Harry Styles and Shania Twain perform in matching sequin ensembles? Over-the-top outfits have come to define the event, but that’s starting to change. RELATED: The […]

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This article was originally published in April 2022 and has been updated. 

Don’t get me wrong, there’s plenty to love about Coachella fashion. I mean, where else would you see Harry Styles and Shania Twain perform in matching sequin ensembles? Over-the-top outfits have come to define the event, but that’s starting to change.

RELATED: The Ultimate Guide to Canada’s Best Vintage Stores

As fashionable festival-goers dress to impress in the crowded desert, a culture of overconsumption has become the norm. And one thing is urgently clear: we can’t keep going like this.

After a three-year pandemic hiatus, Coachella 2022 marked the return of in-person festivals last year. The fashion-forward affair was first in the line of various upcoming summer music events, including Canadian festivals Osheaga and Veld. Coachella 2023 kicks off on April 14 and the much-anticipated festival is shaping up to be bigger and buzzier than ever. And that means lots (and lots) of one-and-done outfits. As the climate crisis intensifies, it’s impossible to ignore the environmental nightmare that is festival fashion.

A 2019 study found that, every year, about 7.5 million festival outfits are single-use. In the age of the influencer, Coachella has become a hub of content creation based on the premise of unique, never-before-seen outfits. “When people are increasingly seeing more influencers and celebrities styling new pieces, it’s easy to turn to a fast fashion brand and purchase a similar item for less,” says Maria Morales, the general manager of Poshmark Canada.

According to The New York Times, brands like H&M and Asos “plan for months” in anticipation of the spike in shoppers they’ll receive during festival season. It’s commonplace for entirely new wardrobes to be purchased by festival-goers, worn once and tossed away.

Festival fashion feeds into the mentality that condemns “outfit repeating,” and therefore limits the possibilities of one’s personal style. “This creates a sense of constant pressure to always buy new items, often not because the new clothes excite us, but simply because we don’t want to be seen wearing the same outfit,” says Morales. It’s this mindset that keeps us staring at a closet full of clothes and thinking we have nothing to wear.

The fashion industry is a major contributor to waste and water pollution, and the environmental impacts of single-use outfits are particularly troubling. But there are ways to participate in festival fashion while being mindful of the Earth. Below, Morales shares her tips on how to approach this festival season sustainably.

Upcycle old pieces

First things first: be open to wearing the same thing more than once. “It’s such a shame when people are frowned upon for being an outfit repeater,” says Morales. Before ordering a new crop top, consider how your own wardrobe can be reworked. “Add sequins, fringe, patches and other add-ons to create an entirely new look,” she suggests. “Have a favourite vintage t-shirt? Give it a new look by tie-dying it.”

sustainable festival fashion
Photography courtesy of Poshmark Canada

Become best friends with your local tailor

“They can take tired jeans and turn them into perfect shorts for the summer, reconfigure a dress into a blouse or crop top, and more,” explains Morales. “There are so many ways to rework clothing from what you already own.” Not only is that more eco-conscious than buying brand new, but it will also give you a completely unique garment.

Use statement pieces to transform any look

Don’t underestimate the versatility of quality wardrobe staples like jean shorts, mini skirts, and simple dresses. These are “key pieces,” says Morales, and can be worn in new ways through experimental hairstyling and fun, chunky jewelry.

sustainable festival fashion
Photography courtesy of Poshmark Canada

Instead of throwing old clothes away, give them new life

If you bought something for a festival, but can’t see yourself wearing it on a day-to-day basis, don’t toss it. Instead, Morales suggests hosting a clothing swap or reselling it on online marketplaces. “Ask your besties if you can share each other’s favourite items and style them in a way that reflects your personal style,” she says.

The bottom line? Know your personal style

“Microtrends are just that: trends,” says Morales. “As fast as they come in, they will be gone, leaving a graveyard of garments behind in the dust.” While it’s fun to experiment with daring festival fashion, it’s important to know what works for you and what doesn’t, so that you can avoid clothing waste when the celebrations are over. “Truly owning your personal style will allow you to recognize which of those trends will complement your existing wardrobe, and which to leave behind.”

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The Beauty in Succession Is More Intentional Than You Think https://fashionmagazine.com/beauty-grooming/succession-beauty/ Tue, 11 Apr 2023 19:34:51 +0000 https://fashionmagazine.com/?p=468541 Warning: Spoilers ahead for season 4 episode 3 of Succession. Despite what the Roys might have you believe, beauty is everything on Succession. In a billionaire circle where egos are inflated and one wrong move can make you “visually aggravating,” every detail of one’s appearance matters. And after the HBO drama shocked the world by […]

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Warning: Spoilers ahead for season 4 episode 3 of Succession.

Despite what the Roys might have you believe, beauty is everything on Succession. In a billionaire circle where egos are inflated and one wrong move can make you “visually aggravating,” every detail of one’s appearance matters. And after the HBO drama shocked the world by killing off patriarch Logan Roy (Brian Cox), the stakes have never been higher. Because this one-percenter bunch doesn’t communicate well with words, much of their emotions — and power struggles — can be pinned to their grooming choices. Here, FASHION breaks down the meaning behind the hair and makeup on Succession.

RELATED: Succession Has Mastered the Art of Quiet Luxury

Something’s off about Shiv

Dealing with a bitter divorce and a cut-throat relationship with her father, Shiv (Sarah Snook) starts off season 4 episode 3 by standing out — and not in a good way. Fittingly titled “Connor’s Wedding,” the episode sees Kendall (Jeremy Strong), Roman (Kieran Culkin) and Shiv board a yacht for their eldest brother’s betrothal to escort-turned-fiancé Willa Ferreyra. Shiv’s mourning-appropriate all-black pantsuit is finished with smokey eyeshadow, stark lashes, and a dark lip. Right off the bat, this makeup-heavy choice is a dated departure from her usual barely-there glam. Then there’s the hairstyle (if we can call it that): a bob pulled into a makeshift bun with a flimsy black elastic. It’s fitting for someone rushing out the door to run errands, not a billionaire’s daytime wedding. This intentional messiness contradicts the precision of last season’s angular bob. For starters, it’s a sign that she doesn’t care about the wedding. After all, the Roy siblings have never welcomed Willa (more on that later). But it’s also an assertion of her status: so as to say, yet again, that she doesn’t have to try.

Kendall and Shiv in Succession season 4
Photography by Macall B. Polay/HBO

Initially, this image exemplifies defiance against her father. But once she learns about his passing, it gets sloppier, mirroring her vulnerability and uncontainable sadness. While telling her dad through sobs that she loves him over the phone, her makeup deteriorates. The same goes for her hair. By the end of the episode, her face is rimmed with flyaways, and what was once (sort of) a bun is now a limp scruffy ponytail. Shiv looks more lost than ever.

Willa’s blonde ambition

In Succession season 1, Willa (Justine Lupe) is written off by the rest of the family as an accessory, not a person. Introduced as an escort that Connor (Alan Ruck) sees regularly, she’s an aspiring playwright in a strictly transactional relationship. Her auburn blonde hair passes as natural and doesn’t demand monthly touch-ups. It also allows her to blend into the background, so as to not take up space in the already-tense family dynamic.

Willa and Connor in Succession season 4
Photography by Macall B. Polay/HBO

But as her relationship with Connor progresses, she infuses lighter shades in her strawberry-blonde locks. By season 4, Willa’s hair is a cool blonde, rich with highlights and dimension: no doubt an expensive salon transformation that requires regular upkeep. Ultimately, it signifies that Willa has mastered her role in the Roy family game. She loves Connor in her own tepid way, she doesn’t get involved in the cut-throat sibling bickering, and she’s willfully oblivious to what happens around her (not unlike a certain White Lotus character). Ignorance is bliss when you have great hair!

Willa and Connor in Succession season 4
Photography by Macall B. Polay/HBO

As she and Connor forge ahead with their wedding despite the news of Logan’s death in episode 3, she dons a loosely tousled half-up hairdo that flies breezily in her face. It’s a hairstyle that looks effortless but indeed takes a lot of work, fitting for her new full-time role as a billionaire family member. This brings us to our next point.

Naomi Pierce’s billionaire mullet

Ah, the pricey, labour-intensive shag. A true nepo baby cut! Naomi Pierce (Annabelle Dexter-Jones) is part of an adjacent billionaire legacy media family. Though not technically a main character, her fine-tuned stealth wealth aesthetic has made her easily the most stylish figure on the show. In season 4, she debuts a blonde mullet that is somehow undoubtedly “billionaire chic.” Full of contrasting lowlights and a face-framing fringe, it’s messy, and that’s the point. The same goes for her previous (viral) hairstyle: a bob never quite symmetrically styled. Pierce looks like she doesn’t own a hairbrush, and it’s a decidedly high-fashion oeuvre. Such are the perks of being a part of the one per cent.

Covert mani-pedis

In Succession, nails are yet another extension of status. Buffed, bare, colourless talons are the manicure equivalent of quiet luxury. As a minimalist blink-and-you-miss-it adornment, Shiv’s semi-transparent polish exemplifies her ongoing efforts to be a boss and to de-femme in a male-dominated corporate environment.

Shiv sitting at a desk in 'Succession.'
Photography by David Russell/HBO

Though nails on the show are seldom popping with colour, each one-percenter must stay subtly manicured as a measure of being taken seriously. Case in point: In season 2, as the family embarks on a shoe-less yachting expedition, cousin Greg worriedly asks, “What if your toenails are not all that aesthetically pleasing?” to which Kendall responds, “Sails out, nails out, bro.”

Shiv and Tom on a beach in 'Succession.'
Photography by Graeme Hunter

Step one in being a gazillionaire: having impeccably groomed cuticles at all times.

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It’s Barbie’s World, We’re Just Living in It https://fashionmagazine.com/flare/tv-movies/barbie-movie-2023/ Thu, 06 Apr 2023 20:06:58 +0000 https://fashionmagazine.com/?p=468446 In these uncertain times, all people really want is one thing: tickets to the Barbie movie. Greta Gerwig’s adaptation of the iconic doll franchise is hitting theatres July 21, 2023. And while I cannot tell you exactly what the film is about (read more details here), I know enough to be utterly obsessed. RELATED: Barbiecore […]

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In these uncertain times, all people really want is one thing: tickets to the Barbie movie. Greta Gerwig’s adaptation of the iconic doll franchise is hitting theatres July 21, 2023. And while I cannot tell you exactly what the film is about (read more details here), I know enough to be utterly obsessed.

RELATED: Barbiecore and Western Wear Are a Perfect Match

With each new crop of behind-the-scenes pictures or viral teasers, there is no discernible storyline — just a hit of dopamine and a Pepto Bismol-dipped dose of childhood nostalgia. On these vibes alone, Barbie has managed to captivate the world.

The latest trailer, released April 4, is an intoxicatingly chaotic viewing experience. It starts with a shot of Barbie (Margot Robbie) slipping off her feather mules, only for her bare feet to be permanently gelled in a pointed position. Right away, this flagrant disregard for foot health pokes fun at the unrealistic body standards that have come to define Barbie’s It girl image. And it serves as a harbinger of many delightful oddities to come.

Throughout the nearly two-minute sequence, everything looks sticky and bright (as it should). We have pink sand, cartoon buildings and plastic convertibles. The casting spans from Dua Lipa to Issa Rae to Canadian actor Michael Cera. We have a sea of saturated preppy styles and resort wear, including sugary tweed separates, retro menswear hotpants and lots of gingham. The costumes, conceived by Jacqueline Durran, are seemingly void of designer labels to further capture the make-believe nature of Barbie Land. But this extensive world-building doesn’t stop at the film’s marketing. Barbie is not just a movie, it’s a pop culture movement that is traversing industries. Look no further than the posters.

Everyone knows the most important step in achieving world domination is becoming a meme. Enter the now-ubiquitous Barbie banners. The minds behind the project have created an AI selfie generator, using science for good by allowing anyone to insert themselves into the Mattel world. As a result, in a few short days, Barbie has usurped nearly every other cinematic universe. The Devil Wears Prada may as well have been shot in Barbie Land. The Succession cast is suspiciously believable as respective plastic dolls. Pearl, the budding horror character du jour (played by Mia Goth), somehow seamlessly fits into the peppy branding. Even inflatable rats are getting a sparkly main character moment. And if they haven’t been made into Barbie, beloved pop culture figures have been brought into the Barbie multiverse as fans, from The Hunger Games characters to Scream’s murderous villain Ghostface. It’s a meme with a clear message: everyone is currently enthralled with Barbie.

The Barbie-fication of pop culture pushes back on the unattainable exclusivity that has historically overshadowed the doll’s legacy. By embracing its over-the-top essence and doubling down on its unrealistic campiness, the Barbie film has concocted an interactive lore that compels us all to get involved. Barbie is for everyone because Barbie is for no one. By reclaiming all its tired tropes, the Barbie movie is democratizing the ultimate symbol of aspiration. And for a franchise that has long been viewed as “girly” and therefore less important, Barbie’s 2023 ubiquity is pretty radical. The sheer excitement has even inspired a cultural revisiting of decades-old animated doll-centred movies — nay, “ancient texts.”

It’s not hard to see why we’re all glomming onto Barbie Land now. Yes, the Barbie movie offers a “look, pretty!” reprieve from the slog of every day. But with self-aware jokes and over-embellished artificial visuals, it also promises deeper commentary. The marketing of the film is intentionally vague and void of plot points. Margot Robbie has been notoriously tight-lipped about the project, apart from the occasional “expect the unexpected.” As such, each sneak peek is a fever dream of candy-coated nothingness, in which characters bask in blissful ignorance. And I think that’s the point. Barbie is a genetically modified carrot being dangled in front of us all, only to sneakily deliver a real message when we least expect it.

Social media profiles everywhere have been replaced with make-shift movie posters, the franchise’s hot pink is still a trending colour, and there are ample sleuthing series dedicated to decoding hints from the film’s marketing. Gerwig’s refreshed version of Barbie is heading for global domination, and there’s no end in sight. One day, perhaps nothing else will exist — the world will be only Barbie. And you know what? I’m OK with that.

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Adaptive Fashion Brands You Should Know About https://fashionmagazine.com/style/adaptive-clothing-brands-2023/ Tue, 04 Apr 2023 15:34:55 +0000 https://fashionmagazine.com/?p=468222 Fashion has long touted its efforts to be more inclusive. But one group that disproportionately gets left out of the conversation is those with disabilities. While nearly 22 per cent of the Canadian population is part of this community, clothing catered to access needs is still not an industry norm. Nevertheless, awareness and demand for […]

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Fashion has long touted its efforts to be more inclusive. But one group that disproportionately gets left out of the conversation is those with disabilities. While nearly 22 per cent of the Canadian population is part of this community, clothing catered to access needs is still not an industry norm. Nevertheless, awareness and demand for accessible clothing are on the rise. Adaptive fashion — made for people with disabilities and health conditions for which getting dressed can present challenges — is a market that grows more year after year. Here are some standout adaptive clothing brands that are working to make fashion more inclusive for people with disabilities.

RELATED: Fashion Week Still Has an Ableism Problem

Slick Chicks

slick-chicks

For those with physical constraints, putting on underwear is not as simple as slipping one leg in after another. With a mission to give people with disabilities more independence in day-to-day dressing, Slick Chicks specializes in easy-to-latch-on intimates for all-day comfort. Bras can be done up in the front via velcro or zippers, and underwear has side fasteners so that wearers can put them on whether they’re standing, sitting or lying down. Plus, Slick Chicks offers athleisure options, featuring open sleeves, elastic waistbands, and clasp buttons, and all pieces are showcased on an array of body sizes and abilities.

Von Ruz

 

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Womenswear brand Von Ruz takes a “demi-couture” approach to inclusive clothing design by fusing accessibility and fashionability. Based in Paris, France, the label aims to offer ease and wearability without compromising aesthetics, with add-in elements like magnetic fastenings and wrap-around waistbands. Along with experimental eveningwear, Von Ruz offers an inclusive take on professional attire. Detachable blazers feature magnetic zip-able sleeves, and trousers can be buttoned up along pant legs for people with prosthetic limbs.

Auf Augenheohe

This German label makes ready-to-wear clothing for little people that, unlike standard clothing options, don’t have to be altered or changed. Auf Augenheohe ships worldwide and caters to all genders, from form-fitting sheer tights and leggings to streetwear and accessories. The site provides instructions on how people with short stature can measure their bodies, and the brand matches measurements with exact sizing recommendations to ensure garments fit every time.

Aille Design

Canadian founder Alexa Jovanovic works with blind and visually impaired people to create customizable clothing with braille inscriptions. Each handmade piece features a message embellished with intricate beadwork with the goal of initiating conversations and awareness about disability inclusion. Aille Design can also apply braille beadwork to pre-owned pieces, with free consultations available on how to go about the customization process. Plus, five per cent of all T-shirt sales are donated to organizations for the visually impaired.

323

323 clothing label
Photography by Sophia Schrank

When creating Los Angeles label 323, Jillian Maddocks drew inspiration from her “quirky personality and limitations” as a neurodivergent and chronically ill person. Filled with kaleidoscopic colours and billowing silhouettes, 323 offers size-, gender-, and disability-inclusive garments. It’s also sustainability-minded, using materials like insulation foam, plastic bottle caps, and vintage quilted blankets to create capes and dresses. All items can be easily worn without undergarments for those hypersensitive to the touch of clothing, and most can be seamlessly pulled on.

June Adaptive

 

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Founder Wendy Wong was inspired by her aunt, June, who lost mobility in an accident and struggled to find adaptive clothing. The Canadian brand designs specifically for those with mobility challenges — be it due to disabilities or recovery from medical treatments. Sneakers have adjustable velcro fastenings and can be altered based on height and width, while garments like pants and jean jackets come with elements like magnetic buttons, zippers and easy-touch closures.

IZ Adaptive

IZ-Adaptive

Since first venturing into accessible clothing design in 2004, founder Izzy Camilleri has become a pioneer in adaptive clothing. Offering a spin on timeless classics, IZ Adaptive creates pieces for people of all genders who are wheelchair users or living with limited mobility. From sleek footwear with wraparound zippers to chinos without back seams designed for seated bodies, garments are made to be both functional and stylish. The Boucle Cape, for instance, is a cozy wool-blend piece made to be seamlessly worn over anything, with a wide neck opening, stretchy fabric and a design suited for all body types.

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In Praise of Jonah Hill’s Style https://fashionmagazine.com/style/celebrity-style/jonah-hill-style/ Fri, 31 Mar 2023 20:10:37 +0000 https://fashionmagazine.com/?p=468210 If “good vibes” could be materialized, the result would be Jonah Hill’s wardrobe. You won’t find the actor-turned-director on many red carpets these days, and yet, he’s delivered consistent menswear inspiration for years. Case in point: Hill made headlines while strolling over to the Brentwood, Los Angeles Country Mart on March 9th. His outfit? A […]

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If “good vibes” could be materialized, the result would be Jonah Hill’s wardrobe. You won’t find the actor-turned-director on many red carpets these days, and yet, he’s delivered consistent menswear inspiration for years.

Case in point: Hill made headlines while strolling over to the Brentwood, Los Angeles Country Mart on March 9th. His outfit? A simple white tee, a pair of dark-wash jeans with bone motifs by Japanese brand Kapital, and last but not least, a pair of chestnut Uggs. Inexplicably, it’s perfect. Such is the power of Jonah Hill’s easygoing style prowess.

With a decidedly low public profile, his oft-discussed street-style photos have garnered their own cult following. Not only are they rich with jovial sincerity (recall the great iced coffee calamity of 2019), but they exhibit someone who is truly having fun with fashion.

 

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Over 50,000 people follow the Instagram account @jonahfits, which acts as a shrine to these cheerful ensembles. Whether he’s wearing playful patchwork jeans, cozy patterned cardigans or luxe satin sets, a smiling, bearded Hill always looks refreshed, post-facial-level glowy and effortlessly comfortable in his clothes. This is a man who has mastered the art of personal style. And when it comes to menswear’s notorious lack of body inclusivity, his approach to fashion is worth celebrating.

Early in his career, the 39-year-old actor was typecast as a punchline because of his weight. After rising to fame for his role in 2007’s Superbad, the actor was relegated to the one-dimensional “Funny Fat Guy” trope, writes Elamin Abdelmahmoud in Buzzfeed. “For decades, being the Funny Fat Guy has meant being forced to accept people’s comments about your body and acting like you, too, are in on the jokes,” he continues.

And when it comes to clothing, this reductive title holds clear-cut restrictions. It means you’re expected to dress — and not dress — in a certain way: to avoid standing out, avoid taking risks, and avoid using your wardrobe as a tool for experimentation. “I always had an interest in personal style and fashion, but I was always a bigger guy,” Hill told GQ in 2020. “It’s really hard when you’re overweight to dress a certain way, because clothes aren’t made for people who are overweight to have style.” As Abdelmahmoud notes, Hill’s body size has been a constant point of public discussion, even after losing weight.

In February 2021, Hill confronted the commentary on his body when shirtless photos of him were released online. On Instagram, he wrote, “I don’t think I ever took my shirt off in a pool until I was in my mid 30s even in front of family and friends. Probably would have happened sooner if my childhood insecurities weren’t exacerbated by years of public mockery about my body by press and interviewers.”

Photography via Getty Images

This treatment is layered with the fact that men are often belittled for expressing vulnerability, especially regarding body image. Nevertheless, Hill has been refining his personal style for years. It’s hard not to see this as a sartorial reclamation of his self-image, thanks to the delightful air of irreverence weaved into his wares. He’ll sport a slouchy suit with a zipper instead of a tie. He switches between bleach blonde and pink hair. He keeps a seemingly limitless rotation of bucket hats for any occasion, he forays into dweeb dressing, and he is eternally fond of tie-dye. Most importantly, he’s made fashion fun for himself.

His latest project, 2023’s You People, is the perfect example. The film, which he co-wrote and stars in, is brimming with quintessentially Jonah Hill streetwear. But off-screen, the star opted out of red-carpet appearances in an effort to protect his mental health. On social media, he wrote, “I have come to the understanding that I have spent nearly 20 years experiencing anxiety attacks, which are exacerbated by media appearances and public-facing events.”

So, for now, the actor remains a menswear street-style icon. He’s wholeheartedly enjoying fashion. He’s just doing it on his own terms. Jonah Hill is protecting his peace, and dressing the part.

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Gwyneth Paltrow’s Court Wardrobe Is Kinda Perfect https://fashionmagazine.com/style/celebrity-style/gwyneth-paltrow-court-outfits/ Wed, 29 Mar 2023 20:54:01 +0000 https://fashionmagazine.com/?p=468047 Say what you will about Gwyneth Paltrow, but no one can deny her ability to look chic in a crisis. The Goop CEO, wellness (?) aficionado and general causer of controversy is currently in court, and, to borrow an ancient proverb: your honour, she’s slaying. RELATED: Succession Has Mastered the Art of Quiet Luxury ICYMI: Paltrow […]

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Say what you will about Gwyneth Paltrow, but no one can deny her ability to look chic in a crisis. The Goop CEO, wellness (?) aficionado and general causer of controversy is currently in court, and, to borrow an ancient proverb: your honour, she’s slaying.

RELATED: Succession Has Mastered the Art of Quiet Luxury

ICYMI: Paltrow is being sued by 76-year-old retiree Terry Sanderson, who accused the actor of skiing into him on a Utah mountain — and then fleeing the scene — in 2016, leaving him with life-altering injuries. Paltrow filed a countersuit against Sanderson, claiming that he in fact skied into her. Sanderson is seeking more than $300,000 USD in damages (an amendment from his initial ask of $3.1 million), while Paltrow is seeking $1 USD in damages, plus attorneys’ fees. With no agreed-upon facts in sight, the case is rich with convoluted chaos. But it has united the world on one crucial front: fashion!

Since the trial began on March 21, Paltrow has been eschewing the celeb courtroom standard of conservative suits. Instead, she’s opted for a minimalist rotation of flowy silhouettes, soft knits and academic-inspired styles that The New York Times approvingly dubbed “courtcore.” Wearing The Row, Prada, Celine and her own Goop clothing line, G. Label (because of course), Paltrow’s neutral, well-tailored wardrobe is void of branding but is indeed very expensive. It’s the epitome of quiet luxury, and it’s downright poetic for a case about the inner workings of ski etiquette.

She started off the trial in true rich mom form. On March 21, the 50-year-old donned a billowing ivory turtleneck — which appears to be a nearly $600 USD sweater from G. Label — Celine lace-up boots, brown wide-leg trousers, an army green trench, and now-viral aviator glasses. The next day, she sported an almost identical outfit which the Daily Mail estimates costs $67,220 USD. (Investigative journalism matters!) These forgiving silhouettes and creamy soft fabrics communicate that, despite being in court, Paltrow has all the worries of a Coastal Grandmother. Which is to say, none.

Her blissful, distinctly affluent oeuvre was further reinforced by her legal team’s request to gift the bailiffs some thank-you “treats.” Sadly, this attempt was shot down, so we’re left only to muse about what those Goop-ish gifts could be. (Hopefully not jade eggs.) Moving on!

While modest and effortless, Paltrow’s courtroom outfits never feel too casual for the setting. Case in point: on day three, she hit the scene (courtroom, that is) in a monotone grey slouchy double-breasted suit. Her hair? Messily tucked. Her makeup? Minimal. Her accessories? Stacked gold necklaces and a family-sized bottle of sparkling water. It’s giving “I’m too rich for this.” And, for obvious reasons, that works for her.

Photography by Getty Images

On March 24, Paltrow took the stand in a Wednesday Addams-esque ensemble that had us questioning whether this was fashion week or a courtroom in Park City, Utah. The all-Prada outfit consisted of a dark navy skirt, a figure-hugging cashmere button-down and chunky combat boots. It may have been her best look yet, and that’s a good thing, seeing as her testimony has been meme’d into oblivion. Rest assured, the wackadoodle details of the case brought us firmly back to reality.

The line of questioning by Kristin VanOrman, Sanderson’s lawyer, veers between star-stricken and accusatory. In one moment, she’s marvelling at Paltrow’s height (“just under 5’10”). In another, she’s ruthlessly investigating her ties to Taylor Swift — and whether she’s given “personal, intimate” Christmas gifts to the pop star. Nevertheless, Paltrow’s demeanour is reliably chill. But she’s also not trying to hide the fact that she’s wealthy and famous.

Her team is suggesting that Sanderson’s suit aims to exploit the Oscar winner’s celebrity status. And her demure “old money” ensembles seem to communicate the idea that she doesn’t need to be there, but she’s fighting back because she believes she’s right. (Allegedly.) On March 27, Paltrow wore a similar silhouette and dark colour palette, this time with a white button-up and skirt from The Row paired with yet another G. Label cardigan.

The following day, she wore her trustee Celine boots with Proenza Schouler leather pants and a drapey neck-tie blush pink blouse from G. Label. During the proceedings, she remained attentive while sipping a green juice, because she may be in court, but she shan’t be neglecting her detox.

Photography by Getty Images

Through it all, her gentle outfits stand in stark contrast to the jarring details of the crash, and the satirical drama to come of this case. With vastly different recollections, inexplicable lines of questioning, and downright theatrical courtroom reactions, Paltrow’s clothes stand out as a bastion of satisfying polished style amid the disarray of this case.

Of course, privilege is baked into the entire ordeal. The he-said-she-said between two wealthy, white ski resort frequenters is not exactly the end-all-be-all in the name of justice. But perhaps that’s why this trial — which is expected to run until March 30 — has become so popular. We may never know who hit who on that snowy mountain seven years ago. But from her outfits alone, Gwyneth Paltrow seems confident in her case.

The post Gwyneth Paltrow’s Court Wardrobe Is Kinda Perfect appeared first on FASHION Magazine.

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